{"id":204121,"date":"2025-11-11T21:06:15","date_gmt":"2025-11-12T02:06:15","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/11\/11\/q3-2025-earnings-roundup-heres-what-every-music-company-made-updating-2\/"},"modified":"2025-11-11T21:06:15","modified_gmt":"2025-11-12T02:06:15","slug":"q3-2025-earnings-roundup-heres-what-every-music-company-made-updating-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/11\/11\/q3-2025-earnings-roundup-heres-what-every-music-company-made-updating-2\/","title":{"rendered":"Q3 2025 Earnings Roundup: Here\u2019s What Every Music Company Made\u00a0(Updating)"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA flurry of earnings reports for the quarter ended Sept. 30 show a continued divide in the music landscape. Live music companies such as Live Nation and MSG Entertainment posted double-digit growth as concert demand surged, while HYBE and SM Entertainment also benefitted from strong concert revenues. Streaming also spiked once again, pushing Spotify and Universal Music Group (UMG) to double-digit revenue growth. Legacy media didn\u2019t fare as well, however: iHeartMedia revenue slipped slightly, while SiriusXM leveraged cost-cutting to compensate for flat revenue.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHere\u2019s a running list, in alphabetical order, of the music companies that released earnings results\u00a0(as of Nov. 11) for the quarter ended Sept 30, 2025.\u00a0<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-display-inline-block lrv-u-width-100p lrv-u-margin-t-2 u-margin-t-26@mobile-max u-margin-b-0.875@mobile-max u-margin-b-150@tablet u-border-t-12 lrv-u-padding-t-025 u-padding-b-1.313 lrv-u-padding-b-125@mobile-max lrv-u-border-color-black\">\n<div class=\"\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-a-unstyle-link lrv-u-whitespace-nowrap u-font-weight-700 lrv-u-display-inline-block u-line-height-18px a-font-accent u-letter-spacing-0225 u-font-size-16 lrv-u-color-black lrv-u-text-transform-uppercase u-article-badge-underline a-article-esp u-display-inline-flex lrv-u-margin-b-1@mobile-max u-margin-b-9@tablet\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"injected-related-story-wrapper lrv-u-flex lrv-u-justify-content-space-between lrv-u-padding-tb-050@desktop a-children-border-vertical a-children-border--grey a-children-border-width-050\">\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/pro\/music-stocks-best-returns-three-years\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/pro\/music-company-earnings-reports-q3-2025-umg-spotify-made\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/09\/spotify-app-phone-billboard-1800.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"The Spotify app is displayed on a smartphone screen.\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tWhich Music Companies Had the Best Stock Returns in the Last Three\u00a0Years?\u00a0\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/business\/touring\/sxsw-2026-artists-announced-all-american-rejects-open-1236110117\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/pro\/music-company-earnings-reports-q3-2025-umg-spotify-made\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/02\/All-American-Rejects-cr-Tarina-Doolittle-press-2025-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"All-American Rejects\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tAll-American Rejects to Open SXSW 2026, First 100 Showcasing Artists Announced\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div>\n<div class=\"o-card \">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/business\/touring\/billboards-live-music-summit-khalid-venu-disruptor-award-1236104849\/\" class=\"lrv-u-color-black:hover lrv-u-flex u-flex-direction-column@desktop\"><\/p>\n<div class=\"c-lazy-image  lrv-u-margin-b-075 lrv-u-margin-b-00@mobile-max u-width-130px@mobile-max\">\n<div class=\"a-crop-6x4 a-crop-3x2@mobile-max\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/pro\/music-company-earnings-reports-q3-2025-umg-spotify-made\/\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/11\/RZZL3359-e1762391296903.