{"id":74091,"date":"2024-03-06T12:06:16","date_gmt":"2024-03-06T17:06:16","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/03\/06\/on-the-heels-of-his-first-hit-george-birge-talks-making-time-for-a-follow-up-with-cowboy-songs-2\/"},"modified":"2024-03-06T12:06:16","modified_gmt":"2024-03-06T17:06:16","slug":"on-the-heels-of-his-first-hit-george-birge-talks-making-time-for-a-follow-up-with-cowboy-songs-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/03\/06\/on-the-heels-of-his-first-hit-george-birge-talks-making-time-for-a-follow-up-with-cowboy-songs-2\/","title":{"rendered":"On the Heels of His First Hit, George Birge Talks Making Time for a Follow-Up With \u2018Cowboy\u00a0Songs\u2019"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tCountry careers are built, as <a href=\"https:\/\/www.billboard.com\/artist\/the-oak-ridge-boys\/\" data-type=\"link\" data-id=\"https:\/\/www.billboard.com\/artist\/the-oak-ridge-boys\/\">The Oak Ridge Boys<\/a> like to say, on \u201cthree minutes of magic.\u201d And the next most important ingredient for career longevity, as The Oaks also like to say, is \u201cthree <em>more<\/em> minutes of magic.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/artist\/george-birge\/\" data-type=\"link\" data-id=\"https:\/\/www.billboard.com\/artist\/george-birge\/\">George Birge<\/a> found his first three-minute life-changer with \u201cMind on You,\u201d a mysterious-sounding 2022 release about romantic obsession that peaked at No. 2 on Country Airplay on Jan. 6, 2024.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOf course, the three-minute creations don\u2019t usually appear through magic. Songwriters typically spend hours \u2013 months sometimes \u2013 working on songs that never get heard outside the publisher\u2019s office. And even when they do get into public circulation, a song that feels seamless may not reflect the amount of time that went into its creation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAs songwriters, we go into the deepest, darkest corners of these things, trying to create magic and trying to create stuff that people feel,\u201d Birge says. \u201cYou never know if that extra two hours or three hours you spend on a 10-second part of the song, or direction, is even going to resonate, or if people are ever gonna catch it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat provides a solid framework for what\u2019s likely to become Birge\u2019s second \u201cthee minutes of magic.\u201d \u201cCowboy Songs,\u201d released by RECORDS Nashville to country radio via PlayMPE on Feb. 22, is \u2013 like \u201cMind On You\u201d \u2013 a mysterious-sounding song about romantic obsession, but its 187-second script required perhaps 17 hours to write on its date of creation, and then another six months or so to fully develop its final sonic persona.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBirge leaned into it with three fellow writers on Feb. 3, 2023, in a retreat at a Tims Ford lake house, between Lynchburg and Winchester, south of Nashville. By leaving town, Birge says, \u201cI can turn the real world off for a second [and] have a lot more fruitful songwriting.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/hhtBBJXa1as?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe time of year helped that effort.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt was dead of the winter, and I think that was the best thing for us,\u201d says co-writer Michael Tyler (\u201cSomewhere On A Beach,\u201d \u201cGirl Like You\u201d). \u201cAll we did the whole time was write. I think we wrote three or four songs in two days. And we knew instantly that this was the one. If it was during the summertime, I don\u2019t think we would have wrote any of those. We would just be out on a boat.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cCowboy Songs\u201d originated with songwriter\/producer Matt McGinn (\u201cBury Me In Georgia,\u201d \u201c7500 OBO\u201d), who had the hook \u2013 \u201cshe only dances to cowboy songs\u201d \u2013 but thought it would work best if the music was somewhat antithetical to the lyrical theme.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe wanted it to be something you wouldn\u2019t expect,\u201d Tyler says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSongwriter\/producer Lalo Guzman (Sammy Arriaga, Dylan Schneider) whipped out a track he\u2019d created that he believed would be too far afield, but he liked it and figured it would at least give them a starting place to explore the sound\u2019s direction. His co-writers all jumped in on that very track.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was like, \u2018For real?\u2019\u201d Guzman recalls. \u201cIt was just wild.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTyler sang what became the hook at the start of the chorus, and they knocked out a good part of that stanza before jumping to the opening verse, where they set up the scenario. The protagonist had staked out a place in a bar, where he\u2019d ordered a mystery woman\u2019s favorite drink and brought a lighter to attend to her smoking needs. The guy didn\u2019t know her name or if she\u2019d even show up, but he was prepared if she did.