{"id":171764,"date":"2025-07-08T15:14:08","date_gmt":"2025-07-08T19:14:08","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/07\/08\/what-does-lordes-virgin-first-week-performance-say-about-the-albums-ultimate-legacy\/"},"modified":"2025-07-08T15:14:08","modified_gmt":"2025-07-08T19:14:08","slug":"what-does-lordes-virgin-first-week-performance-say-about-the-albums-ultimate-legacy","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/07\/08\/what-does-lordes-virgin-first-week-performance-say-about-the-albums-ultimate-legacy\/","title":{"rendered":"What Does Lorde\u2019s \u2018Virgin\u2019 First-Week Performance Say About the Album\u2019s Ultimate\u00a0Legacy?"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs she has every four years since 2013, <a href=\"https:\/\/www.billboard.com\/artist\/lorde\">Lorde<\/a> returned with a new album this summer: <em>Virgin<\/em>, her fourth LP, and first since 2021\u2019s lukewarmly received <em>Solar Power<\/em>. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<em>Virgin<\/em>, released on June 27, follows not only May\u2019s <a href=\"https:\/\/www.billboard.com\/charts\/hot-100\">Billboard Hot 100<\/a> top 40-debuting lead single \u201cWhat Was That\u201d \u2014 her first song to reach the chart region since 2017 \u2014 but also an appearance on Charli xcx\u2019s culture-conquering \u201cGirl, So Confusing\u201d remix in 2024. This week, the set bows at No. 2 on the <a href=\"https:\/\/www.billboard.com\/charts\/billboard-200\">Billboard 200<\/a> with 71,000 units moved, according to Luminate \u2014 both improvements on the first-week performance of <em>Solar Power<\/em> four years earlier. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhat accounts for the Lorde bounce-back? And will she ever return to the chart\u2019s top spot, which she first reached two album cycles earlier? <em>Billboard<\/em> staffers discuss these questions and more below. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>1. Lorde\u2019s <\/strong><strong><em>Virgin<\/em><\/strong><strong> debuts at No. 2 with 71,000 equivalent album units moved. On a scale from 1-10, how excited do you think Lorde and her team are about that opening performance? <\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Hannah Dailey<\/strong>: I would give it an 8! It\u2019s very impressive that she outdid her last album by so much and proved that she still has room to grow this many years into her career. I also think that her team nailed the rollout plan, from the fan events \u2014 including the \u201cWhat Was That\u201d music video \u2014 to Lorde\u2019s return to social media. The success of this album probably feels really validating after all that hard work there.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: For an album that\u2019s the follow-up to her most divisive set \u2014 and also boasts a lead single that barely scraped the top 40 \u2014 I\u2019d imagine Lorde and her team are pretty satisfied with this opening performance. I\u2019ll go with a 7.5.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: A 7. Lorde\u2019s first album in four years was preceded by plenty of pop-blog buzz but no major comeback single or viral hit, calling into question what type of commercial performance <em>Virgin<\/em> would earn when offered to the general public. A No. 2 debut, with a greater equivalent album units total than 2021\u2019s <em>Solar Power<\/em>, is an unequivocal win for Lorde, and points to her continued appeal as a career pop artist whose work is digested in full-length statements. After scoring a smash with her debut single, \u201cRoyals,\u201d Lorde has transcended the need for new hits for listeners to invest in her album, as the performance of <em>Virgin<\/em> proves once again.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: A 7 feels right. It\u2019s a nice rebound from the relative underperformance of <em>Solar Power<\/em>, and obviously it\u2019d have to be a blockbuster beyond what Lorde had ever managed previously to even have a shot at dethroning Morgan Wallen this week. Still, I wonder if her team had maybe hoped just a little for an opening number a little more within range of six digits \u2014 given the momentum that she was riding coming into this era, it didn\u2019t seem impossible. But this bow should still be more than acceptable for all involved.  <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Christine Werthman<\/strong>: <em>Virgin<\/em> scored higher than <em>Solar Power<\/em> in both units and chart placement, so I\u2019d be at an 8\u00a0if I were on Lorde\u2019s team. I\u2019m not going to 10 because, while I wouldn\u2019t anticipate Morgan Wallen numbers for Lorde, I\u2019d think that a four-year album gap and a fervent fan base would\u2019ve helped put a bit more distance between her and Benson Boone, a relatively new artist who got to No. 2 with 61,000 equivalent album units moved just a week earlier. <em>Virgin<\/em> also trails <em>Melodrama<\/em>\u2019s debut by about 38,000 units, so it takes the wind out of the sails slightly. But it\u2019s still a strong showing, hence the 8.