{"id":61608,"date":"2023-11-28T18:04:33","date_gmt":"2023-11-28T23:04:33","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2023\/11\/28\/how-did-jack-harlow-score-his-third-no-1-in-three-years-with-lovin-on-me\/"},"modified":"2023-11-28T18:04:33","modified_gmt":"2023-11-28T23:04:33","slug":"how-did-jack-harlow-score-his-third-no-1-in-three-years-with-lovin-on-me","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2023\/11\/28\/how-did-jack-harlow-score-his-third-no-1-in-three-years-with-lovin-on-me\/","title":{"rendered":"How Did Jack Harlow Score His Third No. 1 in Three Years With \u2018Lovin on\u00a0Me\u2019?"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div>\n<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTaylor Swift, Drake and now <a rel=\"nofollow noopener\" href=\"https:\/\/www.billbaord.com\/artist\/jack-harlow\" target=\"_blank\">Jack Harlow<\/a>. That\u2019s the complete list of artists who\u2019ve scored new No. 1 hits on the <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a> in each of the past three calendar years \u2014 with the latter artist completing the trifecta with his new chart-topper \u201cLovin on Me.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cLovin\u201d climbs from 2-1 on the Hot 100 this week (dated Dec. 2), following his Lil Nas X collab \u201cIndustry Baby\u201d (2021) and his solo smash \u201cFirst Class\u201d (2022) to the chart\u2019s apex. Like \u201cFirst Class,\u201d the song was extensively teased on TikTok before its release, building up anticipation for its debut.<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-margin-tb-2 lrv-u-border-t-1 lrv-u-border-b-1 lrv-u-padding-t-050 lrv-u-padding-b-075 lrv-u-border-color-grey\">\n<div class=\"a-heading-border a-heading-border-background-color-grey a-heading-border-height-075 lrv-u-margin-b-075 lrv-u-margin-b-050@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-u-color-brand-primary a-font-primary-bold-s lrv-u-text-transform-uppercase lrv-u-padding-r-1 a-article-related-module-title a-article-related-module-title--color-brand-primary\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"o-card lrv-u-flex\">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/chart-beat\/jack-harlow-lovin-on-me-number-one-hot-100-mariah-carey-brenda-lee-tyla-top-10-1235511068\/\" class=\"lrv-u-flex lrv-a-unstyle-link lrv-u-color-brand-primary:hover\"><\/p>\n<div class=\"o-card__image-wrap lrv-u-flex-shrink-0 u-flex-basis-144 u-flex-basis-96@mobile-max\">\n<div class=\"c-lazy-image  lrv-u-height-100p\">\n<div class=\"a-crop-3x2 a-crop-1x1@mobile-max lrv-u-height-100p\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2023\/11\/Jack-Harlow-Press-Photo-Cian-Moore-2023-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"Jack Harlow\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content lrv-u-flex lrv-u-flex-direction-column lrv-u-justify-content-center lrv-u-padding-lr-1 lrv-u-padding-lr-075@mobile-max\">\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-primary-medium-m lrv-u-padding-b-050 u-letter-spacing-0028@mobile-max\">\n<p>\t\t\t\t\tJack Harlow&rsquo;s &lsquo;Lovin on Me&rsquo; Tops Hot 100, Christmas Classics &amp; Tyla Hit Top\u00a010\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  a-font-primary-medium-xxs lrv-u-color-brand-primary lrv-u-order-100\" datetime=\"00:00-YY-DD-MM\"><br \/>\n\t11\/28\/2023<br \/>\n<\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHow has Harlow continued scoring these smashes? And will he one day also have the consistent major album success of a Drake or Swift? <em>Billboard<\/em> staffers debate these questions and more below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>1. Jack Harlow\u2019s \u201cLovin on Me\u201d climbs 2-1 on the Hot 100 this week, giving him a new No. 1 hit in a third straight year \u2014 the only artist besides Drake and Taylor Swift on as long a streak. On a scale from 1-10, how surprised are you to see Harlow\u2019s name along with those two others for that benchmark? <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Eric Renner Brown<\/strong>: I\u2019d quantify my mild surprise as a 3. Not so much because Harlow strung together three consecutive years with a Hot 100 topper \u2013 even in 2021, it was fairly clear he had the juice as far as pop-rap goes \u2013 but because\u00a0<em>only<\/em>\u00a0him, Drake, and Taylor have achieved this distinction. To come at this question another way, my surprise is primarily in terms of the artists who scored Hot 100 No. 1s in 2021, and then missed the chart\u2019s top slot in at least one of the two following years. At the end of 2021, Lil Nas X and BTS were both omnipresent and it felt like a strong possibility that Cardi B would have a new album (with ostensibly huge singles) the following year. Instead, 2021 was the last year any of them topped the chart.