{"id":82231,"date":"2024-05-07T15:05:02","date_gmt":"2024-05-07T19:05:02","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/05\/07\/jean-deaux-sounds-off-on-new-nowhere-fast-ep-upcoming-tour-that-sticky-sir-situation\/"},"modified":"2024-05-07T15:05:02","modified_gmt":"2024-05-07T19:05:02","slug":"jean-deaux-sounds-off-on-new-nowhere-fast-ep-upcoming-tour-that-sticky-sir-situation","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/05\/07\/jean-deaux-sounds-off-on-new-nowhere-fast-ep-upcoming-tour-that-sticky-sir-situation\/","title":{"rendered":"Jean Deaux Sounds Off on New \u2018Nowhere, Fast\u2019 EP, Upcoming Tour &amp; That Sticky SiR\u00a0Situation\u00a0"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith credits dating back to 2012 that include collaborations with <a href=\"https:\/\/www.billboard.com\/artist\/saba\/\">Saba<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/smino\/\">Smino<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/isaiah-rashad\/\">Isaiah Rashad<\/a>, alluring Chicago R&amp;B singer-songwriter Jean Deaux is no new kid on the block.\u00a0<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-margin-tb-2 lrv-u-border-t-1 lrv-u-border-b-1 lrv-u-padding-t-050 lrv-u-padding-b-075 lrv-u-border-color-grey\">\n<div class=\"a-heading-border a-heading-border-background-color-grey a-heading-border-height-075 lrv-u-margin-b-075 lrv-u-margin-b-050@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-u-color-brand-primary a-font-primary-bold-s lrv-u-text-transform-uppercase lrv-u-padding-r-1 a-article-related-module-title a-article-related-module-title--color-brand-primary\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"o-card lrv-u-flex\">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/music-news\/best-met-gala-2024-outfits-musician-favorite-look-poll-1235676069\/\" class=\"lrv-u-flex lrv-a-unstyle-link lrv-u-color-brand-primary:hover\"><\/p>\n<div class=\"o-card__image-wrap lrv-u-flex-shrink-0 u-flex-basis-144 u-flex-basis-96@mobile-max\">\n<div class=\"c-lazy-image  lrv-u-height-100p\">\n<div class=\"a-crop-3x2 a-crop-1x1@mobile-max lrv-u-height-100p\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2024\/05\/lana-del-rey-met-gala-carpet-2024-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"light green martini insulated tumbler cup\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content lrv-u-flex lrv-u-flex-direction-column lrv-u-justify-content-center lrv-u-padding-lr-1 lrv-u-padding-lr-075@mobile-max\">\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-primary-medium-m lrv-u-padding-b-050 u-letter-spacing-0028@mobile-max\">\n<p>\t\t\t\t\tWhich Musician Had Your Favorite Look at the 2024 Met Gala? Vote!\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  a-font-primary-medium-xxs lrv-u-color-brand-primary lrv-u-order-100\" datetime=\"00:00-YY-DD-MM\"><br \/>\n\t05\/07\/2024<br \/>\n<\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA multidimensional artist whose work traverses different mediums and scoffs at genre lines, Deaux is a shining light in the Black queer art space. Last month (April 12), she released her sixth overall project, <em>Nowhere, Fast<\/em>, which also serves as her first release since parting ways with Empire Records.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt was time for something new,\u201d Deaux says. \u201cWe were able to come to the agreement [that] if I wanted to leave,\u00a0they\u2019d let me go\u2026 I felt like I would step away from music for a little bit after I left Empire, but I started to fall in love with the music I was making and that\u2019s really how the EP came together.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat transition period \u2013 while she was also recovering from a vocal injury and experiencing the general trials and tribulations of going through the back half of your 20s \u2013 birthed <em>Nowhere, Fast<\/em>: an ethereal collection of odes to the turbulent road to maturity. Her voice weaves around soulful synths and forlorn guitars, cradling nuggets of poetry like, \u201cTime is of the essence\/ And like a science\/ Just in your presence\/ I feel it flying.