{"id":175037,"date":"2025-07-25T12:13:38","date_gmt":"2025-07-25T16:13:38","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/07\/25\/you-have-to-sit-through-the-discomfort-of-being-bad-bambiis-rise-is-fueled-by-persistence-and-bangers\/"},"modified":"2025-07-25T12:13:38","modified_gmt":"2025-07-25T16:13:38","slug":"you-have-to-sit-through-the-discomfort-of-being-bad-bambiis-rise-is-fueled-by-persistence-and-bangers","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/07\/25\/you-have-to-sit-through-the-discomfort-of-being-bad-bambiis-rise-is-fueled-by-persistence-and-bangers\/","title":{"rendered":"\u2018You Have to Sit Through the Discomfort of Being Bad\u2019: Bambii\u2019s Rise Is Fueled by Persistence (and\u00a0Bangers)"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDigital audio workstations (DAWs) like Ableton Live and Logic Pro, used by many artists to make electronic music, aren\u2019t necessarily beginner-friendly. One might call them intimidating. Sitting in front of one such program for the first time years ago, Bambii wasn\u2019t convinced she\u2019d ever figure out how to conjure music from it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s definitely not user-friendly,\u201d she says. \u201cNobody\u2019s trying to make it easy. They\u2019re not sexy.\u201d<\/p>\n<div class=\"injected-related-story \/\/ lrv-u-margin-tb-2 lrv-u-border-t-1 lrv-u-border-b-1 lrv-u-padding-t-050 lrv-u-padding-b-075 lrv-u-border-color-grey\">\n<div class=\"a-heading-border a-heading-border-background-color-grey a-heading-border-height-075 lrv-u-margin-b-075 lrv-u-margin-b-050@mobile-max\">\n<h3 id=\"title-of-a-story\" class=\"c-title  lrv-u-color-brand-primary a-font-primary-bold-s lrv-u-text-transform-uppercase lrv-u-padding-r-1 a-article-related-module-title a-article-related-module-title--color-brand-primary\">\n<p>\t\t\t\t\tRelated\t\t<\/p>\n<\/h3><\/div>\n<div class=\"o-card lrv-u-flex\">\n<p>\t\t\t<a tabindex=\"0\" href=\"https:\/\/www.billboard.com\/lists\/best-dance-songs-all-time\/\" class=\"lrv-u-flex lrv-a-unstyle-link lrv-u-color-brand-primary:hover\"><\/p>\n<div class=\"o-card__image-wrap lrv-u-flex-shrink-0 u-flex-basis-144 u-flex-basis-96@mobile-max\">\n<div class=\"c-lazy-image  lrv-u-height-100p\">\n<div class=\"a-crop-3x2 a-crop-1x1@mobile-max lrv-u-height-100p\">\n<p>\t\t\t\t\t\t<img decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/03\/Best-Dance-Songs-staff-picks-2025-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" data-lazy-src=\"https:\/\/www.billboard.com\/wp-content\/uploads\/2025\/03\/Best-Dance-Songs-staff-picks-2025-billboard-1548.jpg?w=237&amp;h=147&amp;crop=1\" alt=\"Staff Picks, Best Dance Songs, Donna Summer, Avicii, Aphex Twin, Frankie Knuckles, Daft Punk and Madonna\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"\" width=\"\"><\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"o-card__content lrv-u-flex lrv-u-flex-direction-column lrv-u-justify-content-center lrv-u-padding-lr-1 lrv-u-padding-lr-075@mobile-max\">\n<div class=\"o_category \">\n\t\t\t\t\t<\/div>\n<div class=\"c_title \">\n<h3 id=\"title-of-a-story\" class=\"c-title  a-font-primary-medium-m lrv-u-padding-b-050 u-letter-spacing-0028@mobile-max\">\n<p>\t\t\t\t\tThe 100 Best Dance Songs of All Time: Staff\u00a0List\t\t<\/p>\n<\/h3><\/div>\n<p><time class=\"c-timestamp  a-font-primary-medium-xxs lrv-u-color-brand-primary lrv-u-order-100\" datetime=\"00:00-YY-DD-MM\"><br \/>\n\t03\/28\/2025<br \/>\n<\/time><\/p><\/div>\n<p>\t\t<\/a><\/p>\n<\/div><\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut she was committed, and through a process the Toronto-born artist calls \u201ctrue trial and error,\u201d she started making things \u201cthat sounded like absolute garbage and did not resemble a song. It sounded like [banging on] pots and pans.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAfter a year of experimenting, however, she finally had something she knew was good. \u201cIt was honestly a little baby loop, but I was so obsessed with it,\u201d she says. \u201cWhen you have those moments, it pushes you.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tEventually, in 2019, after fives years of DJing clubs and events, she finally had her own debut single. Her subsequent track and EP releases built up to the third Bambii EP, <em>Infinity Club II<\/em>. Out last month, the project further establishes a sound that amalgamates club music and the Caribbean sounds Bambii grew up with into a sound she calls \u201cfuture dancehall.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith it, she\u2019s carved out a tour schedule that has included performances at Electric Forest and Glastonbury, British Columbia\u2019s Shambhala this weekend and festivals like London\u2019s All Points East and Miami\u2019s III Points this late summer and fall.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"BAMBII - Thunder ft. JELEEL! (Official Video)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/EAXZBhjHDOU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBecoming a buzzy name of the new gen dance world wasn\u2019t an obvious path for Bambii, who struggled in school and never had a clear sense of what she wanted to do. She calls her younger self \u201cnot even a [more passive] type B, but a type D. I really had trouble attaching myself to an identity.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe did have a natural ability to gather groups of people, often hosting dinner parties and eventually organizing an ongoing Toronto block party called Recess, for which she\u2019d invite adult attendees to play double dutch, tag and other playground classics. At a 2014 Recess event, she recalls that \u201cthe DJ was not really playing what I wanted to hear,\u201d so in a moment of \u201cbossiness\u201d she took over the decks. It was galvanizing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was affected by the way I was suddenly communicating with people,\u201d she says. As she played more Recess gatherings, she was compelled \u201cby the conversation that happens between DJs and everybody in the crowd.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWith this, she\u2019d found an identity. She started playing around Toronto, then in Montreal and eventually making the jump to New York\u2019s club scene. She went on tour with<a href=\"https:\/\/www.billboard.com\/artist\/mykki-blanco\/\"> Mykki Blanco<\/a> in 2016, finding that everywhere she played \u201cI felt well received.