{"id":237209,"date":"2026-02-26T12:20:01","date_gmt":"2026-02-26T17:20:01","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2026\/02\/26\/inside-help2-the-olivia-rodrigo-arctic-monkeys-starring-charity-album-30-years-in-the-making-it-reaffirms-your-faith-in-community\/"},"modified":"2026-02-26T12:20:01","modified_gmt":"2026-02-26T17:20:01","slug":"inside-help2-the-olivia-rodrigo-arctic-monkeys-starring-charity-album-30-years-in-the-making-it-reaffirms-your-faith-in-community","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2026\/02\/26\/inside-help2-the-olivia-rodrigo-arctic-monkeys-starring-charity-album-30-years-in-the-making-it-reaffirms-your-faith-in-community\/","title":{"rendered":"Inside Help(2), The Olivia Rodrigo &amp; Arctic Monkeys-Starring Charity Album 30 Years in the Making: \u2018It Reaffirms Your Faith in Community\u2019"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt took patience, plenty of false-starts and a bit of cosmic timing for <em>Help(2)<\/em> to come to life. \u201cThe universe had to finally align,\u201d says Rich Clarke, head of music at War Child, whose team had long dreamed of marking the 30th anniversary of the original <em>Help<\/em>, the era-defining charity album featuring <a href=\"https:\/\/www.billboard.com\/artist\/paul-mccartney\">Paul McCartney<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/oasis\">Oasis<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/sinead-o-connor\">Sin\u00e9ad O\u2019Connor<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/radiohead\">Radiohead<\/a>, with a new star-studded compilation.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tReleased in September 1995, <em>Help<\/em> was recorded in one day, with Brian Eno at the helm. It was nominated for both a BRIT Award and the Mercury Prize, sold 70,000 copies on its first day, and raised \u00a31.25 million ($1.68 million) for children affected by the Bosnian conflict of the mid-\u201990s. Its success stands as a benchmark that no subsequent charity LP in the U.K. has managed to replicate since.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe move to make a second charity compilation, says Clarke, came from the severity of the current humanitarian crises in Gaza, Sudan, Ukraine and Syria, as well as civil wars across Yemen and the Democratic Republic of Congo. <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.facebook.com\/warchilduk\/photos\/520-million-children-are-having-their-lives-devastated-by-war-worldwide-from-ven\/871382092268711\/\">War Child estimates<\/a> that the number of children affected globally by war has jumped from one in 10 when the <em>Help(2)<\/em>\u2019s predecessor was released, to one in five today, around 520 million children.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Arctic Monkeys \u2013 Opening Night (Visualiser) \u2013 HELP(2)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6lkS-MCenXI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tRevisiting the <em>Help<\/em> series was not a decision taken lightly. Clarke notes that while War Child has a presence in the live arena (their BRITs Week shows raise substantial funds for the charity), the dynamics of the music industry has changed and that compilation LPs are something of a rarity. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThroughout the 2000s, War Child put out several compilations (featuring works by <a href=\"https:\/\/www.billboard.com\/artist\/david-bowie\">David Bowie<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/muse\">Muse<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/u2\">George Michael<\/a>) but none of them hit similar heights, largely because they were released at a time when demand for physical music was declining, limiting commercial reach despite the stature of acts involved. Yet <em>Help(2)<\/em> arrives at a period of renewed growth, <a href=\"https:\/\/www.billboard.com\/pro\/uk-recorded-music-streaming-vinyl-sales-2025-bpi-report\/\">with the 2025 BPI figures<\/a> reporting 7.6 million vinyl LPs and 9.7 million CDs sold in the U.K. last year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOngoing news of conflicts and artists speaking up encouraged Clarke that the time was right: \u201cI think all of that builds to a point where artists go, \u2018Actually, I\u2019m going to take action \u2013 and this is how I\u2019m going to do it.\u2019 Asking a songwriter to write a great song is the best way of making use of their skills,\u201d he notes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen the decision to press on with <em>Help(2)<\/em> came the logistics almost became too complex for Clarke and his team to untangle: touring cycles clashed, and acts had their own recording time booked. Their fortunes would change when \u201cthree bits of good news\u201d came within a week towards the end of 2025: producer <a href=\"https:\/\/www.billboard.com\/artist\/james-ford\">James Ford<\/a> \u2013 who had previously been approached for the project prior to a personal health scare \u2013 signed up, as did Arctic Monkeys and Fontaines D.C., two of the most influential modern rock acts to have come out of the U.K. and Ireland this side of the millennium.