{"id":91434,"date":"2024-07-09T18:06:00","date_gmt":"2024-07-09T22:06:00","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/07\/09\/how-will-shaboozey-follow-his-chart-topping-a-bar-song-tipsy-success\/"},"modified":"2024-07-09T18:06:00","modified_gmt":"2024-07-09T22:06:00","slug":"how-will-shaboozey-follow-his-chart-topping-a-bar-song-tipsy-success","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/07\/09\/how-will-shaboozey-follow-his-chart-topping-a-bar-song-tipsy-success\/","title":{"rendered":"How Will Shaboozey Follow His Chart-Topping \u2018A Bar Song (Tipsy)\u2019\u00a0Success?"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis week, country singer-songwriter <a href=\"https:\/\/www.billboard.com\/artist\/shaboozey\">Shaboozey<\/a> clears the final \u201cBar\u201d on the <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100 <\/a>(dated July 13) with his breakout crossover hit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cA Bar Song (Tipsy),\u201d which heavily interpolates Chingy\u2019s No. 2-peaking 2004 pop-rap smash \u201cTipsy,\u201d climbs 2-1 in its 12th week on the Hot 100. The single, from Shaboozey\u2019s recently released <em>Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going<\/em> becomes the second song from a Black artist to top both the Hot 100 and the Hot Country Songs charts in the same week this year \u2014 following Beyonc\u00e9\u2019s \u201cTexas Hold \u2018Em,\u201d from her <em>Cowboy Carter <\/em>album, which also features Shaboozey on two separate tracks. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat does the song hitting No. 1 mean for both Shaboozey and for country music? And who could be the next breakout start to reach the Hot 100\u2019s apex for the first time in 2024? <em>Billboard<\/em> staffers discuss these questions and more below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>1. Shaboozey scores his first Hot 100 No. 1 with \u201cA Bar Song,\u201d in its 12th week on the chart. What do you think was the biggest factor in it making the jump from viral hit to chart-topping crossover smash?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: Not a sexy answer here, but it\u2019s more of several factors compounding to push \u201cA Bar Song\u201d into the stratosphere. The song\u2019s twang fits squarely within the ever-present mainstream moment for country music in 2024; Shaboozey\u2019s savvy interpolation of J-Kwon\u2019s \u201cTipsy\u201d plays well with the nostalgia factor that thrives on TikTok (even when the core demographic is probably a touch too young to remember the original in its heyday); and a well-timed radio push has not only kept the hit afloat but helped it get over the hump to No. 1.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Lyndsey Havens<\/strong>: Timing, all around. Shaboozey has had mild success prior to \u201cA Bar Song,\u201d which more importantly points to the fact that he has been building his career prior to \u201cA Bar Song.\u201d He and his team were not only prepared for a viral hit, but also knew how to strategize around it, ensuring the song would sustain beyond a\u00a0social media spike. Plus, the timing of its release \u2013 on the heels of Shaboozey\u2019s features on Beyonce\u2019s\u00a0<em>Cowboy Carter<\/em>, and at a time when country music is prevalent in the mainstream, and at the height of summer \u2013 has helped boost this smash to the top of the charts.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: \u201cA Bar Song\u201d eventually reached No. 1 because it performed well across platforms and formats. The single has racked up hundreds of millions of streams and has been a mainstay in the top 10 of Spotify\u2019s U.S. top songs chart for weeks on end; meanwhile, \u201cA Bar Song\u201d has also topped charts overseas, reached No. 1 on Hot Country Songs, and hit the top 10 of radio charts like Pop Airplay, Country Airplay, Adult Pop Airplay and Rhythmic. Shaboozey has watched his breakthrough hit\u2019s genre-straddling status unlock new audiences, and transcend its early viral-hit classification to become a multi-quadrant smash.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Melinda Newman<\/strong>: Without a doubt, the Beyonc\u00e9 bounce. He was already making a nice name for himself as a developing artist, but in the six years since he had released his album debut, he had never charted. There was interest in the new album and music, but his association with Beyonc\u00e9 poured gasoline on the fire and helped propel \u201cA Bar Song\u201d up many different charts covering several formats.