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere\u2019s an energy of newness around Jean Deaux right now \u2013 new label situation, new project, new tour. But she\u2019s also taking this moment to reclaim and stand in her truth, particularly as it relates to the questionable similarities between the album cover and title of her 2023 <em>Heavy <\/em>EP and this year\u2019s LP of the same name, from Grammy-nominated R&amp;B star <a href=\"https:\/\/www.billboard.com\/artist\/SiR\/\">SiR<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn April 18, Deaux took to X (formerly Twitter) to <a rel=\"nofollow noopener\" href=\"https:\/\/twitter.com\/jeandeauxmusic\/status\/1781068789108629833\" target=\"_blank\">comment<\/a> on the similarities between the two projects. Both Deaux and SiR\u2019s <em>Heavys<\/em> feature album artwork that finds each artist shirtless, doused in red light and staring away from the camera. In her initial post, Deaux alleged that SiR reached out to her after people started commenting on the similarities between the projects when he <a href=\"https:\/\/www.instagram.com\/p\/C4Gv_-qSkWC\/?img_index=1\" rel=\"nofollow noopener\" target=\"_blank\">debuted<\/a> his <em>Heavy<\/em> artwork on March 4. According to her, he apologized profusely in private and pledged to make it right, yet refused to publicly atone for the situation.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSpeaking to <em>Billboard<\/em>, Deaux reiterates everything in her original post, reading excerpts from text messages and DMs between the two. (<em>Billboard<\/em> was able to review the messages Deaux refers to.) \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWith the capacity he reached out [in] and how emphatic he was, it felt so sincere [that]\u00a0he wanted to, in his words, \u2018Make it right,\u2019\u201d she says. \u201cSo, if I\u2019m telling you what I expected, and you telling me that you want to go on tour [together], you want to start a relationship, and then\u00a0you make this post and we never talk about anything again? Ever?\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDeaux says she started conceptualizing her <em>Heavy<\/em> EP in 2021, with her uncle shooting the album cover at the beginning of 2022. \u201cThe red lighting was from a reference we used,\u201d she explains. \u201cI was leaning into this villain type of role, and that\u2019s what I wanted the music to feel like.\u201d Her project hit DSPs on April 14, 2023 \u2013 almost a full calendar year before SiR debuted the artwork for his <em>Heavy<\/em> LP, with red-lit photoshoots appearing on his <a href=\"https:\/\/www.instagram.com\/p\/C24-LEALqcC\/?img_index=1\" rel=\"nofollow noopener\" target=\"_blank\">official Instagram feed<\/a> the month prior. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDeaux remembers first hearing about the similarities through a text that \u201csomebody who works on [her] team sent\u201d after SiR announced his album. \u201cWhen I seen it, I honestly didn\u2019t realize what was going on right away,\u201d she says. \u201cWhen I finally\u00a0put two and two together, I thought it was strange, but I didn\u2019t know what to think.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe ascendant crooner claims that she never confronted SiR. In fact, as she tells it, the Inglewood-bred artist hit her DMs first. \u201cHe didn\u2019t DM me [until] a couple days after he announced his cover and said that he heard [my] project, he loved it, and he didn\u2019t know how this happened and he felt like we were pulling from the same creative pool,\u201d she recounts. \u201cHe mentioned that he dropped an EP the same week as somebody else [in the past], and it was similar.\u201d\u00a0Deaux also says that SiR also floated ideas like having Deaux join him on tour, or starting a working relationship with her. Ultimately, after Deaux says she asked that he publicly acknowledge her <em>Heavy<\/em> and say the things he expressed in her DMs, SiR opted for a simple Instagram Story with the caption: \u201cJean Deaux has a \u2018Heavy\u2019 too.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSome weeks later, in an interview with <em><a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/sir-heavy-new-album-rehab-kai-cenat-controversy-1235640724\/\">Billboard<\/a><\/em> about his <em>Heavy <\/em>LP (March 25), SiR name-checked Deaux saying, \u201cThere\u2019s another album that I just learned about recently, <em>Heavy <\/em>by Jean Deaux, and didn\u2019t know it existed\u2026 There\u2019s a pool of creativity that we all pull from and sometimes we pull the same ideas [\u2026]\u201d A <a rel=\"nofollow noopener\" href=\"https:\/\/twitter.com\/WordsByKyle\/status\/1781057239995818478\" target=\"_blank\">screenshot<\/a> of his answer recirculated on X following another <a rel=\"nofollow noopener\" href=\"https:\/\/twitter.com\/AudacityOfAudia\/status\/1780777360653988006\" target=\"_blank\">quasi-viral post<\/a> drawing connections between the two projects, prompting Deaux to respond. (Representatives for SiR did not provide comment when asked by <em>Billboard<\/em> about Deaux\u2019s recounting of events.)\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI tweeted that to set the record straight,\u201d she explains. \u201cI felt like if you\u2019re gonna make another statement in an interview and still not make it half of what you said privately then why speak on that at all?