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWe decided that if we were going to make something like this, it would be a legacy piece as opposed to a random collection of songs,\u201d Clarke explains. \u201cThe name on the top of everyone\u2019s lips here was James. He was the missing puzzle piece we needed to move forward.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image   lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/Arctic-Monkeys-2026-press-cr-Phoebe-Fox-billboard-1800.jpg?w=300\" alt=\"Arctic Monkeys\" data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/Arctic-Monkeys-2026-press-cr-Phoebe-Fox-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/Arctic-Monkeys-2026-press-cr-Phoebe-Fox-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/01\/Arctic-Monkeys-2026-press-cr-Phoebe-Fox-billboard-1800.jpg?resize=681,454 681w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"683\" width=\"1024\" decoding=\"async\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column a-font-accent-xs lrv-u-color-black u-margin-t-n4px lrv-u-padding-lr-00@mobile-max lrv-u-padding-b-1 u-font-size-11 u-line-height-19px u-word-spacing-n0156px u-letter-spacing-0026 u-padding-b-0625@mobile-max\">\n<p>\t\t\t\t\t<span class=\"\">Arctic Monkeys<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"u-letter-spacing-0094 lrv-u-text-transform-uppercase lrv-u-font-size-10 u-margin-t-2px\">Phoebe Fox\/War Child<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFord\u2019s outsized influence on contemporary music came into full focus as the tracklist came together for <em>Help(2)<\/em>. The collaborative effort, which lands on Mar. 6, spans 23 tracks and features several other acts that he has worked with, including <a href=\"https:\/\/www.billboard.com\/artist\/geese\">Geese<\/a>\u2019s Cameron Winter, <a href=\"https:\/\/www.billboard.com\/artist\/depeche-mode\">Depeche Mode<\/a>, <a href=\"https:\/\/www.billboard.com\/artist\/wet-leg\">Wet Leg<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/the-last-dinner-party\">The Last Dinner Party<\/a>. There are also appearances from <a href=\"https:\/\/www.billboard.com\/artist\/olivia-rodrigo\">Olivia Rodrigo<\/a>, Ezra Collective, English Teacher and Kae Tempest, among many others. The sheer breadth of talent underscores just how remarkable and carefully curated the record is.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe majority of the featured artists descended upon London\u2019s Abbey Road Studios last November, where concurrent recordings led to a number of unexpected collaborations over the course of a week. Most of the tracks are new and original songs, a challenge set by Clarke to match the original\u2019s high quality. There were also dozens of young children running riot, filming the sessions through handheld cameras under the supervision of Jonathan Glazer, the Oscar-winning director of <em>The Zone of Interest<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe laid-back atmosphere of the sessions created an open-door feel, with other acts wandering in and out as they pleased. Speaking to <em>Billboard UK<\/em>, Pulp\u2019s Jarvis Cocker recalls entering Abbey Road\u2019s Studio Two after lunch one afternoon to find Blur and Gorillaz leader Damon Albarn working on a fresh demo.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe soon found himself catching up with Johnny Marr \u2013 formerly of The Smiths \u2013 a friend he \u201chad not seen for a very long time,\u201d before being introduced to Kae Tempest, Fontaines D.C.\u2019s Grian Chatten and Carl Bar\u00e2t of The Libertines. In a moment of spontaneity, all four voices came together to contribute backing vocals to Pulp\u2019s fervent \u201cBegging for Change\u201d track.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA sense of inclusion was pivotal throughout, continues Cocker. \u201cBands have always been competitive with each other, or least certainly back in the days when I first started doing music,\u201d he says. \u201cIt felt important to just put anything like that aside, and realize that everybody\u2019s working towards the same thing and you can actually help each other out. It was a really good week.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image   lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Jarvis-Cocker-2026-adam-ajaolloh-billboard-1800.