{"id":68468,"date":"2024-01-23T18:04:17","date_gmt":"2024-01-23T23:04:17","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/01\/23\/what-does-ariana-grandes-yes-and-debut-tell-us-about-her-upcoming-album-cycle\/"},"modified":"2024-01-23T18:04:17","modified_gmt":"2024-01-23T23:04:17","slug":"what-does-ariana-grandes-yes-and-debut-tell-us-about-her-upcoming-album-cycle","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/01\/23\/what-does-ariana-grandes-yes-and-debut-tell-us-about-her-upcoming-album-cycle\/","title":{"rendered":"What Does Ariana Grande\u2019s \u2018Yes, And?\u2019 Debut Tell Us About Her Upcoming Album\u00a0Cycle?"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/artist\/ariana-grande\">Ariana Grande<\/a> is back: After three years of relative quiet (outside of a chart-topping Weeknd collab here or there), the pop superstar returned earlier this month with the lead single from her upcoming <em>Eternal Sunshine<\/em> album, \u201cYes, And?\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe house-flavored new song, offered largely in response to gossip about her personal life and body image in the intervening years, debuts at No. 1 on the <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a> this week, edging past Jack Harlow\u2019s reigning champ \u201cLovin on Me.\u201d The song was helped over the top by a variety of remixes and edits, which assisted the song\u2019s 2024-best sales debut (53,000). <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat does Grande\u2019s new song portend about her new era? And will the song stick around for a long time to come? <em>Billboard<\/em> staffers discuss these questions and more below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>1. \u201cYes, And?\u201d debuts atop the Billboard Hot 100, albeit in a closer race with second-place-finisher \u201cLovin on Me\u201d than some might have expected. Do you expect the song to be a long-lasting top pop hit, or more of a quick re-introduction of\u00a0Grande\u2019s new era before the rest of the\u00a0<em>Eternal Sunshine\u00a0<\/em>rollout?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Rania Aniftos<\/strong>: Grande\u2019s standout hits from her albums are rarely the lead single, and I think that will probably be the case with\u00a0<em>Eternal Sunshine<\/em>\u00a0as well. I\u2019m hoping for a less controversial track that actually represents the growth that Ari sees in herself over the next few weeks, and I hope that\u2019s the one that stands the test of time!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: I think this is definitely more of a quick re-introduction of\u00a0Grande\u00a0to the pop music scene. Rumors are already swirling about a new single arriving as early as next month, so I\u2019d imagine we get at least one more taste of the album before March 8. With that being said, I also don\u2019t think \u201cYes, And?\u201d will freefall down the Hot 100. I doubt it spends multiple weeks at No. 1, but once it hits its stride on radio, it should end up being a solid hit that likely follows a similar chart run to her own \u201cNo Tears Left to Cry.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Joe Lynch<\/strong>: I don\u2019t see it being an ongoing threat for the No. 1 spot in the way that \u201cThank U, Next\u201d and \u201c7 Rings\u201d dominated, but when it comes to Ari\u2019s Hot 100-toppers, even a song like the Justin Bieber collab \u201cStuck With U\u201d \u2013 probably her least beloved single to top the Hot 100 \u2013 remained on that chart for 18 weeks. She has an amazing voice that\u2019s well-suited to the current radio landscape and she streams well, so I expect it to stick around\u2026 but would be surprised to see it at No. 1 for more than 2 weeks in total. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Meghan Mahar<\/strong>: I think that \u201cYes, And?\u201d has the potential to become a more dominant No. 1 over \u201cLovin on Me,\u201d but it ultimately serves as a safe introduction to her\u00a0<em>Eternal Sunshine<\/em>\u00a0era. Historically, dance and dance-adjacent hits have performed well for\u00a0Grande \u2014 but I feel that this was an opportune time to release a song like \u201cYes, And?\u201d that is lighthearted and club-friendly. There has been a clear demand for these songs, as we\u2019ve seen with the success of releases including David Guetta and Bebe Rexha\u2019s \u201cI\u2019m Good (Blue),\u201d Troye Sivan\u2019s \u201cRush,\u201d and Dua Lipa\u2019s \u201cHoudini.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It seems likely to me to follow a \u201cVampire\u201d-type trajectory: Just the one week on top, but at least a handful in the top 10, and a long run in the top 40 as radio picks up on it. Not an era-defining smash, but big enough to re-announce Grande\u2019s presence with authority as needed. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/eB6txyhHFG4?