{"id":74038,"date":"2024-03-06T06:05:24","date_gmt":"2024-03-06T11:05:24","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/03\/06\/shinichi-osawa-rhymes-rhyme-so-raise-questions-through-music-with-iafb-album-interview\/"},"modified":"2024-03-06T06:05:24","modified_gmt":"2024-03-06T11:05:24","slug":"shinichi-osawa-rhymes-rhyme-so-raise-questions-through-music-with-iafb-album-interview","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/03\/06\/shinichi-osawa-rhymes-rhyme-so-raise-questions-through-music-with-iafb-album-interview\/","title":{"rendered":"Shinichi Osawa &amp; RHYME\u2019s RHYME SO Raise Questions Through Music With \u2018IAFB\u2019 Album:\u00a0Interview"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShinichi Osawa (MONDO GROSSO) has had a profound impact on Japan\u2019s music scene through his musical sensibilities, focused on the newest and most creative dance music and his collaborations with a wide range of artists. RHYME is an Australian artist (poet, performer, DJ, and beatmaker) based in Japan. These two contrasting creators, with their differing backgrounds, nationalities &amp; musical careers, make up the dance music duo RHYME SO.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey debuted in 2019 with the 88rising single \u201cJust Used Music Again.\u201d Then in the spring of 2020 they dropped \u201cFashion Blogger.\u201d The music video featured MILK, who rose to popularity on <em>RuPaul\u2019s Drag Race<\/em>, and the song\u2019s title itself, \u201cFashion Blogger,\u201d is deeply intertwined with the RHYME SO concept.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Osawa:<\/strong> \u201cI think it was back in 2017, when I was getting my hair cut, I saw some video on my iPad of this woman overseas talking about the outfit she was wearing that day. When the interviewer asked her what her job was, she said \u201cfashion blogger.\u201d I don\u2019t think she was actually writing a blog, but she was making a living sharing her fashion on Instagram. That came as a bit of a surprise to me. The internet and social media permeate our society, but there are a lot of things that we take for granted that make me think \u2018Is this really an everyday thing?\u2019 I think it would be interesting to use music to pose questions like \u2018What do you think of this situation?\u2019 Not as criticism, just as questions. That\u2019s the concept behind RHYME SO.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cRHYME SO sounds like \u2018I\u2019m so.\u2019 \u2018I\u2019m so happy,\u2019 \u2018I\u2019m so sad,\u2019 \u2018I\u2019m so hungry.\u2019 I, I, I\u2026 Sometimes that (showing off on social media) is a positive, but sometimes it\u2019s not. That\u2019s one of the statements that RHYME SO is making.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRHYME had been exposed to Japanese culture since she was a high school student, and she was an avid MONDO GROSSO listener. You can see this in a line she sings on MONDO GROSSO\u2019s song \u201cBIG WORLD,\u201d \u201cI saw MONDO GROSSO back in high school, I used to cry listening to life.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cI listened to MONDO GROSSO\u2019s back catalogue and watched videos of his live shows. It stirred up all kinds of emotions. I\u2019m Osawa\u2019s pupil, and he\u2019s my teacher. It\u2019s an honor to be able to make music with him.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRHYME SO has continued to release exciting music. It\u2019s a unique group, set apart by its genre-spanning production and its cynical and poetic lyrics about modern society. In November 2023, it released its first album, <em>IAFB<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe first thing to note about the album is the rich diversity of its production. It freely flits between genres and decades, touching on everything from acid house, industrial techno, and trap to Eurobeat, making it a microcosm of Japanese culture and society.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Osawa:<\/strong> \u201cI did have Japan in mind when making the songs. However, I didn\u2019t really think about current trends. Honestly, I don\u2019t know if I\u2019m even good at identifying them. It even feels a little like I\u2019m ignoring them.\u201d [<em>Laughs<\/em>]<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cRHYME SO\u2019s sound is a fusion of dance music, new age, post-punk, electro, para-para, festival music, and more. That, and word play.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe core of RHYME SO\u2019s concept, bring up questions about modern society, is highlighted even more vividly on the album. The first song, \u201cACT THE SAME,\u201d is the antithesis of the music scene, which places so much value on doing the same thing as what\u2019s already being done by other hit songs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Osawa:<\/strong> \u201cIt\u2019s become a fundamental part of the music industry to assign artists to create music that sounds like what\u2019s already out there, based on the existing market. And that\u2019s not a current development. But is that really what we should be doing?