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Maybe about a 6? When you think about it, it\u2019s not really <em>that<\/em> surprising. Jack Harlow is a charismatic young talent with really broad appeal, and it\u2019s not like he makes music that staunchly rejects mainstream conventions. Nonetheless, after the soft commercial reception of\u00a0<em>Jackman<\/em>\u00a0earlier this year and his relative absence from the headlines, another No. 1 hit does come as a bit of a surprise. Then again, when you have a hold on TikTok in the way that Jack Harlow does, there\u2019s always a hit in your back pocket.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: A high 7. Sure, Harlow has become one of the bigger names in music over the past few years, but I doubt that your casual top 40 listener would know him as an answer to that trivia question. Still, he\u2019s done an excellent job of picking collaborations, samples and, perhaps most importantly, the\u00a0<em>right\u00a0<\/em>singles since 2021. It\u2019s hard to overemphasize the last point: Three of his last five singles as a lead artist have gone to No. 1. Harlow and his team clearly have a spot-on understanding of what is going to latch onto the mainstream ear in a moment\u2019s notice.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: A 9 \u2014 and that\u2019s not due to anything against Jack Harlow, but just because of how his singles discography has oscillated between quickly evaporating tracks and No. 1 smashes. Unlike artists like Taylor Swift and Drake, who routinely send singles to the top of the Hot 100 regardless of the commercial rollout or affiliated project, Harlow has the ability to put out singles and projects with little Hot 100 heat (this year\u2019s <em>Jackman<\/em> album didn\u2019t produce a single top 40 entry, for instance), but then follow them up with songs that build TikTok anticipation and immediately explode on streaming services. It\u2019s a singular skill, which makes a feat like \u201cLovin on Me\u201d so unexpected.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: A 7. Clearly Harlow\u2019s crossover instincts are strong \u2014 we even named him one of the <a href=\"https:\/\/www.billboard.com\/music\/pop\/jack-harlow-greatest-pop-stars-2022-1235185843\/\">10 greatest pop stars<\/a> of 2022 \u2014 but it does feel like he has to prove himself each time out in a way that most cemented A-listers are mostly beyond needing to do. Striking gold like this three years in a row is quite tough to do for an artist on Harlow\u2019s (still very high) commercial level.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/Iq8h3GEe22o?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>2. Like \u201cFirst Class\u201d before it, \u201cLovin on Me\u201d built excellent pre-release buzz on TikTok, essentially minting it as a hit before its debut. What about the song \u2014 or about Harlow\u2019s singles in general \u2014 do you think makes it so viral-ready?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Eric Renner Brown<\/strong>: It has to help that the sheer density of his rhymes means that Harlow can simply squeeze more into a bite-sized clip, right? Harlow songs have this funny quality: Wherever you drop in, you\u2019ll get to a punchline (or perhaps more accurately, an intended punchline) within a few seconds. (On \u201cLovin On Me,\u201d don\u2019t miss \u201cI keep it short with a b\u2013ch, Lord Farquaad\u201d tucked away in the second verse \u2013 easily rap\u2019s best <em>Shrek<\/em> moment of 2023.) More generally, I think Harlow\u2019s classic production sensibilities give his songs a sense of familiarity. There\u2019s nothing particularly grating or challenging about his music, which greases the virality wheels.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Definitely the sample. That melody coupled with a beat that feels familiar to enough to recall Drake\u2019s \u201cThe Motto,\u201d but distinct enough to feel like its own entity, makes for a track with several key components to latch onto. More importantly, like \u201cFirst Class,\u201d \u201cLovin on Me,\u201d finds Jack rapping to the ladies \u2013 and there isn\u2019t much of that happening in rap music right now (at least from the men in the mainstream). Of the 50 songs on\u00a0<em>Billboard\u2019s<\/em>\u00a02023 <a href=\"https:\/\/www.billboard.com\/charts\/year-end\/hot-rap-songs\/\">Year-End Hot Rap Songs ranking, <\/a>just a handful can be described as songs that fit that bill.