{"id":80441,"date":"2024-04-23T18:04:10","date_gmt":"2024-04-23T22:04:10","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/04\/23\/a-decade-after-hoziers-breakthrough-how-did-too-sweet-become-his-first-hot-100-no-1\/"},"modified":"2024-04-23T18:04:10","modified_gmt":"2024-04-23T22:04:10","slug":"a-decade-after-hoziers-breakthrough-how-did-too-sweet-become-his-first-hot-100-no-1","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/04\/23\/a-decade-after-hoziers-breakthrough-how-did-too-sweet-become-his-first-hot-100-no-1\/","title":{"rendered":"A Decade After Hozier\u2019s Breakthrough, How Did \u2018Too Sweet\u2019 Become His First Hot 100 No.\u00a01?"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn a year where the big stars of the past decade have been coming out early to lay claim to the top spot of the Billboard Hot 100 \u2014 Beyonc\u00e9, Ariana Grande, Future, Metro Boomin and Kendrick Lamar, the entire <em>Vultures<\/em> crew \u2014 one 2010s hitmaker few saw coming as a top-spot threat scores his first-ever No. 1 on the chart this week.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHozier, whose lone single to approach the top of the Hot 100 came in 2014 with the No. 2-peaking megaballad \u201cTake Me to Church,\u201d reaches No. 1 this week with TikTok-teased new single \u201cToo Sweet\u201d in its fourth week on the chart. The Irish singer-songwriter had maintained a sizable fanbase since the 2014 smash, but went the next eight years without reaching the Hot 100, until scoring a handful of entries in the lower stretches and one top 40 hit (via an appearance on the remix to Noah Kahan\u2019s \u201cNorthern Attitude\u201d) last year. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHow did Hozier make his way not only back to the top 10, but all the way to the top spot? And what does this mean for his career going forward? <em>Billboard<\/em> staffers discuss these questions and more below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>1. So straight off the top \u2014 if you were told at the beginning of 2024 that\u00a0Hozier\u00a0would have his first No. 1 hit by April, how surprised would you be, on a scale from 1 to 10?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Katie Atkinson:<\/strong>\u00a010! Of course, watching the Hot 100 in the months since has definitely made it much less surprising, because we\u2019ve seen Teddy Swims score his first No. 1, we\u2019ve seen Benson Boone climb to No. 2, and we\u2019ve seen Noah Kahan peak in the top 10, so\u00a0Hozier\u00a0topping the chart is completely in line with all that. But knowing what we knew on Jan. 1, it had been 10 years since he broke through with \u201cTake Me to Church\u201d and he was still hanging around the Hot 100, but the closest he\u2019d returned to his No. 2 peak with \u201cChurch\u201d was to the top 40 last year with Kahan (more on that below). Clearly, his chart-topping moves were already in the works.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Stephen Daw<\/strong>: 10, easy. I loved\u00a0<em>Unreal Unearth<\/em>\u00a0and have been a big fan of\u00a0Hozier\u2019s since his self-titled debut LP in 2013 \u2014 but I genuinely thought \u201cTake Me to Church\u201d would be his chart ceiling. Even when \u201cToo Sweet\u201d began blowing up online, I figured, at best, it would float around the top 40 for a few months before dying back down. But I am delightfully shocked to see audiences really embrace\u00a0Hozier\u00a0again, especially on a song as undeniably good as \u201cToo Sweet.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: About a 7. I had a feeling that whatever music Hozier came out with post-<em>Unreal Unearth<\/em> would do fairly well. That album did a lot to rejuvenate casual interest him beyond being pigeon-holed as the \u201cTake Me to Chruch\u201d guy.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: A 7. Sure,\u00a0Hozier\u00a0hasn\u2019t been churning out top 10 hits over the past few years, but he has accrued quite a following during that time \u2014 there\u2019s a reason he was able to schedule an arena and amphitheater tour for later this year, before \u201cToo Sweet\u201d was even released. Plus, country- and folk-adjacent pop-rock has certainly invaded the upper reaches of the Hot 100 over the past six months, with artists like Noah Kahan, Zach Bryan, Teddy Swims and Benson Boone all scoring smashes with their respective versions of the guitar-based renaissance. So, yes, still surprising to see a\u00a0Hozier\u00a0single atop the Hot 100, but certainly far from jaw-dropping.