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Lorde - Man Of The Year\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ynrSkSYirB0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>2. Both numbers are up from the debut of Lorde\u2019s prior set, 2021\u2019s <\/strong><strong><em>Solar Power<\/em><\/strong><strong>, which launched at No. 5 with 56,000 units. What do you think the biggest reason is behind the improved performance?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Hannah Dailey<\/strong>: Lorde has said it herself that <em>Solar Power <\/em>wasn\u2019t really \u201cher.\u201d It\u2019s a beautiful album, but I think fans could sense that it was missing a certain characteristic intensity and edge associated with Lorde that finally reappeared on <em>Virgin<\/em>. This album just felt more authentic from the beginning, and I bet it won back many of the <em>Pure Heroine <\/em>and <em>Melodrama <\/em>fans who tapped out a bit during the <em>Solar Power <\/em>years.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Generally, fans prefer Jim-E Stack\u2019s moody synths over Jack Antonoff\u2019s <em>Solar Power<\/em> guitars. Couple that with her post-\u201cGirl, So Confusing\u201d momentum and her <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.billboard.com%2Flists%2Fcoachella-2025-saturday-recap-charli-xcx-travis-scott%2F&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7C62d72e439b004e3a6bd608ddbe4b5d6b%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638875953091882465%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=UkV8ezVPZO5eqI%2BM0xBbA3uFMekKDCXl8lrKKnluzCc%3D&amp;reserved=0\">Bratchella co-sign<\/a>, you\u2019re looking at natural anticipation that wasn\u2019t kneecapped by a left-field sound.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: I will forever defend <em>Solar Power<\/em> as an underrated entry in Lorde\u2019s catalog, but it\u2019s hard to argue that her third album resonated with anyone outside of the diehards. <em>Virgin<\/em>, on the other hand, arrives following a renewal in Lorde\u2019s cultural cache thanks to the \u201cGirl, So Confusing\u201d remix with Charli xcx, as well as stronger reviews than <em>Virgin<\/em> and a semi-return to the aesthetic of 2017\u2019s <em>Melodrama<\/em>, her last commercially successful project. The fact that Lorde played theaters on the Solar Power Tour, and leveled back up to arenas for the upcoming Virgin Tour, demonstrates how much more excitement there is around this album than her last one, as does the stronger chart debut this week.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s just fits a little neater inside the box of what Lorde fans want from a Lorde album. Which isn\u2019t to say she played it safe with <em>Virgin<\/em> \u2014 whose lyrical focus is arguably more intensely personal and occasionally uncomfortable than she\u2019s ever been \u2014 but that in itself is just a little more Lorde-fan-friendly a proposition than a set of relatively chill songs about sunning on the beach and getting baked at the nail salon. Throw in a whole lot of extremely emotional synths, and the Ellaheads were certainly eating right on this one. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Christine Werthman<\/strong>: Wild idea: because the music is better on <em>Virgin<\/em>. I think I only managed to listen to <em>Solar Power<\/em> once all the way through. I know Lorde was in her folksy, beach-party zone, but that album made me want to hide her acoustic guitar and stay indoors. I\u2019m very glad she plugged back in.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>3. While the set excels on the Billboard 200 this week, its presence on the Billboard Hot 100 is rather minimal \u2014 lead single \u201cWhat Was That\u201d is the only track from it to make the chart, re-entering at No. 85 after previously debuting at No. 36 and spending just three weeks on the listing. Why do you think the set has had trouble making much of a Hot 100 impact?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Hannah Dailey<\/strong>: I think that <em>Virgin,<\/em> as a whole, is very much an album that grows on you slowly. I personally love it more and more every time I listen to it. With that in mind, it makes sense that the individual songs on the record would take more time to fully connect with listeners.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThat in itself is also a hallmark of Lorde\u2019s career, though. <em>Melodrama\u2019s <\/em>\u201cSupercut\u201d never charted, but fans and even casual listeners can agree that it has gradually become one of her most quintessential pieces of music over the years. The same goes for <em>Pure Heroine\u2019<\/em>s \u201cRibs,\u201d another slow burn that was a fan-favorite deep cut long before it ever debuted on the Hot 100 in May of this year.