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Jarvis-Cocker-2026-adam-ajaolloh-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Jarvis-Cocker-2026-adam-ajaolloh-billboard-1800.jpg?resize=300,200 300w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Jarvis-Cocker-2026-adam-ajaolloh-billboard-1800.jpg?resize=681,454 681w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"683\" width=\"1024\" decoding=\"async\"><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column a-font-accent-xs lrv-u-color-black u-margin-t-n4px lrv-u-padding-lr-00@mobile-max lrv-u-padding-b-1 u-font-size-11 u-line-height-19px u-word-spacing-n0156px u-letter-spacing-0026 u-padding-b-0625@mobile-max\">\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"u-letter-spacing-0094 lrv-u-text-transform-uppercase lrv-u-font-size-10 u-margin-t-2px\">Adam Ajalloh<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPulp have long maintained a uniquely meaningful relationship with War Child. In 1996, the band\u2019s album <em>Different Class<\/em> was nominated for the Mercury Prize alongside the original <em>Help<\/em> compilation. After winning the award, Cocker praised the work of War Child, and donated the \u00a325,000 ($33,700) prize money to the charity during his acceptance speech. As such, it was a \u201cno-brainer\u201d to accept Ford\u2019s offer to join <em>Help(2)<\/em>, he says, explaining that the album was an opportunity for the band to use their platform for something far bigger than themselves.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cChildhood is such an important time: it\u2019s when you learn how to be a human being, and that\u2019s a difficult thing, even more so when living in a war zone,\u201d Cocker says. \u201cFor a child to grow to be an adult in a place surrounded by chaos, or to try and get an education while feeling in danger all the time\u2026 you have to do what you can to try and provide some respite for them from that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFollowing an uphill battle to turn <em>Help(2) <\/em>from idea to reality in its earlier stages, the War Child team soon faced a new, unforeseen challenge that nearly set the project off course. A week before the Abbey Road sessions took place, Ford \u2013 who was diagnosed with Acute Leukaemia towards the end of 2024 \u2013 was rushed into an intensive care unit, where he would need to remain for an extended period of time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith the clock ticking on a non-movable studio booking, there was no room to postpone. A team of external producers and engineers were drafted in under the supervision of Transgressive Records co-founder Toby L, who stepped up to help with day-to-day operations at Abbey Road while also guiding tracklisting and A&amp;R decisions. \u201cPeople moved mountains to make these sessions happen,\u201d says Clarke. \u201cIt was the sort of collective spirit that reaffirms your faith in community, particularly in an industry as fragmented as music can be.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs Ford\u2019s condition stabilised and he moved into recovery after receiving a blood transfusion, he found a way back into the room. From his hospital bed, as his strength gradually returned, he resumed his role via Zoom in order to oversee production in real time, offering arrangement notes and weighing in on mixes. Seemingly, the circumstances surrounding the completion of <em>Help(2)<\/em> only deepened its meaning as a testament to resilience in the face of adversity and emotional hardship.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAs a patient, remotely attending some of these sessions made me feel attached to the real world. Making sure I was part of finishing the album was beneficial for my state of mind,\u201d says Ford. \u201cThere was this feeling of responsibility that made me want to go above and beyond my own situation at the time. But it was pretty heartbreaking to not be in the room and hang out with people that I know and love \u2013 it was like missing my own personal Glastonbury!\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:1024px;\">\n<div class=\"c-lazy-image   lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((795\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Olivia-Rodrigo-2026-josh-renout-billboard-1800.jpg?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Olivia-Rodrigo-2026-josh-renout-billboard-1800.jpg 1800w, https:\/\/www.billboard.com\/wp-content\/uploads\/2026\/02\/Help2-Olivia-Rodrigo-2026-josh-renout-billboard-1800.jpg?resize=300,233 300w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"795\" width=\"1024\" decoding=\"async\"><\/p><\/div>\n<\/p><\/div>\n<\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis mode of working forced Ford to expand his approach in ways he might never have explored under normal circumstances. Having been involved in Arctic Monkeys\u2019<em> <\/em>output consistently since 2007\u2019s <em>Favourite Worst Nightmare<\/em>, Ford counts frontman Alex Turner as one of his closest collaborators, and the pair sent each other passages of the band\u2019s track \u201cOpening Night\u201d via text.