{"id":211861,"date":"2025-12-05T15:13:32","date_gmt":"2025-12-05T20:13:32","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/12\/05\/with-sweetface-killah-infinite-coles-steps-out-of-father-ghostfaces-shadow-into-a-kaleidoscope-of-queer-light-i-was-the-underdog-and-i-was-sick-of-it-2\/"},"modified":"2025-12-05T15:13:32","modified_gmt":"2025-12-05T20:13:32","slug":"with-sweetface-killah-infinite-coles-steps-out-of-father-ghostfaces-shadow-into-a-kaleidoscope-of-queer-light-i-was-the-underdog-and-i-was-sick-of-it-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/12\/05\/with-sweetface-killah-infinite-coles-steps-out-of-father-ghostfaces-shadow-into-a-kaleidoscope-of-queer-light-i-was-the-underdog-and-i-was-sick-of-it-2\/","title":{"rendered":"With \u2018Sweetface Killah,\u2019 Infinite Coles Steps Out of Father Ghostface\u2019s Shadow &amp; Into a Kaleidoscope of Queer Light: \u2018I Was the Underdog, and I Was Sick of\u00a0It\u2019\u00a0"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWu-Tang may be for the children, but Infinite Coles is for the <em>gworls<\/em>.\u00a0<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-9@tablet\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/ghostface-killah-supreme-clientele-2-rapping-1236049737\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/infinite-coles-sweetface-ghostface-killah-rza-wu-tang-clan-1236129375\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/08\/ghostface-killah-pr-2025-cr-Nicholas-Watkin-billboard-1800.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"Ghostface Killah\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tGhostface Killah Talks \u2018Supreme Clientele 2\u2019 &amp; Rapping About Medicaid When He\u2019s\u00a080\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/destin-conrad-love-on-digital-black-queer-rb-1235954818\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/infinite-coles-sweetface-ghostface-killah-rza-wu-tang-clan-1236129375\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/04\/Destin-Conrad-cr-Angel-Rivera-2025-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"Destin Conrad\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tDestin Conrad On Imposter Syndrome, Black Queer Representation in R&amp;B And His Debut\u00a0Album\u00a0\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/music\/features\/beyonce-hrc-equality-ball-black-queer-resistance-beygood-renaissance-1235404110\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/infinite-coles-sweetface-ghostface-killah-rza-wu-tang-clan-1236129375\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2023\/08\/THE-EQUALITY-BALL-Celebrating-Black-Queer-Culture-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"THE EQUALITY BALL\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\t\u2018Are You Really Coming to Help Us?\u2019: How the Beyonc\u00e9-Sponsored Equality Ball Prioritized Black Queer\u00a0Resistance\u00a0\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHailing from Staten Island, Infinite Coles represents the convergence between two of New York City\u2019s most hallowed and dynamic cultural scenes: ballroom and hip-hop. The sounds of both worlds are inescapable across <em>Sweetface Killah<\/em>, Coles\u2019 thrilling debut album, which recounts the enrapturing story of one of the most sidelined children of hip-hop royalty.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA vocalist and rapper, Coles is the estranged son of <a href=\"https:\/\/www.billboard.com\/artist\/wu-tang-clan\/\">Wu-Tang Clan<\/a> legend <a href=\"https:\/\/www.billboard.com\/artist\/ghostface-killah\/\">Ghostface Killa<\/a>h. His uncle also happens to be <a href=\"https:\/\/www.billboard.com\/artist\/rza\/\">RZA<\/a> \u2014 who he says has \u201calways been a big supporter\u201d \u2014 which means the blood of indisputable hip-hop icons courses through his veins. Growing up in a house exclusively soundtracked by hardcore hip-hop and classic R&amp;B and soul, Coles gravitated towards women like Brandy, Whitney Houston and Toni Braxton. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI didn\u2019t resonate with the men,\u201d he recalls. \u201cAnd there was a lot of \u201c[F-slur]\u201d talk in Wu-Tang, so I felt uncomfortable. I knew who I was from the beginning of time, and my family threw it out there early in my life that being gay was bad.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs Coles grew into himself and his sexuality, he connected with Mela Murder, a former Major Lazer back-up dancer, who got him off Staten Island and introduced him to the euphoric worlds of ballroom and house music. Coles and his father have been estranged for well over a decade now, but, in that distance, the rising star followed the music. Aly-Us\u2019 classic 1992 house hit \u201cFollow Me\u201d served as Coles\u2019 entry point into the genre, setting the scene for the splashes of ballroom-steeped house elements that appear across <em>Sweetface Killah <\/em>on songs like \u201cBoots\u201d and \u201cDMs.