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Outside of \u201cRoyals\u201d and \u201cTeam\u201d (which benefitted from the afterglow of \u201cRoyals\u201d), Lorde has never been an artist who churns out Hot 100 smashes. Her audience tends to consume her albums as complete sets as opposed to cherry-picking their favorites for their playlists. Even <em>Melodrama<\/em>, her most universally renowned LP, only sent three of its songs to the Hot 100, and just \u201cGreen Light\u201d hit the top half of the chart (No. 19).\u00a0<br \/>\u00a0<br \/>Between Morgan Wallen clogging the chart and 2024 hits still hanging on, I\u2019m not entirely surprised that heady, non-radio-friendly Lorde album tracks didn\u2019t make the Hot 100 this week.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: Will Lorde ever have another huge pop hit? Maybe. Will she continue to perform to large audiences if she doesn\u2019t? Probably. More than a decade after \u201cRoyals,\u201d Lorde has entered an enviable position of career pop artist whose wins are not tethered to Hot 100 metrics \u2014 and as such, she can craft her full-lengths without a whiff of radio bait. Most of the best songs on <em>Virgin<\/em> do not abide by straightforward verse-chorus structures or rely upon TikTok-ready melodies, which makes the album a refreshing curveball in modern pop. It\u2019s not surprising that songs like \u201cMan of the Year,\u201d \u201cHammer,\u201d \u201cDavid\u201d or \u201cClearblue\u201d have had trouble streaking onto the Hot 100\u2026 but then again, you never know which great Lorde is going to belatedly take off online, as \u201cRibs\u201d recently showed.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: I don\u2019t have a great answer to this, to be honest. No, Lorde has never been a singles artist \u2014 not since <em>Pure Heroine<\/em> anyway \u2014 but \u201cWhat Was That\u201d felt like maybe her best-fitting, best-timed, most-accessible single since that debut LP, and the early response to it suggested that listeners agreed. But it faded commercially much, much faster than I expected, and I still struggle to understand why. Maybe I\u2019ll just blame the cover art. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Christine Werthman<\/strong>: This album is less <em>Solar Power <\/em>and more <em>Melodrama<\/em>, her only album to reach No. 1, but it just doesn\u2019t hit in the same way. Some of the new songs sound like outtakes from her 2017 smash, and many are lyrically stuffed, prioritizing words over hooks. Also, in a world where the top 10 of the Hot 100 has Alex Warren at No. 1,\u00a0yet again, Morgan Wallen occupying three slots and the average weeks-on-chart for a song clocking in at 30, it\u2019s not surprising that Lorde\u2019s return to synths isn\u2019t breaking through on a bigger level.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Lorde - What Was That\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1UpoZpMBM9Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>4. While not generating much in the way of hits, <\/strong><strong><em>Virgin<\/em><\/strong><strong> has drawn both better first-week numbers and generally <\/strong><a href=\"https:\/\/nam02.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.metacritic.com%2Fmusic%2Fvirgin%2Florde&amp;data=05%7C02%7Candrew.unterberger%40billboard.com%7C48d23dd5c5f144aba06308ddbda19432%7Ce950f25546e44144a778a6ff4f557492%7C0%7C0%7C638875223856548527%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&amp;sdata=gDvdbX7fitMlINs3mBxGo1PbmBRxQr7zpXLCsyI8j7Q%3D&amp;reserved=0\" rel=\"nofollow\" target=\"_blank\"><strong>stronger reviews<\/strong><\/a><strong> than its predecessor. Do you think the album will end up being a major part of her artistic legacy, or is it too early to tell?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Hannah Dailey<\/strong>: For me, the defining element of Lorde\u2019s pop artistry is that her songs will always make you think. There\u2019s really no such thing as easy listening when it comes to her discography; every lyric is so full of meaning and emotion, and her songs rely on fans to pay close attention in a way that most other pop music doesn\u2019t.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<em>Virgin <\/em>is the epitome of this quality, in my opinion. The subjects and imagery she touches on \u2013 the discordance between mind and body, inherited traumas and desires, the innate ugliness of womanhood \u2014 are more complex and intense than anything she\u2019s ever written about before. So with that in mind, I do think it will serve as an essential text through which we see and understand Lorde as a songwriter and artist.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: It\u2019s not even been a month, so it\u2019s probably too early to say anything about what <em>Virgin<\/em> means for Lorde\u2019s legacy. But, for me, <em>Virgin<\/em> yet again proves that Lorde is the mouthpiece of my generation. Just as her last three albums generally marked moments of emotional and mental maturation for Zillennials and early Gen Z, so too does <em>Virgin<\/em> in its gender-expansive exploration of mid-20s reinvention and self-discovery.