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn an enlightening conversation with <em>Billboard<\/em>, Jean Deaux breaks down her new <em>Nowhere, Fast<\/em> EP, her upcoming tour, plans for new music and her side of the story as it relates to SiR and their <em>Heavy<\/em> projects.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WK95UDAaVI4?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Talk to me about <\/strong><strong><em>Nowhere, Fast.<\/em><\/strong><strong> What was your vision for the project and what went into conceptualizing that sonic and visual world?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI started making [<em>Nowhere, Fast<\/em>] when I was ending my business partnership with Empire. It was a lot of uncertainty in my life. I have management that I ended things with as well. I felt\u00a0like I [didn\u2019t] know where [I was] gonna go from here. I don\u2019t really know what the next chapter is, and I feel like that resonated into everything else in my life, relationships, friendships, business relationships, all kinds of relationships.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI learned a lot about myself [by] isolating myself a lot, and I think that\u2019s really where <em>Nowhere, Fast<\/em> came from. Then, I ended up putting it out with a new label, so it worked out in the end. I\u2019m glad that I took that time to really be real and be honest about where I was in my life.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What were you listening to or watching while creating this project?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI listened to a lot of movie scores. I\u2019ve been trying to watch more international films \u2014\u00a0most recently I just seen <em>Monkey Man, <\/em>it\u2019s so good.\u00a0I\u00a0found myself trying to watch things that comforted me, and it reminded me of things that I just used to enjoy when I was younger. I think that influenced the music too.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>You can pick up that cinematic feel in the album artwork. What went into the creative direction for that shoot?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSo [Brianna] Alysse is the photographer who shot the cover. She had reached out to me, maybe a year or so ago, about working [together]. I\u2019m all about creating something cool, so when I started putting <em>Nowhere, Fast<\/em> together, I reached out to her and asked if she would be down to do the cover. She sent me a few references, her own interpretations of like what \u201cnowhere fast\u201d looked like. I think we had a similar vision of negative space, like motion, but also standing still at the same time.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe sent a photo of two people on a motorcycle [that] wasn\u2019t moving, [which] gave me the idea for the cover \u2014 kind of changing the position and what was happening on the actual cover It worked out well and I think the extra graphics we added gave people what I was hoping for. I always try to be a little cinematic.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Why did you choose to go with \u201cRoll With Me\u201d and \u201cDreamin\u201d to introduce the project?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cRoll With Me\u201d is just a <em>bop<\/em>! I could not deny that song as soon as I made it. \u201cDreaming\u201d sounds like one of the first songs I ever made when I was really getting into my bag, like what my sound was almost 10 years ago, maybe even more so. It felt like returning to something, and it just reminded me of my childhood and how much I\u2019ve accomplished that I\u2019ve cared about [since] I was a kid. \u201cDreaming\u201d made me feel good in that way, and I feel like people would probably relate to that.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How did the Destin Conrad collaboration come together? I can\u2019t get enough of \u201cThinkin!\u201d<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI love \u201cThinkin\u201d also! That song was really me and Lido and this was the time [when]\u00a0I really tried to stop smoking. Lido gave me some herbs or something to smoke, and\u00a0I must have been feeling it a little bit. The essence of the song was so lush. I forget what we was listening to before we even made that, but I\u2019m sure I got the footage somewhere cause I be recording everything. I remember recording us dancing to it because I was like, \u201cOh man, this is about to be one of them ones.\u201d \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI realized that I don\u2019t do features like that. I probably have one feature, maybe two every project. But I was like,<em> I gotta get somebody on a song <\/em>and<em>\u00a0<\/em>[I knew] Destin would be perfect for that song.