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: A 9 \u2014 and it would\u2019ve been a 10 at the beginning of 2023, but after Hozier\u2019s impressive last year and popular music generally tilting in the direction of his arena-sized alt-folk, a comeback moment of some kind certainly seemed like it could\u2019ve been on the horizon. But a No. 1 hit, at this extremely competitive moment in Hot 100 history? No, I cannot pretend that I saw that coming in any way.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/aezstCBHOPQ?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>2.\u00a0Hozier\u00a0had not even reached the Hot 100 again for eight years following his 2014 smash \u201cTake Me to Church,\u201d then returned to the Hot 100 multiple times in the past year, though he had not gotten higher than No. 37 as a guest on Noah Kahan\u2019s remixed \u201cNorthern Attitude.\u201d Is him finally reaching No. 1 this year more of a function of overall timing or about \u201cToo Sweet\u201d in particular, in your opinion?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Katie Atkinson:<\/strong>\u00a0I think timing is a piece of it, but this song is also undeniably great, so I\u2019m going to give it to \u201cToo Sweet.\u201d The song has great lyrics, and you can discover a new cute phrase with every listen, and the way he lilts that chorus seems to put his not-quite-right partner\u2019s sweetness into song. The combo of its easy-listening melody paired with lyrics we can all probably relate to makes for a hit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Stephen Daw<\/strong>: It\u2019s definitely more about \u201cToo Sweet\u201d itself, but the timing certainly doesn\u2019t hurt. With the Noah Kahanaissance in full swing, contemporary folk music is having its biggest moment since the \u201c<a rel=\"noreferrer noopener nofollow\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.vox.com%2Fculture%2F23920808%2Fnoah-kahan-vermont-dial-drunk-stick-season-tiktok&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7Ceacf6466967447de914208dc63aef662%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638494850315159174%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=KazVwNlZNdKiEim3Joe7CQm7McF3vGQ6rg%2BBNniAVvc%3D&amp;reserved=0\" target=\"_blank\">stomp clap hey<\/a>\u201d days of the early 2010s, which is a huge opportunity for artists like\u00a0Hozier\u00a0who thrived in that aforementioned era. It\u2019s abundantly clear that \u201cToo Sweet\u201d came in the perfect timeframe, but it\u2019s worth noting that\u00a0Hozier\u00a0put out an entire album of folk songs in the middle of this sea change last year, and only \u201cEat Your Young\u201d managed to crack into the lower half of the Hot 100 (debuting at No. 67 and then falling off the chart two weeks later). Clearly, \u201cToo Sweet\u201d has that X factor that keeps people listening.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: The success of \u201cToo Sweet,\u201d in particular, has more to do with where the sound of Top 40 is right now than anything else. Analog instrumentation with an emphasis on guitars and big, soaring vocals are in right now (see: Teddy Swims, Benson Boone, Michael Marcagi, Kahan) and Hozier happened to drop an absolute banger at just the right time. Between his incredibly successful Unreal Unearth tour and his countless appearances at festivals across the world, Hozier has enraptured a whole new audience whose ears have been primed for the pop-rock swagger of \u201cToo Sweet\u201d by the other guitar-centric tunes that have dominated the upper regions of the Hot 100 this year.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: A combination of both. \u201cToo Sweet\u201d is pretty undeniable as a crossover hit, a smoky groove that relies on the deep timbre of\u00a0Hozier\u2019s voice to provide gravitas to its creeping hooks. Pop music trends helped push \u201cToo Sweet\u201d higher on the Hot 100 than it might have gone in other years, when it was darn near impossible to imagine a straight-up rock song hitting No. 1. Yet for\u00a0Hozier, this single was the right one to deliver a new level of chart success, and hit the market at the right time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s gotta be more about timing, because I am just flummoxed as to why this song of all songs is the one to take Hozier to the penthouse. Not that it\u2019s bad, just that it doesn\u2019t feel in any way exceptional among Hozier\u2019s last decade of releases \u2014 if you told me it was originally a deep cut I\u2019d forgotten about from 2019\u2019s <em>Wasteland, Baby!<\/em> I would have zero trouble believing you. People evidently hear more there than I do to be streaming it in the massive numbers that they are, but I still have to think that it\u2019s more effect than cause as relates to the larger Hozier revival. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>3. Do you think the success of \u201cToo Sweet\u201d re-establishes\u00a0Hozier\u00a0as a true A-list star in 2024, or is it more a one-time deal for the singer-songwriter that\u2019s unlikely to lead to many future successes beyond his pre-established cult fandom?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Katie Atkinson:<\/strong>\u00a0I think this definitely re-establishes\u00a0Hozier\u2019s place in music. It\u2019s nice that this trend of growly-voiced singer\/songwriters (as established\u00a0<a rel=\"noreferrer noopener nofollow\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.billboard.com%2Fmusic%2Fchart-beat%2Fteddy-swims-lose-control-benson-boone-beautiful-things-hot-100-five-burning-questions-1235592934%2F&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7Ceddcd56d2fe443b68d5308dc6325bda1%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638494260957927508%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C0%7C%7C%7C&amp;sdata=xkPVutzLUTq00HY%2BxVsuv0j5LNHsCzrEBSPVXZ%2BUOZ4%3D&amp;reserved=0\" target=\"_blank\">in this very column<\/a>\u00a0back in late January) has not only created new stars, but has also given rise to artists who have been doing this for a decade. At this moment, AC and pop radio is more primed to play\u00a0Hozier\u00a0music than ever before, and he\u2019s seized that moment.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Stephen Daw<\/strong>: I wouldn\u2019t go as far as saying \u201cA-list,\u201d but I think \u201cToo Sweet\u201d will definitely net\u00a0Hozier\u00a0a\u00a0<em>lot<\/em>\u00a0of cultural capital that will cement his place as one of the most sought-after voices in the folk-pop space. That\u2019s in large part\u00a0<em>because<\/em>\u00a0of the cult fandom that has helped spread this song across apps like TikTok for the last few months \u2014 with an established fanbase already built in, it only feels that much more natural for newcomers to join in and strengthen that core, which leads to a wider base, which leads to more recruiting, so on and so forth. Watch this space, because \u201cToo Sweet\u201d is just the beginning of\u00a0Hozier\u2019s mainstream return.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: I don\u2019t know if Hozier was ever truly A-list, and I don\u2019t think \u201cToo Sweet\u201d puts him there either. Nonetheless, it\u2019s a beautiful culmination of a truly underrated two years for him. He packed out arenas night after night on Unreal Unearth tour and the accompanying album had a lot of grassroots love, including two chart-toppers at AAA radio. I think, at best, \u201cToo Sweet\u201d will help increase the size of his cult fandom and rope more fans into the sprawling lore behind some of his most beloved songs and lyrics. That should be enough for him to continue getting major hits in his home formats while providing a cushion for a mainstream smash whenever the pop music pendulum swings in the direction of his sound.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: My guess is that\u00a0Hozier\u00a0continues in the same lane he\u2019s occupied for years, with a slighter brighter light moving forward. Maybe he hadn\u2019t matched the single-song success of \u201cTake Me to Church\u201d prior to \u201cToo Sweet,\u201d yet all three of his studio albums scored top 3 debuts on the Billboard 200, and he\u2019s been playing to sizable crowds for a decade now. \u201cToo Sweet\u201d is unlikely to yield a slew of follow-up chart hits, but\u00a0Hozier\u00a0was not an obscure artist prior to this No. 1 hit; the audiences streaming his songs and buying his tickets will grow because of \u201cToo Sweet,\u201d regardless of how his next singles perform.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: I think he\u2019s there, to be honest \u2014 probably even moreso than he was in 2014. It\u2019s one thing for radio and pop culture ubiquity to elevate your big hit to smash status (as happened with \u201cChurch\u201d), but when it\u2019s simply some good TikTok promotion and online buzz that lifts your song above hot new releases from many of the biggest superstars of the past 15 years, that usually means you\u2019re pretty golden for some time to come. Hozier might not top the Hot 100 again, but I\u2019d be a little surprised at this point if he didn\u2019t become a regular fixture on the chart for at least the next few years. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>4. If you had to look back to the early-mid 2010s for another hitmaking artist from the alt and\/or folk spheres who could be due for a big 2020s comeback moment like this, who would you point to?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Katie Atkinson:<\/strong>\u00a0The first thing that came to mind was The Lumineers, who peaked at No. 3 on the Hot 100 back in 2012 with \u201cHo Hey.