{"id":69362,"date":"2024-01-30T12:05:39","date_gmt":"2024-01-30T17:05:39","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/01\/30\/restless-road-ride-ride-rides-into-the-limelight-with-last-rodeo-the-chorus-can-apply-to-anything-in-life\/"},"modified":"2024-01-30T12:05:39","modified_gmt":"2024-01-30T17:05:39","slug":"restless-road-ride-ride-rides-into-the-limelight-with-last-rodeo-the-chorus-can-apply-to-anything-in-life","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/01\/30\/restless-road-ride-ride-rides-into-the-limelight-with-last-rodeo-the-chorus-can-apply-to-anything-in-life\/","title":{"rendered":"Restless Road Ride, Ride, Rides Into the Limelight With \u2018Last Rodeo\u2019: \u2018The Chorus Can Apply to Anything in\u00a0Life\u2019"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe history of the rodeo is closely intertwined with country music, to the point that it has played a role in a fair amount of the genre\u2019s hits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGeorge Strait\u2019s \u201cAmarillo by Morning,\u201d Moe Bandy\u2019s \u201cBandy the Rodeo Clown,\u201d Suzy Bogguss\u2019 \u201cSomeday Soon,\u201d Dan Seals\u2019 \u201cEverything That Glitters (Is Not Gold)\u201d and Garth Brooks\u2019 \u201cRodeo\u201d and \u201cMuch Too Young (To Feel This Damn Old)\u201d embraced the sport\u2019s lifestyle for their storylines. And the rodeo provided a useful metaphor in Leon Everette\u2019s \u201cMidnight Rodeo,\u201d Jake Owen\u2019s \u201cEight Second Ride\u201d and Vern Gosdin\u2019s \u201cThis Ain\u2019t My First Rodeo.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tGosdin\u2019s title, which was built on a familiar adage, gets reversed in Restless Road\u2019s new single, \u201cLast Rodeo,\u201d applying images from the arena to a broken relationship.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019ve always heard people talk about, you know, \u2018This isn\u2019t my first rodeo,\u2019\u00a0\u201d says group member Colton Pack, \u201cbut I\u2019ve never heard anybody do the flip and the play on words of saying, \u2018It\u2019s not my last rodeo.\u2019\u00a0\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat changed when Pack spotted some form of the \u201clast rodeo\u201d phrase in public, most likely on a T-shirt, and he logged it into his phone as a potential hook. He unpacked it on April\u00a03, 2023, when the band had a co-writing session with Trannie Anderson (\u201cHeart Like a Truck,\u201d \u201cWildflowers and Wild Horses\u201d) at the home studio of songwriter-producer Lindsay Rimes (\u201cWorld on Fire,\u201d \u201cLove You Back\u201d) in West Nashville. The appointment was a challenge. Anderson had a last-minute lunch with Lainey Wilson to celebrate \u201cHeart Like a Truck,\u201d and to accommodate it, they started at 9\u00a0a.m.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIn our world, that might as well be frickin\u2019 4\u00a0a.m.,\u201d Restless Road\u2019s Zach Beeken notes.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/k-WDDkR7bjk?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey felt pressure, given that they had a tight three hours to make something happen, but Pack\u2019s \u201cthis ain\u2019t my last rodeo\u201d suggestion gave them something strong to work with out of the gate. The phrase applied to someone rebounding after getting dumped, and it fit the perseverance the band needed to keep pushing forward after its formation in 2013 on NBC\u2019s <em>The X\u00a0Factor<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019m not a cowboy at all,\u201d says tenor Garrett Nichols. \u201cI didn\u2019t grow up around riding bulls or riding broncos, but every time we would spit out a lyric, I could definitely see into it. I related to the past heartbreak stuff, I related to \u2018Back in the saddle, back on the road\u2019 [or] \u2018I might be bruised, but I ain\u2019t broke.\u2019 I just thought about all the different times that we\u2019ve tried to do this and that, and it didn\u2019t work out, and we just kept going.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey dove into the chorus first, bookending the stanza with the hook at the front and the back. They filled it with an anthemic melody designed to showcase their harmonies, with Nichols on the high end and Beeken in the lower register.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cOne of our biggest challenges, being a trio and doing what we do, is finding a key for the song that works for everybody\u2019s voice,\u201d Beeken says. \u201cWe\u2019ll find the key we can push Garrett to, to where it\u2019s like, \u2018This is as high as it can go, I can\u2019t go any higher,\u2019 trying to find the range for him because the chorus is the part of the song you want to soar and smack the hardest.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOnce they had a good overview of the chorus, they were better able to start solving pieces of the puzzle in other sections, too.\u00a0\u201cWe kind of worked on different sections,\u201d says Anderson. \u201cI remember getting the chorus structure kind of figured out and filling in most of the lines, but then singing the verse for a while. I remember popcorning a little bit.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey loaded the text with rodeo and cowboy allegory, though the words fit so easily that the references aren\u2019t always obvious.