\u00a0He recorded it at home and added the harmonies, came to the studio in LA and added some more harmonies, it was beautiful.\u00a0I\u2019m grateful for Destin and [he] is one of my best friends.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What cities are you most excited to visit on tour?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI haven\u2019t been on tour in like a year or two now, I really had to take a break \u2014 just keeping my voice together, going through a vocal injury last year, and recovering from that. I\u2019ve been really nervous about getting back out there, but one thing I do know and I have realized in my time is that I\u2019m a really good performer. That\u2019s one thing that I definitely hear people say after they see me live. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m ready to go home [to Chicago], I\u2019m excited about that. I feel like these songs are gonna sound so good live and Chicago loves good music. I love all the stops I\u2019m going to, I can\u2019t even lie. I\u2019m not even going to divvy it up. I love Atlanta. I love DC. I love New York. I love Chicago.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What was the vocal injury?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI did a show on 4\/20 when I already had laryngitis and it triggered a lot of things. My throat was trying to defend lot of things that were happening [at the same time] and it was making my voice very sensitive to talk. My voice was just getting tired way faster. I had to go see a specialist and they told me I had to be on vocal rest for a long time and I\u2019m still in recovery. It was scary because at one point I was like, <em>What if I\u2019m cooked? <\/em>I still have faith, so I know it\u2019s gonna be a process, but, I\u2019m getting back in rehearsal, man. It\u2019s time.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How do you view this new project in relation to the rest of your discography?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019ve heard [<em>Nowhere Fast<\/em>] is similar to <em>Empathy.<\/em> I think people mean the R&amp;B sound and music, which I definitely agree [with.] It\u2019s similar to <em>Empathy<\/em>, but it\u2019s the antithesis of <em>Heavy<\/em> to me. <em>Heavy <\/em>is really the music that I want to make, all that alternative music is kind of a niche sound. <em>Heavy<\/em> is for the creative people [who] bend the rules and shape-shift. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Who are your favorite alternative artists or your favorite music rule-breakers?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI love Teezo [Touchdown, <em>sings<\/em> <em>his hook from Don Toliver\u2019s \u201cLuckily, I\u2019m Having.\u201d<\/em>]<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA lot of people compare me to Santigold, but I didn\u2019t listen to a whole lot of Santigold coming up. I did\u00a0like Lykke Li. Obviously, I love N.E.R.D.\u2019s music.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/E7An4n5vtek?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What did SiR say when he first contacted you regarding your respective <\/strong><strong><em>Heavy<\/em><\/strong><strong> projects?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe said: \u201cYour <em>Heavy<\/em> is super dope and the comparisons are uncanny. I promise I\u2019m not stalking you. Seems like we\u2019re pulling from the same creative lake. I love what you do. I hope you\u2019re having a great week.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd I said: \u201cHey, thanks for reaching out. I was bummed to see that. I\u2019m a big fan of yours. We\u2019ve met before. It does affect me as an artist with a smaller reach than you, just to be transparent. I didn\u2019t assume you ripped me off or was stalking me. I thought your team might have addressed it before it got to this point just [because] of how it may look. And I hate that something like this is what led to us actually connecting personally, but I\u2019m glad you reached out.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Where did the conversation go once it left the DMs?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI asked him if he [wanted] to hop on the phone, and that\u2019s the conversation that I referenced on Twitter.\u00a0I want to be clear that I didn\u2019t necessarily want anything from the situation. I thought it was strange, and\u00a0it\u2019s fair for me to think that it\u2019s strange. Objectively, looking at the situation, there is no situation where anybody else in my shoes would not think it was at least peculiar. I would assume in the time that it takes to put together a press kit and a rollout, somebody\u00a0either made the choice to not care about it, or they just didn\u2019t see it.