{"id":62520,"date":"2023-12-05T12:05:19","date_gmt":"2023-12-05T17:05:19","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2023\/12\/05\/how-edgar-barrera-challenged-urbano-pop-supremacy-with-borderland-authenticity\/"},"modified":"2023-12-05T12:05:19","modified_gmt":"2023-12-05T17:05:19","slug":"how-edgar-barrera-challenged-urbano-pop-supremacy-with-borderland-authenticity","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2023\/12\/05\/how-edgar-barrera-challenged-urbano-pop-supremacy-with-borderland-authenticity\/","title":{"rendered":"How Edgar Barrera Challenged Urbano-Pop Supremacy With Borderland\u00a0Authenticity"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBy keeping it real to his roots, <a href=\"https:\/\/www.billboard.com\/artist\/edgar-barrera\/\">Edgar Barrera<\/a> played a pivotal role in ushering a rustic, revitalizing sound that, for the first time in a decade, disrupted the dominant rhythms of reggaet\u00f3n. At the very least, it gave the urbano scene a substantial shake, challenging the established dembow-driven paradigm from its comfortable throne.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-margin-tb-2 lrv-u-border-t-1 lrv-u-border-b-1 lrv-u-padding-t-050 lrv-u-padding-b-075 lrv-u-border-color-grey\">\n<div class=\"a-heading-border a-heading-border-background-color-grey a-heading-border-height-075 lrv-u-margin-b-075 lrv-u-margin-b-050@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-u-color-brand-primary a-font-primary-bold-s lrv-u-text-transform-uppercase lrv-u-padding-r-1 a-article-related-module-title a-article-related-module-title--color-brand-primary\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"o-card lrv-u-flex\">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/latin\/edgar-barrera-latin-music-producer-groundbreaker-interview-1235417161\/\" class=\"lrv-u-flex lrv-a-unstyle-link lrv-u-color-brand-primary:hover\"><\/p>\n<div class=\"o-card__image-wrap lrv-u-flex-shrink-0 u-flex-basis-144 u-flex-basis-96@mobile-max\">\n<div class=\"c-lazy-image  lrv-u-height-100p\">\n<div class=\"a-crop-3x2 a-crop-1x1@mobile-max lrv-u-height-100p\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2023\/09\/feature-edgar-barrera-billboard-2023-bb12-natalia-aguilera-2-1260.jpg?crop=0px%2C0px%2C1260px%2C781px&amp;resize=237%2C147\" alt=\"Edgar Barrera\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content lrv-u-flex lrv-u-flex-direction-column lrv-u-justify-content-center lrv-u-padding-lr-1 lrv-u-padding-lr-075@mobile-max\">\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-primary-medium-m lrv-u-padding-b-050 u-letter-spacing-0028@mobile-max\">\n<p>\t\t\t\t\tHow Edgar Barrera Became One of Latin Music&rsquo;s Most In-Demand\u00a0Producers\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  a-font-primary-medium-xxs lrv-u-color-brand-primary lrv-u-order-100\" datetime=\"00:00-YY-DD-MM\"><br \/>\n\t12\/05\/2023<br \/>\n<\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn fact, Barrera\u2019s formidable work in the global Latin pop and m\u00fasica mexicana spaces secured him the coveted top spot on <em>Billboard<\/em>\u2019s year-end chart for <a href=\"https:\/\/www.billboard.com\/charts\/year-end\/2023\/hot-latin-producers\/\">Hot Latin Songs Producer<\/a>. This achievement marks the first time in a decade that a producer from the regional Mexican music scene has claimed this position, with the last instance being Fernando Camacho Tirado from Mazatl\u00e1n in 2013.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAt the end of the day, that\u2019s what it\u2019s all about \u2014 being true to the roots of who you are and showing it with the songs you\u2019re doing,\u201d Barrera tells <em>Billboard Espa\u00f1ol<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe Mexican-American producer and songwriter is a self proclaimed \u201cborder kid\u201d (also the name of his label), born in McAllen, Texas and raised between Tamaulipas, Mexico and the Lone Star State. To date, he has accumulated an impressive roster of artists he\u2019s worked with, from all corners of the pop map: Madonna, Adriana Grande, Becky G, Grupo Firme, Manuel Turizo and more.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith Grupo Frontera, fellow borderland troupe, they not only solidified their distinctive musical niche but also crafted one of the standout hits of 2023: the Tejano-cumbia of \u201cun x100to,\u201d featuring powerhouse Bad Bunny \u2014 his second foray into the genre. The song earned Barrera (and songwriters Andr\u00e9s Jael Correa Rios and Mag) a Latin Grammy for best regional song.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs the accolades continue to accumulate, Barrera now finds himself in the running for Songwriter of the Year at the upcoming 2024 Grammy Awards. Our interview below:\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Congratulations on reaching No. 1 on the Hot Latin Songs Producers chart. Did you expect this feat given the success of many of the hits you have created this year?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt\u2019s been a good year for me in every way. It was the year where I had the opportunity to make my label [BorderKid Records]. As a songwriter and producer, I feel like I had a lot of versatility as well. I always try to include Latin sounds in my productions, whether it\u2019s a bachata, a merengue, a cumbia or a vallenato \u2014 something different, and regional Mexican music all the time; putting a little bit of that into urbano and pop. This year I had the opportunity to do a lot of that, and to appear now as <em>Billboard<\/em>\u2018s No. 1 \u2014 well imagine, for me, it\u2019s an honor.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Let\u2019s talk about some songs, like \u201cun x100to\u201d with Grupo Frontera and Bad Bunny, which also had tremendous success in the charts. How was the creative process for that?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen we wrote it, it was in another genre. It sat for a year and a half. We showed it to a lot of artists and nobody saw it as R&amp;B. It had the same lyrics, the same melody, the same everything, but the arrangement was R&amp;B. I feel that the industry was very focused on a more urbano vibe, and the song didn\u2019t fit the rhythm it had. I had just sent it to another artist who had told me he didn\u2019t see himself singing the song, and then Grupo Frontera arrived. I said to them, \u201cI\u2019m going to show it to you without the arrangement \u2026 with just the guitar and vocals.