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAn untraditional \u201cnepo baby,\u201d given his fractured relationship with his father, Coles has been making industry inroads for a decade. \u201cMy brothers had all of that,\u201d he says of the opportunity to work with his superstar father in the recording studio. \u201cI didn\u2019t get invited to sessions or anything like that at all.\u201d (<em>Ghostface Killah declined comment for this article.<\/em>)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn 2015, Coles starred in Clayton Vomero\u2019s <em>Gang<\/em> short film, and by 2018, he featured on three songs on <em>Everything Is Recorded<\/em>, the debut studio album from XL Recordings co-founder Richard Russell. It was during the pandemic, however, that Coles zeroed in on the concept of <em>Sweetface Killah<\/em>, alongside close friend and executive producer Zach Witness. Together, the duo blended Coles\u2019 idiosyncratic swagger, musical fearlessness and sharp storytelling skills into a resoundingly confident debut album.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAhead of the London launch performance for <em>Sweetface Killah <\/em>(Dec. 5), Infinite Coles stepped out of the steam room to chat with <em>Billboard<\/em> about coming into his artistry, hopping in the booth with Ferg and challenging antiquated hip-hop norms.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Infinite Coles - SweetFaceKillah (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/d2ZHgDmP28I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How has ballroom influenced your approach to music, particularly the hip hop space?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI now understand that I have my community, who will understand my story. Before, I would try to write for everybody, like, \u201cOh, I want straight men to listen to my music.\u201d But I\u2019ve realized not everybody\u2019s gonna like me \u2014 and that\u2019s okay. I know where I\u2019ll be liked for sure, and that\u2019s my community.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>From a musical standpoint, what do you bring from the ballroom world into your own music?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere\u2019s the \u201c<em>hitika, hitika, hitika<\/em>\u201d sound that I like to add, as well as the dip beats. You\u2019ll hear those in \u201cDMs,\u201d \u201cSweetface Killah,\u201d \u201cThankful\u201d and \u201cBoots.\u201d I also pull from commentary from people like Kevin Jz Prodigy and Snookie Lanore. There\u2019s also other girls coming out and giving vocals while they\u2019re commentating. I feel like everyone is taking our lingo already, so they might as well listen to the music, too. I\u2019m so inspired by the strength of my people and my community. It\u2019s not easy at all, especially dealing with family that don\u2019t want you or disown you.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDJs are also my inspiration now. I love going to a function and the DJ is mixing Aretha Franklin\u2019s vocals with some bad Afro-house beat. I\u2019m like, \u201cOh s\u2014t, I could pull that off \u2014 and no one\u2019s gonna know because you only did it here!\u201d [<em>Laughs.<\/em>]\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>When did you first start to feel a project coming together? When did you know that <em>Sweetface Killah<\/em> was finished?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI knew it was coming together when I finally felt my writing getting better. I lived in a shelter for a year during COVID. I released an EP around that time [2021\u2019s <em>Destiny<\/em>], but it was just scraps I put together to get some quick coin. After that, I finally got my own place, and it felt so different. I could say whatever I wanted to say, I could scream without my mom or sister telling me to shut the f\u2014k up, and I could blast my music and really get into myself. And that\u2019s when \u201cBoots\u201d came.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMy friend Zach Witness was staying with me for a few weeks, and while he was making the beat for \u201cBoots,\u201d I was like, \u201cI want to be animated on some Nicki [Minaj] s\u2014t.\u201d I demoed it for him, and he was like, \u201cKeep going, that\u2019s the vibe!\u201d Being in my own house in my own space and creating my own energy allowed me to tap into different characters. Now, I\u2019m rapping, which I always wanted to do but never even gave it a try.