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAs a younger kid, when I first started going out to bars and stuff with a fake ID, you would see this girl that\u2019s just like magic,\u201d Birge remembers. \u201cShe\u2019s captivating a room. Everybody\u2019s looking at her \u2013 and this is back when Austin had these cash-only bars and it was smoking, and edgy, and jukebox. I was immediately transported back to that scene, and I was like, \u2018Okay, how do I capture that in a song?\u2019 and like, \u2018Who is she? And who\u2019s watching her?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen they got back to the chorus, they revised the foundation a bit to change things up. \u201cWe were singing the chorus over the same verse chords for a second,\u201d Tyler says. \u201cI can\u2019t remember who it was \u2013 maybe it was Lalo, the producer \u2013 that was like, \u2018What if we went somewhere completely different for the chorus chords?\u2019 It really lifted and took that chorus into a different space, and made it made it a lot more hooky.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBirge dropped in a Waylon Jennings reference \u2013 \u201cI definitely was very heavily influenced by Waylon, so it\u2019s probably not an accident,\u201d Birge says \u2013 and they kept a Texas-based narrative in verse two, with a note that \u201cShe makes love like an Amarillo rain.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIn Texas, rain is very hard to come by, and you\u2019re always praying for it,\u201d Birge explains. \u201cYou\u2019re begging for it to come, and then when it does rain, it\u2019s long and steady, and it lasts forever. That was the vision I had.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMuch of the 17 hours on the retreat was devoted to the demo, which included enough steel guitar and Dobro to insert a little Western flare into the mysterious sound. They worked on the master multiple times, with Andy Ellison providing steel at the beginning and Birge spending three hours on the vocal track, drinking tequila to set the barroom mood and focusing on specific inflections. They blended three different basses to get the low end sound, but they kept going back to the studio in an attempt to get the drums right. Originally, it had no live drums, then Guzman oversaw a session that took the percussion too far afield. Finally, McGinn worked with drummer Phil Lawson, who held back during much of the three minutes, but pounded the snares when it fit.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cMatt took it to where it needed to go to,\u201d Guzman says. \u201cI was almost envisioning it a little too pop \u2013 like The Weeknd kind of drums. For some reason, the groove wasn\u2019t clicking. Matt brought in that space that I wasn\u2019t hearing.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSometime after the song\u2019s completion, McGinn was arrested Oct. 31 on a domestic violence charge. He has, Birge says, dedicated himself to recovery. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMeanwhile, Birge began playing \u201cCowboy Songs\u201d live during the fall, planning it as his next single. It debuted at No. 55 on the Country Airplay chart dated March 9, two weeks ahead of the label\u2019s impact date. \u201cI\u2019ve never had a song that we play live react like this,\u201d he says. \u201cI go to the meet and greet line, and every single person in line would be like, \u2018This song, \u201cShe only dances to cowboy songs,\u201d when does that come out?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThus, early indications suggest that the 17-hour writing session and the months of agonizing over drums sounds may have given Birge what he most needed from \u201cCowboy Songs\u201d: three more minutes of magic.<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/country\/george-birge-cowboy-songs-makin-tracks-1235624557\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Country careers are built, as The Oak Ridge Boys like to say, on \u201cthree minutes of magic.\u201d And the next most important ingredient for career longevity, as The Oaks also like to say, is \u201cthree more minutes of magic.\u201d George Birge found his first three-minute life-changer with \u201cMind on You,\u201d a mysterious-sounding 2022 release about [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-74091","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/74091","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=74091"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/74091\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=74091"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=74091"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=74091"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}