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe told me that he was furious, couldn\u2019t believe it, that his team missed it and he was really mad about the situation. He asked the photographer and they said they had never seen my cover [or] heard of me, he just didn\u2019t know how it happened.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMe and SiR met some years ago [in 2016 when] he performed at the first Kribmas in St. Louis, and that\u2019s what I reminded him on the phone: \u201cI\u2019ve spoken to you several times. I\u2019ve definitely met you. I work with some people on your label, so my name has floated around in some ways.\u201d I told him what\u2019s most important to me is if you could just say literally the things that you said to me in the DM publicly. The easiest thing to do when it\u2019s a Black woman that is a smaller artist is to not even acknowledge the situation and to brush it off. The nice thing to do would be to acknowledge the artist in the situation and to also give the praise publicly.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe said, \u201cI appreciate you understanding and, when I hit you up, I felt like I had to do some damage control, so I appreciate you being understanding. I want to do this the right way and I\u2019m going to talk to my team about how I can do this.\u201d This is exactly how the conversation went.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m thinking that [we\u2019re] kind of on the same page, but he posted me the day after that and it just said, \u201cJean Deaux has a \u2018Heavy\u2019 too.\u201d It felt disingenuous and I still didn\u2019t say anything publicly. I still posted his album when it released, with a few words to match. So when I seen the [<em>Billboard<\/em>] interview, it just felt like doubling down on being vague and saying the bare minimum. In the interview the question was not about me, he offered up that information. He could have made that a moment and said, \u201cEven though I\u2019ve never heard of this artist, she dropped [her] project a year before mine,\u201d which he didn\u2019t clarify in his statement.\u00a0He said, \u201cHer album looks just like mine.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI felt I felt like those words were choice words. I felt like a person reading that would not have understood what actually happened, and that makes [me] feel more suspicious than I felt to begin with.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Can this situation be rectified in your eyes?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI don\u2019t think that it\u2019s anything that needs to be rectified. I just wanted to set the record straight and be transparent, which is what I\u2019ve been doing from the get-go in the entire situation. If we never speak again, that\u2019s totally fine with me. I don\u2019t think that\u2019s beef.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Have you started thinking about your next project yet?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI was thinking about the next project before I even finished <em>Nowhere, Fast<\/em>. I be working on two things at once all the time because when I\u2019m making music for the EP, I need a break from making that type of music. Even though I drop once a year, I\u2019ve always wanted to drop more than once a year. It\u2019s so hard, though. It\u2019s a goal of mine, but if I don\u2019t accomplish it, I\u2019m not gonna come down on myself. If I could drop another one this year, they should be very afraid!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<em>This interview has been edited for length and clarity.<\/em>\u00a0<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/jean-deaux-interview-nowhere-fast-ep-sir-heavy-situation-1235676134\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With credits dating back to 2012 that include collaborations with Saba, Smino and Isaiah Rashad, alluring Chicago R&amp;B singer-songwriter Jean Deaux is no new kid on the block.\u00a0 Related Which Musician Had Your Favorite Look at the 2024 Met Gala? Vote! 05\/07\/2024 A multidimensional artist whose work traverses different mediums and scoffs at genre lines, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-82231","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/82231","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=82231"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/82231\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=82231"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=82231"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=82231"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}