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI knew the project was finished when I started comparing my friends\u2019 reactions to my first EP versus the new music. They love my first EP, and they\u2019re not going to tell me nothing bad, but I can feel when they\u2019re like, \u201cOh, you <em>ate<\/em> that.\u201d They be begging me to play new music at parties! [<em>Laughs.<\/em>]\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Are you nervous about sharing this project with the world?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe nerves come from an expectation. I\u2019m the only gay one out of my family. My brothers had a chance to be in the studio with my dad and be on an album. I was always the one who was not invited. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd not to toot my own horn, but I\u2019m the best one out of all of us. My brothers love me, but I feel like they never stepped up like, \u201cWe should bring Inf around.\u201d They didn\u2019t have to, but it would have been nice. They all knew that I could sing, but \u201cSweetface Killah\u201d came out as a rap song, and they were gagged. I\u2019ve surpassed a couple of levels when it comes to them, and it\u2019s no shade at all. I was the underdog, and I was sick of it.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m also nervous because of my dad still \u2014 especially because the blogs love to make \u201cSweetface Killah\u201d seem like a diss record, or that I\u2019m being disrespectful.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Walk me through writing and recording \u201cDad &amp; I.\u201d<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIt took me two or three years to finish writing \u201cDad and I.\u201d I wrote the first half when Zach was at my house, and the other half got finished a year later because I needed to complete this project. Sometimes I have to step away from things to really get out what I\u2019m trying to say.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn 2023, I aired my father out \u2014 I don\u2019t like saying it that way because that wasn\u2019t my intention, but I guess that\u2019s what the hell I did. I had to tell my truth because I was going through something very deep and crazy with my family, and I felt like he was the only one who could save us. He has the resources and the money to help not even me, but my sister and her daughter. It gave he really don\u2019t care about anything, not even the women in his family. It\u2019s not just about me being gay, he doesn\u2019t know how to be a father. I did all of that, and nothing happened, so I wrote a song about it.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m not a disrespectful person, unless I feel disrespected. But I will always speak my truth and my mind. \u201cDad &amp; I\u201d is really one of my best-written songs and some of the best storytelling I\u2019ve ever done. Luther Vandross\u2019 \u201cDance with My Father\u201d was a big inspiration. I actually showed my Uncle RZA from Wu-Tang that song a while ago, and he had me replay it three times. And that was before the second verse was done.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Infinite Coles - Dad &amp; I (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4-RzlYHlZ5k?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Did you get a chance to play the full project for him at all?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI did send him the full project, but in person, I played a couple of songs. I didn\u2019t show him \u201cSweetface Killah\u201d or \u201cDMs\u201d because I thought he\u2019d be like, \u201cOh, you\u2019re too feminine.\u201d I still have my insecurities. But apparently, he loves \u201cBoots\u201d and plays it all the time in the house, so I\u2019m like, \u201cI should\u2019ve just shown you \u2018DMs\u2019 then!\u201d [<em>Laughs.<\/em>] I love my Uncle RZA so much, he\u2019s f\u2014king amazing. My first studio session was with him.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What was that like?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe was living in [New] Jersey at the Wu-Tang House, which has been there since 1994. He still has that house. It was just the family house at the time; we had [spent the holidays] there. Uncle RZA used to call us downstairs to watch him make beats or give him vocals. At the time, he was working on [2000\u2019s] <em>Afro Samurai Resurrection<\/em> soundtrack, and he wanted me on it. I had to do a song with him called \u201cBrother\u2019s Keeper\u201d; I was around 12-13. He also wrote a song called \u201cStudent of Love\u201d for me, but it didn\u2019t go anywhere. \u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cBrother\u2019s Keeper\u201d did end up being on the soundtrack, and I appreciated him so much after that. I was still very insecure, and in the closet, so after I sung my bit, I probably went upstairs with cousins like, \u201cAlright girl, I\u2019m glad I left because I was nervous!