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThrough this process, the track evolved into the \u201cobvious lead single\u201d for <em>Help(2)<\/em>, thanks to its grand, expansive sonic feel and how its title carries a declarative weight. When it was released in January, it marked Arctic Monkeys\u2019 first song in four years; the band have been on hiatus since they wrapped up a long-running world tour for seventh record <em>The Car<\/em> in autumn 2023.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFord also credits Olivia Rodrigo with bringing a fresh perspective to a cover of The Magnetic Fields\u2019 classic \u201cThe Book Of Love,\u201d accompanied by Blur\u2019s Graham Coxon on guitar. \u201cI talked Olivia into doing what we were calling a \u2018Sinatra-style\u2019 take, which was recording live with a string section,\u201d he explains. \u201cShe was such a pro and was happy to take a gung-ho approach to it \u2013 she just walked into the studio and nailed it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe continues: \u201cI was in the hospital with my headphones on, and I could press my space bar on my laptop and talk to everyone in the studio. It was a very surreal experience, but one that gave me such a warm, fuzzy feeling of pride towards what we were achieving together.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAbove all else, everyone involved takes pride in what <em>Help(2)<\/em> represents: a bold declaration that artists can still unite around a cause to make a tangible difference, and to advocate passionately for the values driving it. All participating acts have donated the master rights to their <em>Help(2)<\/em> tracks in perpetuity, while publisher Beggars Group played a key role in coordinating logistics to bring everything together. Or, as Clarke puts it, \u201cthrew the kitchen sink at it all in order for the album to make a big impact\u201d as well as waiving their distributor fees.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFord adds, \u201cIt\u2019s pretty hard to be hopeful in the modern world \u2013 there\u2019s a lot of ruin in it. But what else have we got?\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe lets the thought linger for a moment, then adds, \u201cI don\u2019t really have anything else in my life that gives me hope, apart from music, quite honestly. It\u2019s something that I value so deeply. If a little bit of that feeling translates to other people through this project, then that\u2019s the best anyone can hope for.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\" style=\"width:100%; max-width:728px;\">\n<div class=\"c-lazy-image   lrv-u-margin-t-125 u-padding-b-10 u-margin-t-26@mobile-max lrv-u-display-inline-block lrv-u-width-100p\">\n\t\t\t<a href=\"https:\/\/ubpass.co\/billboard\" class=\"c-lazy-image__link lrv-a-unstyle-link\" rel=\"nofollow\" target=\"_blank\"><\/p>\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((90\/728)*100%)\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/themes\/vip\/pmc-billboard-2021\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/12\/image_6e1d4d.png?w=300\" alt=\"\" data-lazy-srcset=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/12\/image_6e1d4d.png 728w, https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/12\/image_6e1d4d.png?resize=300,37 300w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 100vw\" height=\"90\" width=\"728\"><\/p><\/div>\n<p>\t\t\t<\/a>\n\t<\/div>\n<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/features\/help-war-child-compilation-olivia-rodrigo-arctic-monkeys-1236187178\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It took patience, plenty of false-starts and a bit of cosmic timing for Help(2) to come to life. \u201cThe universe had to finally align,\u201d says Rich Clarke, head of music at War Child, whose team had long dreamed of marking the 30th anniversary of the original Help, the era-defining charity album featuring Paul McCartney, Oasis, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-237209","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/237209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=237209"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/237209\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=237209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=237209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=237209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}