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Like very few new songs, it\u2019s actually selling! Most contemporary hits have one strong week of sales \u2014 if that \u2014 and then gently recede from there, but \u201cA Bar Song\u201d has topped<a href=\"https:\/\/www.billboard.com\/charts\/digital-song-sales\/\"> Digital Song Sales<\/a> for eight weeks now, consistently roping in new listeners and new fans. That\u2019s allowed it to stay in range of the Hot 100\u2019s top spot as it\u2019s continued to grow on radio and leveled off (without really dropping off) on streaming. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>2. Do you think \u201cA Bar Song\u201d is the start of a long career in hitmaking for Shaboozey, or do you think he\u2019s going to struggle a bit living up to the massive breakout success of first solo chart hit?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: There are many instances of artists achieving a breakout hit so massive that it creates a looming shadow, but I don\u2019t think that\u2019s the case here. He\u2019s not coming out of <em>nowhere<\/em>: late May full-length <em>Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going <\/em>\u2014 which debuted and peaked at No. 5 on the Billboard 200 \u2014 is already his third album. And between his own tracks, plus features on Beyonc\u00e9\u2019s <em>Cowboy Carter<\/em>, he has had four other songs reach various <em>Billboard <\/em>charts this year. He\u2019s not at the level of an automatic top 40 artist yet, but his 2024 achievements should give him some reliable status on the charts for the foreseeable future.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Lyndsey Havens<\/strong>: I\u2019m not sure he will ever have another hit quite like \u201cA Bar Song,\u201d but considering the strength of his latest album,\u00a0<em>Where I\u2019ve Been, Isn\u2019t Where I\u2019m Going<\/em>, I do think Shaboozey is already close to becoming a household name in this era of country music \u2013 and as such, think he should have a long career ahead. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: Somewhere in the middle \u2014 \u201cA Bar Song\u201d is such a singular hit that it\u2019ll be hard to replicate, but Shaboozey has established himself as a true, new-school star, able to turn a throwback rap hit into a forward-looking country sing-along and imbue that anthem with pop hooks and personality. Shaboozey possesses a unique perspective, and sounds comfortable blending sounds; \u201cA Bar Song\u201d may be his only No. 1 hit for a while, but he\u2019s going to be around for a long time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Melinda Newman<\/strong>: \u201cA Bar Song\u201d is turning into such a multi-format smash that it\u2019s possible this will be his biggest career hit, but he has enough talent to keep building from here. Not every song will necessarily cross format lines, but it feels like this is just the commercial beginning for an artist who had been putting in the groundwork for years.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: The size of \u201cA Bar Song\u201d maybe feels unrepeatable, but it\u2019s hard to imagine a song this big and this good won\u2019t be the start of a pretty meaningful career in country and pop music for Shaboozey. Hell, he even seemed right at home as a rare country performer among a majority of hip-hop and R&amp;B artists at the BET Awards last week. Even if he never hits No. 1 again, I\u2019d be very surprised if this was anywhere near his last time on the Hot 100. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/t7bQwwqW-Hc?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>3. There\u2019s been a lot of discussion about whether or not Black artists in country music would be getting more opportunities as a result of the early-year success of Beyonc\u00e9\u2019s <\/strong><strong><em>Cowboy Carter<\/em><\/strong><strong> album. Does the success of \u201cA Bar Song\u201d demonstrate to you that the Beyonc\u00e9 Effect is real and demonstrable, or do you think it could still end up being more of a fluke?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: I wouldn\u2019t call the song reaching No. 1 a fluke by any stretch whatsoever, but while the Beyonc\u00e9 Effect is real \u2014 very real! \u2014 I\u2019m not sure that I\u2019d go so far as to say that it\u2019s demonstrable yet, either. Or, at the very least, the music industry should be cognizant that there is still much work to be done before people should feel ready to pat themselves on the back with regard to giving Black artists in country music the opportunities they\u2019ve long deserved and long been overlooked for within the genre.