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: From a big-picture perspective, <em>Virgin<\/em> serves as a sonic and critical course correction for Lorde, as well as her first truly adult album, an ode to late-twenties experiences and uncertainties that carries a newfound maturity and self-awareness. A physical album with a heavy focus on percussion and lack of major-key hooks, <em>Virgin<\/em> is both propulsive and hypnotic, and feels like the right type of evolution for an artist who somewhat lost her way on her last project. We\u2019ll see where she goes from here \u2014 more than likely, in four years! \u2014 but right now, <em>Virgin<\/em> already looks like an indispensable piece of her career arc.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: I think it\u2019s already a pretty important album \u2014 and overall album era \u2014 in terms of cementing Lorde as one of the most beloved and influential pop artists of her generation, and someone without whom this decade\u2019s crop of ascendant singer-songwriters would look very different. And I think eventually it\u2019ll also simply be looked at as one of her strongest works. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Christine Werthman<\/strong>: It\u2019s early, but it\u2019s safe to say this will be an important chapter in her artistic legacy. <em>Virgin<\/em> is incredibly personal, with Lorde covering everything from a breakup to gender fluidity in these 11 songs. The music itself might not be that remarkable, nor will it be remembered for big hits, but it will likely be revered for taking\u00a0big emotional swings.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>5. Lorde topped the Billboard 200 for the first (and to date only) time in 2017 with <\/strong><strong><em>Melodrama<\/em><\/strong><strong> \u2014 do you think she\u2019ll get another No. 1 on the chart at some point in her career?<\/strong>\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Hannah Dailey<\/strong>: I think the jump in sales from <em>Solar Power <\/em>to <em>Virgin <\/em>show that an eventual No. 1 album is still very much within reach for Lorde. And as a fan, I just know that she still has an album full of mind-bending dance-pop bangers left in her \u2013 it\u2019s up to her to decide when the right time will be to make it.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Kyle Denis<\/strong>: Definitely. She\u2019s never debuted outside of the top five, and she appears to be on an upward trajectory with <em>Virgin<\/em>. With a buzzier lead single and the right timing, a No. 1 will always be within reach for Lorde.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Jason Lipshutz<\/strong>: For sure \u2014 she was one spot away this week, and ran into a Morgan Wallen behemoth! And if a future project does swerve toward more commercial territory with a bonafide hit single, the sky\u2019s the limit. See you in 2029 (or, hopefully, sooner than that)!<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Andrew Unterberger<\/strong>: It\u2019s certainly possible, but if I had to guess, I would say probably not. I think this was maybe her best chance career-arc-wise, and she happened to run into an undying streaming juggernaut in <em>I\u2019m the Problem<\/em> \u2014 and I could see her next album being another <em>Solar Power<\/em>-like swerve into less-commercial (or at least less-familiar) sonic and thematic territory. Plus, if she stays on the every-four-years plan and Wallen continues dropping new albums every two years, who\u2019s to say she won\u2019t keep running into the same brick wall?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Christine Werthman<\/strong>: She\u2019s certainly got it in her to hit No. 1 again (No. 2 is pretty close!), but I doubt she\u2019ll chase it. Right now, Lorde seems more interested in putting her lived experience first in her music, rather than polishing hooks. But who knows \u2014 maybe one day, those two interests will collide.\u00a0<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/pop\/lorde-virgin-debut-five-burning-questions-1236015890\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As she has every four years since 2013, Lorde returned with a new album this summer: Virgin, her fourth LP, and first since 2021\u2019s lukewarmly received Solar Power. Virgin, released on June 27, follows not only May\u2019s Billboard Hot 100 top 40-debuting lead single \u201cWhat Was That\u201d \u2014 her first song to reach the chart [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-171764","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/171764","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=171764"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/171764\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=171764"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=171764"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=171764"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}