\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Who do you consider your musical peers?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI don\u2019t feel like anyone is going to be able to do what I\u2019m doing or give what I\u2019m about to give and going to give in the future. I don\u2019t really listen to a lot of people because I feel like everyone talks about the same thing. No one makes me feel anything.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI love Doechii; [she and I] would be a great collaboration. I love Chika. I love Tierra Whack and Destin Conrad. Everybody\u2019s feening to be fab and a bad b\u2014h, and they\u2019re forgetting to tap into real life and real emotions and tell a story. I think that\u2019s what\u2019s missing from music in my community.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Since you started rolling out the project, has your father reached out at all?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNo. And he doesn\u2019t have to. I didn\u2019t do any of this for him to reach out. I am ready for my time to shine. I am ready for my light to beam. I\u2019m ready for the world to see me for my authentic self. I\u2019m not trying to hide who I am. Dumbing myself down and dimming my light for everybody else to live is done; it\u2019s done no good for me at all besides making me depressed and left behind.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHe doesn\u2019t have to hit me up. It would be nice if he did, and in that case, I would totally be receptive and would love to have a conversation. I wish he would realize that if he did hit me up, it would change a lot. Three straight boys came up to me in the city the other day, and they recognized me and said, \u201cIf you and your dad did a conversation together, it\u2019ll change the way hip-hop is for real; he is part of your key to help you open that door for everybody to have a moment to shine.\u201d It don\u2019t matter if you\u2019re red, blue, white, black, gay, straight, trans \u2014 it\u2019s hip-hop. Let\u2019s accept everybody because that\u2019s the only way it\u2019s gonna change. Things need to elevate.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut I\u2019m just excited to celebrate. I know that I can have that No. 1 song on <em>Billboard<\/em>. I know that I can win that Grammy at some point. And I\u2019m so excited for my next album, it\u2019s going to be even better. I was just in the studio with [A$AP] Ferg.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Wait what?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m still trying to get this verse together! I told him I had to take the beat home because I\u2019m nervous and new to this. I went home, had my lil blunt, and felt like Eminem and Busta Rhymes. Ferg told me he wanted that \u201cSweetface Killah\u201d energy, so I had to tap into a certain space, which meant leaving his studio for a bit. I was really with Ferg \u2014 and it\u2019s possible with me being this feminine entity! He didn\u2019t give a f\u2014k about nothing, he just wanted to work with me because he loved my visuals and my sound and what I\u2019m doing.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI say thank you to God every single day. It\u2019s crazy when you want something, and you dream about it, and then you really feel and see it happening. And I just knew it was going to happen with this album.<\/p>\n<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/infinite-coles-sweetface-ghostface-killah-rza-wu-tang-clan-1236129375\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wu-Tang may be for the children, but Infinite Coles is for the gworls.\u00a0 Related Ghostface Killah Talks \u2018Supreme Clientele 2\u2019 &amp; Rapping About Medicaid When He\u2019s\u00a080 Destin Conrad On Imposter Syndrome, Black Queer Representation in R&amp;B And His Debut\u00a0Album\u00a0 \u2018Are You Really Coming to Help Us?\u2019: How the Beyonc\u00e9-Sponsored Equality Ball Prioritized Black Queer\u00a0Resistance\u00a0 Hailing [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-211861","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/211861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=211861"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/211861\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=211861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=211861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=211861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}