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Lyndsey Havens<\/strong>: I do think the Beyffect is real, and we are seeing its impact with an artist like Shaboozey \u2014 but that said, I also think Shaboozey would be having this moment even without the release of\u00a0<em>Cowboy Carter<\/em>. Country music was gaining mainstream attention already, but\u00a0<em>Carter\u00a0<\/em>made sure that the foundational voices in the genre would not be left unheard. And for Shaboozey, I think it works both ways: some were introduced to him through\u00a0<em>Carter<\/em>\u00a0and stayed tuned in for his solo career, while others were attracted to his solo career, only to then discover Beyonc\u00e9 was \u201cearly\u201d on him. Either way, it\u2019s not only a win for Shaboozey but for Black artists in country music as a whole \u2014 as he and Bey continue to make history on the charts and set the stage for more record breakers to come.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: The connection between <em>Cowboy Carter<\/em> and the success of \u201cA Bar Song\u201d cannot be denied, considering how Beyonc\u00e9\u2019s latest album introduced Shaboozey to a much wider audience thanks to a pair of features. However, I wouldn\u2019t describe <em>Cowboy Carter<\/em> as a panacea for the lack of opportunities that Black artists have received in country music prior to this year, or proclaim \u201cA Bar Song\u201d hitting No. 1 as proof positive that those opportunities are finally being given. Artists of color with large and small footprints in the country music community have been gradually enacting change over the course of decades, and while a project like <em>Cowboy Carter<\/em> or a single like \u201cA Bar Song\u201d scan as important flash points, neither can solve this issue singlehandedly. There\u2019s still a ton of work to do \u2014 let\u2019s hope that both chart-toppers help speed up progress.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Melinda Newman<\/strong>: Unfortunately, it still feels more like a fluke.\u00a0<em>Cowboy Carter<\/em>\u00a0is a culturally significant album and one that highlighted the rich role that pioneering Black artists like Linda Martell, who appears on the album,\u00a0played in country music\u2019s history. But we\u2019re not seeing a huge lift for current artists, and none of the other young Black artists on <em>Cowboy Carter<\/em> \u2014 Willie Jones, Tanner Adell, Brittney Spencer, Reyna Roberts or Tiera Kennedy \u2014 have seen major radio results or ongoing upticks in streams after the initial burst.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Yeah, it\u2019s not exactly a dam-bursting moment for Black artists in country music, but I do still think it\u2019s a meaningful one. Even for as much chart success as Bey had with \u201cTexas Hold \u2018Em,\u201d she didn\u2019t quite reach escape velocity on country radio \u2014 the song peaked at No. 33 there, and nothing else from the album has even gotten near that much airplay. But \u201cA Bar Song\u201d is now a certified country radio smash, flying 12-6 on the chart this week and bursting through the door Beyonc\u00e9 helped open. Hopefully the next Black country artist with a song as undeniable as \u201cTexas\u201d or \u201cBar\u201d will have an even easier time being accepted into the Nashville fold, thanks in part to both of them. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>4. Between Sabrina Carpenter and Shaboozey, it\u2019s been a pretty good stretch lately for 2024 breakout artists scoring their first No. 1 on the Hot 100. Who\u2019s an artist that\u2019s been rising lately who you could see joining them in that club before year\u2019s end?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: It\u2019s hard to bet on anyone other than Chappell Roan, right? Listeners cannot get enough of her right now, sending four tracks from her 2023 debut album, <em>The Rise and Fall of a Midwest Princess<\/em>, to the Hot 100 in addition to her April 2024 single, \u201cGood Luck, Babe!,\u201d which enters the chart\u2019s top 10 for the first time this week. Her star trajectory makes a No. 1 hit seem much more like a \u201cwhen\u201d than an \u201cif\u201d at this point.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Lyndsey Havens<\/strong>: I\u2019m rooting for Role Model. The alternative artist is gearing up to release his second album\u00a0<em>Kansas Anymore,\u00a0<\/em>and while he has had a taste of the spotlight with prior releases and a past (and public) relationship with Emma Chamberlain, the music on his forthcoming effort marks a new direction. While the songs may not be as fun-filled as \u201cEspresso\u201d or \u201cA Bar Song,\u201d they fall more into the singer-songwriter lane that\u2019s also resonating right now.