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: The man knows how to pick an earworm of a sample! Like \u201cFirst Class\u201d before it, it only takes a listen or two before \u201cLovin on Me\u201d will be fully stuck in your head, humming <a href=\"https:\/\/www.youtube.com\/watch?v=sZh0_QRW34s&amp;pp=ygUWY2FkaWxsYWMgZGFsZSB3aGF0ZXZlcg%3D%3D\" rel=\"nofollow noopener\" target=\"_blank\">Cadillac Dale\u2019s <\/a>pitched-up, sped-up pre-chorus again and again. He\u2019s been doing it for years: Don\u2019t forget about 2019\u2019s \u201cThru the Night\u201d \u2014 released just a few months before breakthrough hit \u201cWhats Poppin\u201d \u2014 which similarly used a lift from Usher\u2019s \u201cU Don\u2019t Have to Call\u201d to wrap its way around listeners\u2019 hearts.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: \u201cFirst Class\u201d and \u201cLovin on Me\u201d follow a similar blueprint: rhythmic sample prominent in the production, Harlow flex-singing on the hook, then packing his verses with sexual innuendos. Harlow did not become a star with that formula \u2014 breakthrough single \u201cWhat\u2019s Poppin\u201d sounds nothing like either No. 1 hit \u2014 but the one-liners are ripe for TikTok trends, and the sample-heavy choruses translate well to radio. \u201cFirst Class\u201d was a viral juggernaut before it became a traditional hit, and I expected \u201cLovin on Me\u201d will function similarly.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Yeah, it\u2019s the samples. While \u201cLovin on Me\u201d is built around a significantly less-familiar sample (Cadillac Dale\u2019s \u201cWhatever\u201d) than the Fergie-reviving \u201cFirst Class,\u201d it\u2019s another immediately grabbing hook that Harlow does an excellent job interacting with and wrapping himself around. It arrives already feeling like a song we\u2019ve known for a decade or longer, and that\u2019s of incredible value when it comes to pop music at pretty much any point in history. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>3. \u201cFirst Class\u201d not only had an excellent debut, it hung around long enough \u2014 spending half a year in the top 40 \u2014 to end up one of the biggest Hot 100 hits of 2022. Do you think \u201cLovin\u201d will display similar endurance?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Eric Renner Brown<\/strong>: \u201cFirst Class\u201d was released a year-and-a-half before \u201cLovin On You,\u201d which means it was also released a year-and-a-half closer to Harlow\u2019s white-hot 2020 and 2021. In 2022, Harlow was still enjoying that afterglow, and I think \u201cFirst Class\u201d was a prime example. The two singles are comparable in quality \u2013 \u201cLovin On Me\u201d has a little more edge to it, but \u201cFirst Class\u201d bests it in terms of originality \u2013 so Harlow\u2019s current cultural cachet will likely be the differentiating factor here when it comes to commercial performance.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: I think it has the potential. If it can survive the Christmas onslaught and grow its presence on radio in the new year, \u201cLovin on Me\u201d could very well be one of those Q4 releases that truly explode in Q1.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: Candidly, \u201cLovin on Me\u201d sounds more to me like a song that gets released in late spring and has the energy to last on the radio all summer long. My worry for Young J-A-C-K here is that, try as he might, Christmas music is already beginning its inevitable annual takeover of the charts. Regaining the track\u2019s momentum following several weeks where people may push it aside is no easy feat. Pulling off another half year in the top 40 would be no Christmas miracle for him, but maybe more of an unexpected present under the tree.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: It\u2019s hard to say: we\u2019re entering a pretty wonky chart moment, with a slew of holiday music about to dominate the Hot 100 and some longer-running hits like Taylor Swift\u2019s \u201cCruel Summer\u201d and Doja Cat\u2019s \u201cPaint the Town Red\u201d already entrenched as counter-programming at radio. If \u201cLovin on Me\u201d is going to hang around as a hit, it needs to transcend the next six weeks of Christmas fare and come out within the top 20 or so on the other side. I think the song has legs, but we\u2019ll truly know if it does in January.