\u201d I grabbed the guitar and sang it for them. They immediately told me, \u201cWe\u2019re going to record it.\u201d [Frontman] Payito learned it and we recorded it that same day in the studio.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3inw26U-os4?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFrom that moment, we knew there was something special. We were trying to experiment with Frontera singing a song that wasn\u2019t the typical cumbia. That\u2019s part of what I get to do as a producer. On Benito\u2019s part, when he came in with those dark pads \u2014 which was his idea \u2014 he wanted there to be a switch up when he came in, and that the cumbia would be added little by little. At that point, Mag, Bad Bunny\u2019s producer, and I sat down to work, and we came up with what is now \u201cun x100to.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Let\u2019s talk about other genres, \u201cEl Merengue\u201d and \u201cLa Bachata.\u201d Tell me about how you approached a totally different style of music.<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen we did \u201cLa Bachata,\u201d I wanted to do something that sounded different. I was a little tired of everything sounding the same. During that time, there was a pattern in Latin music that began to repeat itself a lot. It was also intended for another artist and in the end it turned out that Manuel Turizo called me to work with him. He asked if I had any songs out there to show him. I told him, \u201cI have a song, but it\u2019s a bachata \u2014 I don\u2019t know how much you see yourself singing a bachata.\u201d I played it for him and he said, \u201cBro, I\u2019d like to record something different too.\u201d And Manuel bet on the song.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cEl Merengue\u201d started as a joke with Manuel. We said, \u201cWe did \u2018La Bachata\u2019, now let\u2019s do \u2018La Cumbia\u2019 or \u2018El Merengue.&rsquo;\u201d He answered, \u201cBro, you know what? Doing a merengue might be interesting!\u201d We were with Marshmello in the studio, and I asked him, \u201cHow would you make a merengue in your world? How would you put EDM on merengue?\u201d Marshmello said, \u201cYou start the production and I\u2019ll follow you.\u201d So I started playing the chords on the piano, throwing melodies. We put the song together on the spot. Nobody [was] doing merengue at that time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How would you say your Mexican roots contribute to your approach to songwriting and production?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think it\u2019s in all the songs I\u2019m a part of. For example, if you listen to \u201cEl Jefe\u201d by Shakira, you hear a lot of Mexican stuff, or \u201cMi Ex Ten\u00eda Raz\u00f3n\u201d by Karol G, you hear a more Tejano flow like Selena, which is the music of my hometown and that I listened to growing up. If you hear a song like \u201cSeg\u00fan Qui\u00e9n\u201d by Maluma and Carin Le\u00f3n, you hear some pop, but with a very Mexican style. Lately I\u2019ve been getting tweets [that say], \u201cI knew this song was Edgar\u2019s because of this and that.\u201d People are starting to identify me in songs. At the end of the day, that\u2019s what it\u2019s all about: being true to the roots of who you are and showing it with the songs you\u2019re doing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Can you explain what inspired you to found your label BorderKid Records?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI grew up on the border \u2014 I\u2019m a border kid, as they say. I feel that many see us with disadvantages, because maybe we are too American for Mexicans and too Mexican for Americans. But I try to look for the positive side, that I have both cultures in me. And part of my stamp is that. One of the first releases I had with my label was \u201cQue Vuelvas\u201d by Grupo Frontera [and Carin Le\u00f3n of 2022]. When I decided to support a local group from McAllen \u2014 which is right where I was born, and close to where I grew up, between Miguel Alem\u00e1n, Tamaulipas and Roma, Texas, an hour from McAllan \u2014 I wanted to start a label supporting local talent. Well imagine, I met Grupo Frontera, which also means the same thing as the label \u2014 so as they say, it was meant to be.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What advice would you give to aspiring producers and songwriters who want to make a name for themselves in the industry?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTo be original, to always be real to what they do; not be ashamed to show who they really are and where they are from. For example, there was a time when Latin music was very focused on other genres, in other countries, very urbano. As a Mexican, I bring other kinds of things to the table. I have always been proud of my roots and I consider myself different from others. I feel that you have to always be proud of yourself and not try to be a person or a producer that you are not, or try to write something that isn\u2019t your language or your way of expressing yourself in order to fit in.\u00a0<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/latin\/edgar-barrera-latin-producer-of-the-year-un-x100to-1235534128\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By keeping it real to his roots, Edgar Barrera played a pivotal role in ushering a rustic, revitalizing sound that, for the first time in a decade, disrupted the dominant rhythms of reggaet\u00f3n. At the very least, it gave the urbano scene a substantial shake, challenging the established dembow-driven paradigm from its comfortable throne. Related [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-62520","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/62520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=62520"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/62520\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=62520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=62520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=62520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}