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: The logical answer would be Chappell Roan, based on her across-the-board momentum, and one could make the case that Tommy Richman could push his way up to No. 1 with \u201cMillion Dollar Baby\u201d after spending weeks in the top 10, similar to what Shaboozey just achieved. But I\u2019ll still go with Noah Kahan, who has turned into an arena-level A-lister, and is still earning tons of plays with \u201cStick Season\u201d years after its release. If he drops a new single before year\u2019s end, I could see that single reaching the top of the Hot 100, based on how much his profile has expanded over the past 12 months.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Melinda Newman<\/strong>: Chappell Roan. \u201cGood Luck, Babe!\u201d has just entered the Top 10 and it feels like she is going to be the next pop superstar. Like Shaboozey and Sabrina Carpenter, she has been at this game for years (including a previous record deal with Atlantic), so she\u2019s been honing her craft and now her time has come. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Chappell Roan and Tommy Richman are probably the leaders in the clubhouse here given their current presence in the top 10, but I\u2019m gonna go with a bit of a longer shot and say Central Cee. He\u2019s been a chart-topping superstar in his home country of the U.K. for some time, and he\u2019s inching ever-closer to being one here too \u2014 thanks largely to co-signs from (and collabs with) stateside A-listers like Drake, J. Cole and Lil Baby. Feels like only a matter of time to me until he gets one over the top on the Hot 100.   <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/VwXeN2FsE7w?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>5. J-Kwon\u2019s \u201cTipsy\u201d: certified classic, fun throwback, or best left in 2004?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: It\u2019s a classic (that also doubles as a throwback). From the moment the crunchy, clapping production kicks in, it\u2019s on. Few people have made simple counting more fun than J-Kwon in the past two decades, and even fewer have made the radio mix of their hits superior to the explicit version. Kudos to you, J-Kwon.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Lyndsey Havens<\/strong>: Certified classic \u2013 and very deserving of the revival.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: Certified classic! Two decades after its release, that beat still makes my head knock when it stomps into view. Mid-00s hip-hop will always have a special spot in my heart, but \u201cTipsy\u201d still sounds fresh today, even as some of the contemporary hits around it come across as dated. Perhaps that\u2019s why Shaboozey scooped it up and held it high for the world to revisit and appreciate.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Melinda Newman<\/strong>: Total fun throwback. If you\u2019re not old enough to know the original song from 2004, you still can enjoy Shaboozey\u2019s song and if you do, it\u2019s a nostalgic reminder to a time when your double shot of whiskey days were still in full effect<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s funny: At the time, I would have been happy to leave it in 2004, since I thought it just sounded like a knock-off Nelly hook laid over a watered-down version of the \u201cGrindin&rsquo;\u201d beat. But it\u2019s aged much better than I expected \u2014 or maybe I\u2019m just less snide about it after a couple of decades (what\u2019s wrong with a knock-off Nelly hook or a watered-down \u201cGrindin&rsquo;\u201d beat, anyway?) In any event, now I\u2019d say it\u2019s a very fun throwback, and in the right circumstances you could probably talk me into it being a certified classic. <\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/shaboozey-a-bar-song-tipsy-hot-100-number-one-1235727349\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week, country singer-songwriter Shaboozey clears the final \u201cBar\u201d on the Billboard Hot 100 (dated July 13) with his breakout crossover hit. \u201cA Bar Song (Tipsy),\u201d which heavily interpolates Chingy\u2019s No. 2-peaking 2004 pop-rap smash \u201cTipsy,\u201d climbs 2-1 in its 12th week on the Hot 100. The single, from Shaboozey\u2019s recently released Where I\u2019ve Been, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-91434","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/91434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=91434"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/91434\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=91434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=91434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=91434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}