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>2. It\u2019s already been over three years since the release of her most recent album, 2020\u2019s\u00a0Positions. Do you think\u00a0Grande\u2019s returning to pop music in 2024 in stronger, weaker or about the same standing as when she left?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Rania Aniftos<\/strong>: It\u2019s a tough question, because while musically, she\u2019s returning to pop in an equally powerful place as she left it, her public image has been a bit compromised over the past year due to headlines surrounding her relationship. I\u2019ve already been seeing fan reactions to the song, expressing disappointment at the sentiment despite liking how catchy the track is \u2014 with longtime supporters feeling uncomfortable giving her streams and listening to the song. If she can gracefully navigate the personal aspects of her public perception, I think she\u2019s geared up to create a\u00a0<em>Thank U, Next<\/em>-like splash with her upcoming album.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Stronger. Although the split opinions regarding her romantic life are incredibly loud on the Internet,\u00a0Grande\u00a0is returning to the scene as an elder stateswoman of sorts. Last year, she celebrated the ten-year anniversary of her pop recording career, she has a blockbuster film (Wicked: Part One) on the horizon, and she already had five No. 1 hits this decade before \u201cYes, And?\u201d was announced. You\u2019d be hard-pressed to find a post-Grande\u00a0pop star who can match her string of quality hit singles over the past decade \u2013 and that\u2019s why her absence was so deeply felt. Just five years ago,\u00a0Grande\u2019s name was among the list of stars who had countless hits and no Hot 100 chart-toppers. Now, she\u2019s expected to debut at No. 1 practically every time she releases music. If that doesn\u2019t make it clear how much her position in pop\u2019s hierarchy has changed, I don\u2019t know what would!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Joe Lynch<\/strong>: Pop is such a youth-oriented (youth-obsessed, really) market that it\u2019s hard to pretend like four years is nothing \u2014 and yet, did she really go away? Ten months ago, she topped the Hot 100 with the Weeknd duet \u201cDie For You,\u201d and her modern seasonal staple (\u201cSanta Tell Me\u201d) reached an all-time peak this month. It might be a new era, but don\u2019t call it a comeback. Within a couple percentage points for error, I would say she\u2019s as strong as when <em>Positions<\/em> dropped.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Meghan Mahar<\/strong>: Stronger. Headlines about\u00a0Grande\u00a0in the time since\u00a0<em>Positions<\/em>, whether they were about her relationships or teasers of her work on\u00a0<em>Wicked<\/em>, kept her in the news cycle and fueled interest in her next project. What truly gives her a competitive edge, though, is the public\u2019s need for a pop superstar. Many have released successful projects and grown to great heights over the past few years, but none have\u00a0Grande\u2019s artistic vision and vocal capabilities.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Maybe a little stronger. It\u2019s hard to remember the last time a pop star was as palpably <em>missed<\/em> in the top 40 world as Ariana has been in her relative absence \u2014 if the popularity of Tate McRae\u2019s \u201cGreedy\u201d and Sabrina Carpenter\u2019s \u201cNonsense\u201d year were any indication, fans were practically champing at the bit for Grande-sized radio singles. Maybe some fans have turned on her, but as Doja Cat has proven multiple times this decade, hits solve just about everything \u2014 and Grande has never been in short supply of those. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>3. \u201cYes, And?\u201d adopts a fairly house-forward sound for\u00a0Grande, resulting in her first-ever unaccompanied No. 1 on the Dance\/Electronic Songs chart. Do you think that foreshadows a full pivot to dance with\u00a0<em>Eternal Sunshine<\/em>\u00a0\u2014 and do you hope it does?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Rania Aniftos<\/strong>: I do! It\u2019s a fun pivot for an artist who has been around for more than a decade at this point. It keeps things fresh, not only for her but also for her fans, and it plays on the nostalgia trend in music lately due to its 80s sound. With a name like\u00a0<em>Eternal Sunshine<\/em>, she has to have some fun on this album, right?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: No. In the same way that \u201cDangerous Woman\u201d didn\u2019t foreshadow an album of theatrical pop bangers and \u201cNo Tears\u201d didn\u2019t preview an LP filled with U.K. garage-inflected anthems, I don\u2019t think \u201cYes, And?\u201d is signaling a full dance pivot. Not to mention,\u00a0Grande\u00a0has dabbled with this sound before (2016\u2019s \u201cBe Alright\u201d), so it isn\u2019t exactly new for her. I think <em>Eternal Sunshine <\/em>will blend the best of her capabilities across pop and R&amp;B like each of her last six efforts. Even though I\u2019m not necessarily hoping for <em>Eternal Sunshine<\/em> to be a full dance record, I\u2019ll gladly embrace it should that end up being the case.