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: I think so. As demonstrated by a song like Sam Smith\u2019s &amp; Kim Petras\u2019 \u201cUnholy\u201d \u2014 which had a massive, TikTok-accelerated debut in late 2022, and still hung around long enough to finish No. 11 on our 2023 Year-End Hot 100 \u2014 just because a song becomes a pop hit due to internet virality, that doesn\u2019t mean it\u2019s necessarily likely to fade as quickly as it sparked. The streaming numbers are still robust, and radio is coming on fast, with multiple formats likely thrilled to receive a pre-minted hit like this so late in the calendar year. We\u2019ll be hearing from \u201cLovin on You\u201d well into 2024. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/yQBImEeXNZ4?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=en-US&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>4. While Harlow has become a near-household name on the strength of his hit singles and feature appearances, his albums have not yet garnered the same consistency of success. Do you see it as only a matter of time before that follows, or is he more of an old-school singles artist who doesn\u2019t necessarily need smash albums to thrive?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Eric Renner Brown<\/strong>: First, I\u2019d push back on the notion that Harlow\u2019s albums haven\u2019t been consistently successful: Not No. 1s, but all three have charted in the top 10 of the <a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\">Billboard 200<\/a>, which is nothing to sneeze at. But with that said, Harlow is a little-goes-a-long-way artist for me \u2013 and, I would assume, for many other listeners as well. The showboat cadence, the \u201cis this the dumbest or most clever thing I\u2019ve ever heard?\u201d jokes\u2026 they get exhausting after a while. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHis first two albums weren\u2019t long relative to mainstream rap\u2019s data dumps \u2013 each is roughly the length of a single vinyl LP \u2013 but this is why I thought this year\u2019s even-shorter\u00a0<em>Jackman<\/em>, at 24 minutes, was savvy. Get in, show the listeners how skilled a technician you are, and get out before you wear out your welcome. Then again, it\u2019s also unclear what Harlow\u2019s goals are for his albums.\u00a0<em>Come Home The Kids Miss You<\/em>\u00a0had four A-list features, but otherwise had a slimmer guest list than many of Harlow\u2019s peers\u2019 albums;\u00a0<em>Jackman<\/em>\u00a0had no features at all. If Harlow\u00a0<em>wanted<\/em>\u00a0these albums to have charted higher, there are straightforward ways he could have achieved that \u2013 and could achieve that in the future.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: When it comes to albums, Jack Harlow is in a weird place. His official debut studio LP (2020\u2019s <em>Thats What They All Say<\/em>) arrived at the right time to capitalize on the success of \u201cWhats Poppin\u201d and \u201cTyler Herro,\u201d but he hadn\u2019t yet really fleshed out who he was as a pop star and brand beyond those hits. He was able to do all that by the time his sophomore record (2022\u2019s <em>Come Home the Kids Miss You<\/em>) rolled around, but tepid critical reception made it remarkably easy for \u201cFirst Class\u201d to overshadow the rest of the set. Then we have 2023\u2019s\u00a0<em>Jackman<\/em>, which was a conscious step away from the crossover aspirations of his first two records, obviously netting even less outstanding commercial returns.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tClearly, Jack doesn\u2019t\u00a0<em>need<\/em>\u00a0a smash album to have a fruitful career, but I think he has at least one of those in him. I still think, had it not been for the pandemic, his debut could have been that record for him.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: As\u00a0<em><a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.billboard.com%2Fpro%2Falbum-format-dead-narrative-music-discovery-tiktok-singles%2F&amp;data=05%7C01%7Candrew.unterberger%40billboard.com%7C1e78531d60ff4fff68af08dbf043d3ad%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638367946336582200%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=k5vThCi9zc4IPVNER2Qv8zItGEeRqjSrH2UcTRLd2es%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">Billboard\u00a0<\/a><\/em><a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.billboard.com%2Fpro%2Falbum-format-dead-narrative-music-discovery-tiktok-singles%2F&amp;data=05%7C01%7Candrew.unterberger%40billboard.com%7C1e78531d60ff4fff68af08dbf043d3ad%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638367946336591314%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=kfiFvXWTN3RQGBmDTeT2oa%2Fs2IoBTz1zQq6expZW0oU%3D&amp;reserved=0\" rel=\"nofollow