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cDoing the same thing as everyone else is the safe approach, but that\u2019s not art. The people who sing songs like that aren\u2019t artists, they\u2019re more like puppets. What\u2019s even the point of doing that? That\u2019s what the song is about.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vu4Cyr4Rmxo?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cUNFOLLOW YOU\u201d samples Seiko Matsuda\u2019s \u201cAkai Sweet Pea.\u201d It puts a modern twist on the lyrics of the original song, \u201cI will follow you,\u201d turning it into a song about following influencers and popular artists. At its heart is the idea that \u201cInstead of following trends and hype, shouldn\u2019t you be following what you truly like, and what you think is genuine?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cI used auto-tune on my voice, which I don\u2019t normally use, for a bit of irony (because it\u2019s not even my real voice).\u201d [<em>Laughs<\/em>]<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Osawa:<\/strong> \u201c\u2018UNFOLLOW YOU\u2019 started out as a remix of \u2018Akai Sweet Pea\u2019 for Kayokyoku Night, an event put on by photographer tajjiemax (Issei Tajima) and my friend Toba. When I first made it, it was just for fun, but then when I listened to it with RHYME, we were like \u2018Wouldn\u2019t this track make a good RHYME SO song?\u2019 However, the lyrics make fun of the modern music scene and culture, so we decided to send out letters to Takashi Matsumoto and Yumi Matsutoya to get their permission. I thought it would be hard to get, but the person at the record label that was the go-between got their willing permission right away. It went surprisingly smoothly. I\u2019ll bet nobody has ever sampled \u2018Akai Sweet Pea\u2019 before, and nobody has sampled it since us, either. Of course, Seiko Matsuda isn\u2019t actually singing on it. That\u2019s me on the vocals.\u201d [<em>Laughs<\/em>]<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/B3JUn6a4zrg?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe song \u201cI AM FUCKIN\u2019 BRILLIANT,\u201d from which the album title, <em>IAFB,<\/em> was taken, is an up-beat tune with a 90s alternative rock feel. Osawa explains that \u201cthis song represents the whole album.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Osawa:<\/strong> \u201cThe theme of the song is the need for recognition from others. It\u2019s something that we\u2019ve always had, but with the widespread penetration of social media, it\u2019s become even more pronounced. Now, it even feels like you\u2019re forced to express an even stronger desire for approval. Back in the day, you could just go home and pet your cat and feel fulfilled. If you helped out an older person, you would feel fulfilled, thinking \u2018I did something good today.\u2019 In other words, we all knew that we were the coolest.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cI think there are people who are happy when they\u2019re outside but who feel down when they\u2019re at home. There are a lot of people who are pretending or just putting up with things. When that happens, we\u2019re saying \u2018Imagine you\u2019re the only one in the world.\u2019 This is my favorite song on the album, and I want to make it a global anthem.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe album also contains \u201cSHIBUYA PARAPARA,\u201d a para-para song whose theme is Shibuya at night, along with \u201cSILENT\u201d and \u201cPICTURESQUE,\u201d which feature Seiko Omori. The album art, showing a woman in traditional Japanese garb taking a selfie with her smartphone, also vividly reflects modern Japanese society.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>RHYME:<\/strong> \u201cThe next thing I want to do is live performance. I want a big stage, a gorgeous set, tons of dancers, and, if possible, figure skaters. [<em>Laughs<\/em>] I want to put on an amazing show. I\u2019d love to tour the world with great Japanese artists. Dongurizu, Seiko Omori, Kazuo. There are a lot of artists I\u2019d like to introduce to overseas audiences, to show them \u2018JAPAN POWER\u2019. I want there to be a shock factor to everything I do. I want to start a revolution.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u2014<em>This interview by Tomoyuki Mori first appeared on Billboard Japan<\/em><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/music-news\/rhyme-so-iafb-album-interview-shinichi-osawa-rhyme-1235621885\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shinichi Osawa (MONDO GROSSO) has had a profound impact on Japan\u2019s music scene through his musical sensibilities, focused on the newest and most creative dance music and his collaborations with a wide range of artists. RHYME is an Australian artist (poet, performer, DJ, and beatmaker) based in Japan. These two contrasting creators, with their differing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-74038","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/74038","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=74038"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/74038\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=74038"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=74038"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=74038"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}