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"Khalid accepts the Disruptor Award presented by VENU at the Billboard Live Music Summit 2025\" data-lazy-srcset=\"\" data-lazy-sizes=\"auto\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content \">\n<p><span class=\"c-span  lrv-u-whitespace-nowrap\"><\/p>\n<p><\/span><\/p>\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-basic-fancy u-font-size-15 u-font-size-15.5@mobile-max u-line-height-22px u-padding-r-0.188@desktop u-word-spacing-0013 u-line-height-22.5px@mobile-max a-truncate-ellipsis-4line@mobile-max a-truncate-ellipsis-3line\">\n<p>\t\t\t\t\tBillboard&rsquo;s Live Music Summit Honors Khalid with VENU&rsquo;s Disruptor Award\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  \" datetime=\"00:00-YY-DD-MM\"><\/p>\n<p><\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong><a href=\"https:\/\/www.billboard.com\/pro\/iheartmedia-earnings-revenue-down-digital-podcasts\/\">Cumulus Media<\/a><\/strong>: The radio company\u2019s revenue fell 11.5% to $180.3 million and net loss grew to $20.4 million from $10.3 million in the prior-year quarter. The advertising business remains \u201cchallenging for legacy media,\u201d CEO <strong>Mary Berner<\/strong> said. Broadcast radio revenue sank 17.2% to $115.0 million. Digital revenue fell 2.6% to $39.0 million, though it was up 8.4% if the loss of The Daily Wire and Dan Bongino aren\u2019t counted.\u00a0Check out our full radio earnings roundup <a href=\"https:\/\/www.billboard.com\/pro\/iheartmedia-earnings-revenue-down-digital-podcasts\/\">here<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/deezer-earnings-q3-2025-revenue-drops\/\"><strong>Deezer<\/strong><\/a>: Revenue dropped 1% to $154 million as gains from self-paying users almost offset losses in business-to-business subscribers. Direct subscribers grew in number to 5.5 million, up nearly 10%, and direct subscription revenue increased 1.6% to $103 million. Revenue from partnerships fell 12.6% to $42 million and subscribers from these partnerships dropped 24.5% from the prior-year quarter. Go to <a href=\"https:\/\/www.billboard.com\/pro\/deezer-earnings-q3-2025-revenue-drops\/\">the full article<\/a> for more details.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/hybe-q3-revenue-earnings-losses-bts-seventeen-txt-tours\/\"><strong>HYBE<\/strong><\/a>: Tours by <a href=\"https:\/\/www.billboard.com\/artist\/bts\/\">BTS<\/a> member <a href=\"https:\/\/www.billboard.com\/artist\/jin\">Jin<\/a> and groups <a href=\"https:\/\/www.billboard.com\/artist\/seventeen\">SEVENTEEN<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/tomorrow-x-together\/\">TOMORROW X TOGETHER<\/a> helped Q3 revenue rise 38% to $519 million, as strong concert revenue ($174 million) helped make up for recorded music\u2019s 11.5% decline to $136 million. Operating loss was $30 million, a big turnaround from a $40 million operating profit a year earlier. More details in the <a href=\"https:\/\/www.billboard.com\/pro\/hybe-q3-revenue-earnings-losses-bts-seventeen-txt-tours\/\">full article<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong><a href=\"https:\/\/www.billboard.com\/pro\/iheartmedia-earnings-revenue-down-digital-podcasts\/\">iHeartMedia<\/a><\/strong>: CEO <strong>Bob Pittman<\/strong> was \u201cpleased\u201d with the performance and boasted of new partnerships with TikTok and Amazon Ads, which will expand the company\u2019s podcast and advertising businesses, respectively. Revenue of $997 million was down 1.1% (up 2.8% excluding the prior-year period\u2019s political advertising). Adjusted EBITDA was flat at $205 million. Podcast revenue jumped 22% to $140 million while the multi-platform group, which included broadcast radio, fell 5% to $591 million. Q4 guidance is a low-single-digit revenue decline.