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Joe Lynch<\/strong>: Dance\u00a0Ariana\u00a0has always been one of my favorite\u00a0Arianas (\u201cBreak Free\u201d is GOAT) but the house-forward sound did surprise me a bit, simply because two major artists (Beyonc\u00e9 and Drake) boosted that sound back to the wider public in 2022. I\u2019m never angry at hearing house music, but it does seem like she\u2019s following a trend on this one. So while I\u2019d celebrate a dance LP, I\u2019m hoping there are some sonic surprises afoot that push pop forward. \u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Meghan Mahar<\/strong>: As much as I would personally love a full dance record, I don\u2019t think that\u2019s going to happen.\u00a0Grande\u00a0has had several dance and dance-adjacent tracks in the past: \u201cBreak Free\u201d with Zedd (2014) and \u201cInto You\u201d (2016) came to mind when I heard \u201cYes, And?\u201d and both came from albums with a solid range of sounds. The success of \u201cRain on Me\u201d with Lady Gaga (another\u00a0<a rel=\"noreferrer noopener nofollow\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.billboard.com%2Fpro%2Frain-on-me-debuts-atop-hot-100-lady-gaga-ariana-grande%2F&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7C75e3d7b642e245273d5608dc1c4ec32a%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638416371805842617%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=NnfM2pbyiJmvfbmCYlsSqpAt7HHEYq5HvTMo%2BPmTHNo%3D&amp;reserved=0\" target=\"_blank\">No. 1 debut<\/a>) was likely a factor that informed the release of this song. I feel that \u201cYes, And?\u201d foreshadows\u00a0Grande\u00a0referencing her past sounds and eras, but from a more mature place in her life.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s hard for me to see Grande going full club energy for a full album. Not that she couldn\u2019t pull it off, but her truest sweet spot to me is still in the cozy confines of a soul-pop ballad or midtempo number, and I don\u2019t think she\u2019d want to limit herself strictly to the upper BPM ranges for all of <em>Eternal Sunshine<\/em>. I\u2019m betting this song basically serves for its parent album as \u201cNo Tears Left to Cry\u201d did for <em>Sweetener<\/em>: a blast to kick off her new era, which ultimately proves to forecast only a small bit of what the rest of the album has to offer. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>4. The chart-topping debut for \u201cYes, And?\u201d gives Max Martin his 24<sup>th<\/sup>\u00a0No. 1 as a producer, moving him into sole possession of the all-time record. Do you think anyone will pass his mark anytime soon? <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Rania Aniftos<\/strong>: Unless Mariah Carey enters a production-focused era of her career, I really doubt it. He\u2019s dominating by a landslide among producers who are alive.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: I think this record is Max Martin\u2019s to keep for a long while. Should Dr. Luke continue to find work despite his public fall from grace, it\u2019s possible he will catch up to him. Nonetheless, I don\u2019t think the producer who passes Max\u2019s mark has gotten their start yet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Joe Lynch<\/strong>: Well, I don\u2019t think his runner-up (George Martin) is going to prove much competition in the 2020s, but Dr. Luke \u2013 who has produced or co-produced 18 No. 1s \u2013 could narrow the gap in the upcoming years. Even so, I think it\u2019s pretty unlikely that anyone that he, or anyone, will take the lead from Max in the next five to 10 years. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Meghan Mahar<\/strong>: No\u2014 the first runner up, Dr. Luke, is 6 songs behind Martin\u2019s 24 No. 1 record and Martin is not showing any signs of slowing down. In recent times, it seems as if Dr. Luke has been working with a wider variety of artists, whereas Martin has committed more time to projects with a smaller roster. Martin\u2019s strategy has paid off and aligned him with superstars and some of their best\u00a0projects, like Taylor Swift\u2019s\u00a0<em>1989<\/em>\u00a0(2014) and\u00a0The Weeknd\u2019s<em> Dawn FM <\/em>(2022). Securing this level of prestige takes a career lifetime to achieve.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s Martin\u2019s to lose. You could look at someone like Jack Antonoff and think \u201cWell, if he stays as Taylor Swift\u2019s go-to guy for the rest of the decade, could that alone be enough to get him there?\u201d But as ubiquitous as Antonoff has seemed for nearly a decade now, he still only has five No. 1s to his name \u2014 which means he\u2019d need about three a year from now until 2030 to beat Martin\u2019s current total. Not impossible, but the head start that Martin has amassed in his near-30-year career \u2014 and he ain\u2019t done yet \u2014 is not a gap that anyone will be able to bridge without putting in decades of their own high-level work. And probably not then, either. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>5. What\u2019s one thing not really covered by \u201cYes, And?\u201d that you\u2019d like to hear or see from\u00a0Ariana\u00a0Grande\u00a0on this new album and its accompanying promotional cycle?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Rania Aniftos<\/strong>: I don\u2019t know if this necessarily answers the question, but I love how involved Jim Carrey was on The Weeknd\u2019s\u00a0<em>Dawn FM<\/em>, and since\u00a0<em>Eternal Sunshine<\/em>\u00a0got its name from Carrey\u2019s 2004 film, it only makes sense for him to be on the album in some capacity.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: While \u201cYes, And?\u201d is a great encapsulation of IDGAF energy, I\u2019d like to hear more about what\u2019s been going through\u00a0Grande\u2019s head ever since <em>Positions<\/em>. What has it been like filming your dream role (Glinda in <em>Wicked<\/em>)? How have you dealt with all the internal and external pressures that come with such an endeavor? In the past few years, it\u2019s clear\u00a0Grande\u00a0has done a lot of growing up. From her wardrobe and general demeanor to her overall aesthetic and relationship with social media, she\u2019s clearly matured a lot. And, of course, she went through a divorce in the public eye while juggling her music and acting careers; I\u2019d love to see her dig into those concepts and emotions on<em> Eternal Sunshine<\/em>, which, judging by the title\u2019s allusion to <em>Eternal Sunshine of the Spotless Mind<\/em>, she just might do.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrom a purely musical standpoint, I think I\u2019m most intrigued to hear how <em>Wicked<\/em> has impacted her approach to singing and songwriting. Could another \u201cJason\u2019s Song\u201d be on the way? I certainly hope so!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Joe Lynch<\/strong>: I\u2019m not saying I want to hear a dance remix of \u201cPopular\u201d on her album, but with the <em>Wicked<\/em> adaptations occupying so much of her recent time, I\u2019m champing at the bit to see\u00a0Grande\u00a0in full-on theater kid mode as she hits the late-night promo cycle. (Shout-out to her performance in 2016\u2019s <em>Hairspray Live!<\/em>) Do theater kids run the risk of being a bit irritating? Of course. But she\u2019s practically a national icon. Let her hit.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Meghan Mahar<\/strong>: I love how\u00a0Grande\u00a0has showcased her versatility across her discography, but my favorite songs are the R&amp;B selects and ballads. Her vocal range emphasizes the passion behind her lyrics, whether they be about being deeply in love (\u201cpov\u201d) or in deep pain (\u201cghostin\u201d). \u201cYes, And?\u201d is such a fun, carefree track \u2014 and I love this! It makes me want to dance with my friends in the club \u2014 but I also love a good cry. Her musical vulnerability, paired with behind-the-scenes content or stunning visuals (like the \u201cpov\u201d\u00a0<a rel=\"noreferrer noopener nofollow\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DfLFvbwrWLQY&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7C75e3d7b642e245273d5608dc1c4ec32a%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638416371805859521%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=CYlNE%2FNIMMdzWbKRaVLni8kBLrNdz05aiH%2BfvcnMmac%3D&amp;reserved=0\" target=\"_blank\">Vevo performance<\/a>) in the promo cycle, would further cement her range.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Ariana Grande has spent most of her career making pop for the bedroom \u2014 would she ever consider going full bedroom pop? Would love to hear working with Girl in Red. A Laufey duet could be dope. And how the hell have she and Billie Eilish (an avowed longtime Grande fan) still never worked together? <\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/ariana-grande-yes-and-hot-100-five-burning-questions-1235587581\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ariana Grande is back: After three years of relative quiet (outside of a chart-topping Weeknd collab here or there), the pop superstar returned earlier this month with the lead single from her upcoming Eternal Sunshine album, \u201cYes, And?\u201d The house-flavored new song, offered largely in response to gossip about her personal life and body image [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-68468","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/68468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=68468"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/68468\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=68468"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=68468"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=68468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}