\u201d They\u2019ve stayed active in music since then but haven\u2019t climbed back to those heights. They should be looking for a Noah Kahan feature right about now.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Stephen Daw<\/strong>: As much as I desperately want to see Gotye return to his solo career and score another gargantuan hit like \u201cSomebody That I Used to Know,\u201d the chances of that happening seem infinitesimally small. So, instead, I\u2019ll go with Florence + The Machine \u2014 the band certainly hasn\u2019t gone anywhere since the peak of their success in 2010 and 2011, charting three top 10 albums in the intervening years. I could easily see Florence Welch and company crafting a folksy, funky anthem that takes off on TikTok and occupies a similar space to \u201cToo Sweet\u201d some time in the next few months.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Gotye or George Ezra. If we stretch to the back half of the 2000s, I\u2019ll throw in Colbie Caillat and Kings of Leon too.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: If a new Gotye album exists at the end of the earth, to be discovered only by the bravest and most ambitious xylophone-music enthusiast, then it looks like I am going on an expedition. After \u201cSomebody That I Used To Know\u201d took over the Hot 100 and<em> Making Mirrors<\/em> turned into one of the most underrated pop full-lengths of the 2010s, we are still waiting for a follow-up from Wally de Backer. And while I am a diehard fan rooting for a comeback, I do think that a Gotye return would generate considerable interest from curious pop fans! Call up Kimbra, grab the buckets of face paint, and let\u2019s go.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: \u201cRiptide\u201d singer-songwriter Vance Joy \u2014 who, like Hozier, never <em>really<\/em> went away after his one big U.S. crossover hit \u2014 feels no more than a big-ticket remix away from getting back on the Hot 100. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/PVjiKRfKpPI?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>5. \u201cTake Me to Church\u201d: more timeless classic or dated mid-\u201910s relic?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Katie Atkinson:\u00a0<\/strong>Wait, is anyone going to say relic? This song is still so good! I\u2019m definitely going timeless classic and welcoming Andrew\u00a0Hozier-Byrne back with open arms into the 2020s.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Stephen Daw<\/strong>: I can hear \u201cTake Me to Church\u201d today and feel it hit just as hard as it did a decade ago \u2014 this one is timeless classic, for sure.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Timeless classic. This ain\u2019t \u201cParty Rock Anthem!\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: I lean towards \u201cmid-\u201810s relic\u201d \u2014 not as a knock on the song, but because, especially in light of \u201cToo Sweet\u201d topping the Hot 100, it sure seems like\u00a0Hozier\u00a0has transcended what once was his defining hit and fashioned a formidable career! \u201cTake Me to Church\u201d enjoyed its moment of ubiquity, but its creator has moved on to bigger and better.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s certainly got claims to being both \u2014 it\u2019s hard to hear the song without being reminded of the dozens of trailers and pop culture moments it soundtracked in the mid-\u201910s, not to mention the moments of our own lives. But I lean a little more towards timeless classic, because even back in 2014 it felt elevated from the rest of what was happening on the charts, and there\u2019s still no other song in 21st century pop music that occupies its exact space. <\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/hozier-too-sweet-number-one-five-burning-questions-1235664276\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In a year where the big stars of the past decade have been coming out early to lay claim to the top spot of the Billboard Hot 100 \u2014 Beyonc\u00e9, Ariana Grande, Future, Metro Boomin and Kendrick Lamar, the entire Vultures crew \u2014 one 2010s hitmaker few saw coming as a top-spot threat scores his [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-80441","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/80441","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=80441"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/80441\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=80441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=80441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=80441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}