\u00a0Find more details <a href=\"https:\/\/www.billboard.com\/pro\/iheartmedia-earnings-revenue-down-digital-podcasts\/\">here<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/live-nation-q3-earnings-concert-demand-record-revenue\/\"><strong>Live Nation<\/strong><\/a>: As fans packed themselves into stadiums in record numbers, revenue rose 11% to $8.5 billion and adjusted operating income (AOI) grew 14% to\u00a0$1.03 billion. Concerts revenue was up 11% to $7.3 billion. Ticketing revenue rose 15% to $798 million. Sponsorships revenue jumped 13% to $443 million. Importantly, increases in deferred revenue suggest Live Nation will experience additional growth into 2026. Read about the earnings <a href=\"https:\/\/www.billboard.com\/pro\/live-nation-q3-earnings-concert-demand-record-revenue\/\">here<\/a> and check out <em>Billboard<\/em>\u2019s <a href=\"https:\/\/www.billboard.com\/pro\/live-nation-q3-earnings-highlights-stadium-shows-doj-case\/\">follow-up article<\/a> with additional details from the earnings call.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>MSG Entertainment<\/strong>: Boosted by a record number of concerts at the Madison Square Garden arena, MSG Entertainment\u2019s revenue jumped 14% to $158.3 million and adjusted operating income improved to $7.1 million from $1.9 million in the prior-year period. Revenue from concerts rose $8.3 million while sporting events revenue improved $6.8 million. Food and beverage revenue jumped 20%, or $3.9 million. Looking ahead, MSGE\u2019s <em>Christmas Spectacular<\/em>, the company\u2019s annual holiday production at Radio City Music Hall, is slated for 215 performances, up from 200 a year earlier.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Reservoir Media<\/strong>: Fiscal second quarter revenue of $45.4 million was up 7% organically, or 12% including acquisitions. Net income of $2.2 million was up from $0.2 million in the prior-year quarter. Music publishing revenue rose 8% to $30.9 million, while recorded music revenue jumped 21% to $13.0 million. The results prompted management to adjust upward its forecasts for full-year revenue and adjusted earnings before interest, taxes, depreciation and amortization.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/siriusxm-earnings-q3-2025-stock-up-higher-revenue-forecast\/\"><strong>SiriusXM<\/strong><\/a>: The satellite radio company\u2019s stock price jumped 10% after it raised 2025 guidance for revenue, EBITDA and cash flow. Although it reported a 1% dip in revenue, the company rebounded from a loss to produce net income of $297 million; while subscriber revenue was down, cost-cutting and layoffs helped offset the decline. Adjusted EBITDA fell 2.5% to $676 million. CEO <strong>Jennifer Witz<\/strong> said she is \u201cconfident\u201d that improvements will allow the company to reach its target of $1.5 billion of free cash flow by 2027. Check out <em>Billboard<\/em>\u2019s <a href=\"https:\/\/www.billboard.com\/pro\/siriusxm-earnings-q3-2025-stock-up-higher-revenue-forecast\/\">coverage<\/a> for more details.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/sm-entertainment-q3-2025-earnings-profit-aespa-nct-wish\/\"><strong>SM Entertainment<\/strong><\/a>: Led by concerts and music releases from <a href=\"https:\/\/www.billboard.com\/artist\/aespa\/\">aespa<\/a> and NCT WISH, revenue rose 33% to $237.3 million. Operating profit jumped 262% to $35.6 million. Recorded music rose 33% $71.4 million, while new album sales grew to 5.42 million from 3.61 million in the third quarter of 2024. And concert revenue rose 38% to $38.7 million despite the company having fewer concerts compared to the prior-year period. Go to the <a href=\"https:\/\/www.billboard.com\/pro\/sm-entertainment-q3-2025-earnings-profit-aespa-nct-wish\/\">full article<\/a> for more info.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/sony-music-quarterly-earnings-profits-demon-slayer\/\"><strong>Sony Music<\/strong><\/a>: Rising streaming income and the success of the anime series\u00a0<em>Demon Slayer: Kimetsu no Yaiba Infinity Castle<\/em> helped Sony Music\u2019s revenue jump 21% to $3.65 billion and operating income climb 28% to $776 million. Overall streaming revenues rose 12% in recorded music and 25% in the publishing division. Physical sales rose 6%. Looking ahead, Sony increased its full-year forecast for Sony Music\u2019s sales by 6% to $13.3 billion. The <a href=\"https:\/\/www.billboard.com\/pro\/sony-music-quarterly-earnings-profits-demon-slayer\/\">full article<\/a> has all the details.