noopener\" target=\"_blank\">recently covered<\/a>, the album is alive and well, though I have Harlow as an old-school singles artist \u2014 or at least, that\u2019s where he\u2019s going to have the most mainstream success. He has proven time and again that he knows how to captivate an audience with a one-off, and if you can string a handful of those together across a few albums, you\u2019ll have a long and healthy career. That shouldn\u2019t stop him from continuing to try, though. For everyone clamoring for another \u201cLovin on Me,\u201d I\u2019ll be waiting in line for the next installment of\u00a0<em>Jackman<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: I think more consistency is in his future, because he\u2019s more of a known entity \u2014 complete with major live shows, feature film roles and TV ad appearances \u2014 than a hit-single merchant without any artistic identity. It will be interesting to see if Harlow decides to take a few more swings of the Jackman bat and establish a stronger foothold in mainstream hip-hop, or if he becomes more focused on crossover hits as a way of extending his commercial run; in either lane, I\u2019d bet on him establishing a dependable artistic tone and catering to its fan base.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Feels like a singles artist to me. <em>Jackman<\/em> was an admirable attempt to appeal to a more of a J. Cole-like audience, but while the album was more impressive than I would have expected, it simply didn\u2019t attract the listenership to suggest that it\u2019s what most people want to hear from Harlow. Meanwhile, <em>Come Home<\/em> had a stronger commercial debut but a worse reception from fans and critics, who didn\u2019t seem to feel that the \u201cFirst Class\u201d version of Harlow could really sustain interest (or even likability) for an entire album. It\u2019ll be a challenge for him to find a way to really split the difference between the two versions of himself \u2014 but having three Hot 100 No. 1s in three years should buy him a decent amount of time to try to figure it out, anyway. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>5. Fill in the blank: Jack Harlow will end up being this generation\u2019s _____. <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Eric Renner Brown<\/strong>: John Mayer, maybe? Young heartthrob with undeniable and flashy skills scores some early hits then struggles to define himself artistically in the face of (often inaccurate or overblown) popular stereotypes\u2026 maybe this all ends with Harlow pinch-hitting as a key member in a hip-hop legacy act.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Jack Harlow will end up being this generation\u2019s late-career Ludacris \u2013 he\u2019ll always have a hit waiting in the wings, his albums won\u2019t make much of an impact, and he\u2019ll retain his crossover appeal by remaining a relevant figure across entertainment for as long as he desires.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Josh Glicksman<\/strong>: Thanksgiving is over, but let\u2019s stay in theme: Jack Harlow will end up being this generation\u2019s pumpkin pie. Do with that what you will.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: Let\u2019s go with Fat Joe, a respected rapper with some huge pop hits, plenty of animated guest spots and loyal support within the hip-hop community. Harlow is not all the way up quite yet, but he\u2019s getting there.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: Wiz Khalifa. But also sorta its Pitbull. <\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/chart-beat\/jack-harlow-lovin-on-me-number-one-five-burning-questions-1235513950\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taylor Swift, Drake and now Jack Harlow. That\u2019s the complete list of artists who\u2019ve scored new No. 1 hits on the Billboard Hot 100 in each of the past three calendar years \u2014 with the latter artist completing the trifecta with his new chart-topper \u201cLovin on Me.\u201d \u201cLovin\u201d climbs from 2-1 on the Hot 100 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-61608","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/61608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=61608"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/61608\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=61608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=61608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=61608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}