\u201d Her own solo tour followed, although she was still playing other peoples\u2019 music, as making her own \u201cfelt scary, or like something I never thought I could personally do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut encouragement from her manager got her in front of a DAW, and by the time her first track \u201cNitevision\u201d was released in 2019. It was clear to her that all those hours spent making making s\u2013tty sounds paid off.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cDJing is pretty oversaturated and kind of intersects with influencer culture and corporate culture,\u201d she says. \u201cEveryone DJs now, but making music still feels revered. People understand that you\u2019ve put time in, so I saw a shift when I dropped my first song. People supported and trusted me in a different way.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis trust was culled not simply via the act of music making, but because Bambii was also doing something much rarer in the scene \u2014 developing a unique sound.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was constantly in house and techno spaces, and I was constantly in dancehall spaces,\u201d she says. \u201c\u2018Nitevision\u2019 touches on those two sonic points, and the vocal is reminiscent of what I grew up listening to in a very Caribbean household where Lady Saw would be blaring in the house.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis future dancehall sound and it shimmers (and shimmies) across <em>Infinity Club II a<\/em>nd its 2023 predecessor <em>Infinity Club<\/em>. Featuring collaborators including Aluna, Ravyn Lenae, Jessie Lanza and Yaeji, this latest project was released via Because Music, the home of artists like Shygirl, Justice (Because is the parent company of Justice\u2019s longtime label Ed Banger) and an esteemed group of fellow indie and electronic artists. Because is the only the second label she\u2019s ever been signed to, and she calls the French imprint \u201chonest\u201d and \u201cartist centered.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThis jump to a bigger label co-signs her ambition to make music that connects electronic music and global club music, a goal she adopted after experiencing division between the scenes she\u2019s come up in.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt felt like house and techno spaces were almost impenetrable,\u201d she explains. \u201cI was very bent on creating the relationship between all these genres and doing something that felt experimental and genre-breaking. That conversation is in the forefront of DJ-ing right now, but at the time in the spaces I was experiencing, I didn\u2019t see it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe feels her position as a Black female producer, a demographic that\u2019s been historically sidelined in a genre that\u2019s come to be dominated by white men, gave her a competitive edge; it put her outside the purview of standard industry machinations. \u201cEveryone was trying to adhere to some traditionalist way of playing house and techno that wasn\u2019t important for me,\u201d she says, \u201cbecause I felt like I was never considered in the first place.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIn a way you\u2019re at a huge disadvantage, because when you\u2019re coming in as an outsider, those can be really s\u2013tty, male-dominated spaces,\u201d she continues. \u201cOn the other hand, I don\u2019t have to follow any rules or adhere to any cultural codes of these spaces. I\u2019m just going to do what I want.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"BAMBII \u2013 Remember (feat. Ravyn Lenae &amp; Scruffizer) [Official Audio]\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/NffWkItVIOI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHer current desire is to focus on music, and despite having just released the 12-track<em> Infinity Club II,<\/em> she\u2019s already working on her next releases. The idea is to shorten the length of time between releases, with the two years between <em>Infinity Club<\/em> and<em> Infinity Club II<\/em> being a function of still honing her skills as a producer. Now, she foresees being able to \u201cpush forward faster.\u201d The goal is also to use her growing platform to spotlight new artists, and she calls out London rapper 3monzo, L.A. rapper Vanessa the Finessa and producer 111SYRI as artists to direct your attention to.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tShe plays equally as much in Europe and the U.S., but says the American market is harder to crack: \u201cIt feels so celeb-focused, whereas Europe feels more artist-focused. Things are a bit more sensationalized in American markets, so it feels like concept is coming after numbers. Not to over-romanticize, but Europe feels like a reprieve for artists, because it feels like people are searching for concept more than buzz or numbers.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn any case, she has no illusions of skyrocketing to fame via a viral track or moment, instead considering her career thus far to be cumulative: \u201cOther people can point to a single moment where they\u2019ve had something that feels meteoric. For me, all the things I\u2019m doing collectively are building this narrative.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDoing things incrementally, however, has worked very well so far for an artist who once struggled to make pots and pans sounds on the computer, and who now creates hits.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThe feeling of being terrible at something is enough to turn someone off and make them close the laptop,\u201d says Bambii. \u201cI teach DJ workshops now, and one of the things I try imparting is that you have to sit through the discomfort of being bad.\u201d<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/music-news\/bambii-dance-rookie-of-the-month-infinity-club-producer-1236028511\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Digital audio workstations (DAWs) like Ableton Live and Logic Pro, used by many artists to make electronic music, aren\u2019t necessarily beginner-friendly. One might call them intimidating. Sitting in front of one such program for the first time years ago, Bambii wasn\u2019t convinced she\u2019d ever figure out how to conjure music from it. \u201cIt\u2019s definitely not [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-175037","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/175037","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=175037"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/175037\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=175037"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=175037"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=175037"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}