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/sphere-q3-earnings-revenue-up-wizard-of-oz-backstreet-boys\/\"><strong>Sphere Entertainment Co.<\/strong><\/a>: <em>The Wizard of Oz <\/em>and the <a href=\"https:\/\/www.billboard.com\/artist\/backstreet-boys\/\">Backstreet Boys<\/a> boosted Sphere parent company\u2019s revenue to $263 million and helped turn negative adjusted operating income (AOI) into $36 million of positive AOI. <em>Oz <\/em>has sold more than 1 million tickets to date, and showings of that title and other movies rose to 220 from 207 in the prior-year quarter. The Sphere segment itself posted an operating loss of $84 million \u2014 a $40 million improvement from a year ago. More details in the <a href=\"https:\/\/www.billboard.com\/pro\/sphere-q3-earnings-revenue-up-wizard-of-oz-backstreet-boys\/\">full article<\/a>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/spotify-q3-2025-earnings-revenue-subscribers-podcasts\/\"><strong>Spotify<\/strong><\/a>: The audio giant\u2019s subscribers rose 12% to 281 million and gross margin improved by 56 basis points \u2014 0.56 of a point \u2014 to 31.6%. Those improvements led revenue to increase 12% to $5 billion and gross profit to grow 9% to $1.84 billion. \u201cWe have the tools we need \u2014 pricing, product innovation, operational leverage, and eventually the ads turnaround \u2014 to deliver both revenue growth and profit expansion,\u201d said CEO\u00a0<strong>Daniel Ek<\/strong>. Check out our <a href=\"https:\/\/www.billboard.com\/pro\/spotify-q3-2025-earnings-revenue-subscribers-podcasts\/\">full story<\/a> on the earnings release and our <a href=\"https:\/\/www.billboard.com\/pro\/spotify-q3-earnings-call-highlights\/\">follow-up article<\/a> with details from the earnings call.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<a href=\"https:\/\/www.billboard.com\/pro\/universal-music-group-q3-2025-revenue-umg-earnings\/\"><strong>Universal Music Group<\/strong><\/a>: In another strong quarter, UMG posted a 10.2% revenue gain (in constant currency) to $3.5 billion. EBITDA rose 11.6% (also in constant currency) to $694 million and EBITDA margin ticked up to 22.0% from 21.6%. Recorded music subscription revenue, a closely watched metric, rose 8.6% while other streaming revenue was flat at $394 million. Go to the <a href=\"https:\/\/www.billboard.com\/pro\/universal-music-group-q3-2025-revenue-umg-earnings\/\">full article<\/a> for all the details and check out the <a href=\"https:\/\/www.billboard.com\/pro\/universal-music-q3-2025-earnings-highlights-youtube-ai\/\">follow-up article<\/a> for more insights.\u00a0<\/p>\n<p><a href=\"https:\/\/ubpass.co\/billboard\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><br \/>\n  <img decoding=\"async\" src=\"https:\/\/i.imgur.com\/2HpFicp.png\" alt=\"Billboard VIP Pass\" style=\"max-width: 100%;height: auto\"><br \/>\n<\/a><\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/pro\/music-company-earnings-reports-q3-2025-umg-spotify-made\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A flurry of earnings reports for the quarter ended Sept. 30 show a continued divide in the music landscape. Live music companies such as Live Nation and MSG Entertainment posted double-digit growth as concert demand surged, while HYBE and SM Entertainment also benefitted from strong concert revenues. Streaming also spiked once again, pushing Spotify and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-204121","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/204121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=204121"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/204121\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=204121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=204121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=204121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}