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt needed rodeo language, but not so much that it took the raw emotion out of it,\u201d Anderson says. \u201cAnd there was a lot of raw emotion in the room writing the song because of what they\u2019ve been through as a band, but also, Zach had just gone through a breakup and was able to write through that [experience], too. Finding the balance of raw emotion and playing on the metaphor was a pretty natural thing.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOnce the verses became clearer, they popcorned back to the chorus to tie up some of the loose ends, but a mistake actually improved it. That section originally began on the downbeat of a measure, but they sang the hook this time as a pickup to the next line, and it changed how the rest of the chorus unfolded.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u00a0\u201cThis drops harder in the chorus, [with] the music cutting out and then hitting the chorus [hard],\u201d Rimes says. \u201cWe had some of the lyric in there, but we had to add stuff in, in the middle of the chorus. We kind of had a bit more space because it was starting earlier than before.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRimes filled that space with an obvious audience-participation part, threading an easy-to-remember \u201cride, ride, ride\u201d lyric, ideally designed for pumping fists in the air on an arena floor.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey wrote it quickly enough that Anderson made her lunch with Wilson, and Rimes continued working with Restless Road on a demo. Beeken sang the first verse; Pack took the second, one octave higher; and the full force of the harmonies raised the impact even more on the chorus.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe band joked about adding a neighing horse to the intro, and Rimes quickly inserted that sound from his plug-in collection. When the group prodded further about having a horse galloping off in the closing moments, Rimes pulled up that effect, too. They never expected to keep those sounds, though they provide another means of separating \u201cLast Rodeo\u201d from the pack.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe just thought that was hysterical when we made the demo,\u201d recalls Rimes. \u201cBut it stayed in there, and then we got used to it. It\u2019s actually pretty cool.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe band had a 3\u00a0p.m. appointment with the label, and when the group left the studio, Rimes finished the demo and sent it in the middle of the meeting. As a result, RCA approved it for the next session within hours of being written.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey recorded the final version at Nashville\u2019s Soundstage, mixing in new parts from studio players with some of the remnants from Rimes\u2019 demo, including arena-level drums. Restless Road likewise bolstered its original demo vocals with additional takes, filling out the chorus harmonies by doubling all three guys\u2019 voices. Beeken also slipped in a unison part one octave below the melody, thickening the whole sound.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNichols, in addition to singing high harmonies, contributed a signature whistle \u2014 with shades of \u201960s Sergio Leone western <em>The Good, the Bad and the Ugly<\/em>. \u201cI don\u2019t know why, but I\u2019m just really good at whistling,\u201d Nichols says. \u201cWe did it a couple times, put some reverb on it and then just slapped it in.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRCA Nashville released \u201cLast Rodeo\u201d to country radio via PlayMPE on Dec.\u00a011 with an official add date of Jan.\u00a029. Its message, filtered through an image of a cowboy getting back in the saddle after being thrown, is fairly universal; resilience is a highly admired quality, for Restless Road and for everyone else.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe chorus can apply to anything in life,\u201d Pack says, \u201cwhether that be a relationship, whether that be somebody standing in the way of a dream, whether that be telling yourself, \u2018You know what? I can bounce back.\u2019\u00a0\u201d\u00a0<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/country\/restless-road-last-rodeo-makin-tracks-1235592481\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The history of the rodeo is closely intertwined with country music, to the point that it has played a role in a fair amount of the genre\u2019s hits. George Strait\u2019s \u201cAmarillo by Morning,\u201d Moe Bandy\u2019s \u201cBandy the Rodeo Clown,\u201d Suzy Bogguss\u2019 \u201cSomeday Soon,\u201d Dan Seals\u2019 \u201cEverything That Glitters (Is Not Gold)\u201d and Garth Brooks\u2019 \u201cRodeo\u201d [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-69362","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/69362","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=69362"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/69362\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=69362"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=69362"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=69362"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}