{"id":168603,"date":"2025-06-23T09:08:30","date_gmt":"2025-06-23T13:08:30","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/06\/23\/splice-brings-its-sample-library-to-pro-tools-with-new-integration-2\/"},"modified":"2025-06-23T09:08:30","modified_gmt":"2025-06-23T13:08:30","slug":"splice-brings-its-sample-library-to-pro-tools-with-new-integration-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/06\/23\/splice-brings-its-sample-library-to-pro-tools-with-new-integration-2\/","title":{"rendered":"Splice Brings Its Sample Library to Pro Tools With New\u00a0Integration"},"content":{"rendered":"

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\n\tSplice, a leading music creation platform known for its library of royalty-free sound samples, has launched a new integration with Avid\u2019s Pro Tools. The partnership brings Splice\u2019s advanced sample discovery tools directly into software widely regarded as the gold standard for digital audio workstations (DAWs) since its debut in 1991.\u00a0<\/p>\n

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\t\t\t\t\t\t\"Kakul<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n

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\t\t\t\t\tSplice\u2019s AI Tool Doesn\u2019t Go the \u2018Push Button\u2019 Route for Song Creation\u2026\t\t<\/p>\n<\/h3><\/div>\n

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\n\t\u201cFor the last year and a half, we\u2019ve been on this journey to be closer and closer to the creative process,\u201d Kakul Srivastava<\/strong>, CEO of Splice, tells Billboard<\/em>. \u201cListening to our customers, getting user feedback and testing a whole bunch of things, they\u2019re saying, \u2018What you\u2019re doing is great \u2014 but it would be even better if it were right in my creative workflow.\u2019\u201d Splice listened, and now producers have access to Splice without the disruption of leaving their session in Pro Tools.\u00a0<\/p>\n

\n\tThe collaboration includes features designed to supercharge the creative process for music makers. Chief among them is \u201cSearch with Sound,\u201d which uses AI-driven technology to match Splice samples with the harmonic and rhythmic characteristics of audio already in the user\u2019s session. Other features include seamless auditioning, which enables the preview of sounds, and drag-and-drop functionality for easy sample placement.\u00a0\u00a0<\/p>\n

\n\tAs part of the Pro Tools release, Splice has partnered with songwriters and producers such as Suzy Shine<\/strong> (Dua Lipa<\/a>, Alicia Keys<\/a>), Rob Grimaldi<\/strong> (BLACKPINK<\/a>, BTS<\/a>) and Oak Felder<\/strong> (Rihanna<\/a>, Lizzo<\/a>). For Grimaldi, the integration of Splice into Pro Tools improves his workflow. \u201cBeing able to drag audio I created into Splice and instantly hear suggestions that are in key and actually fit the vibe right in the DAW is incredible,\u201d Grimaldi said in a statement. \u201cIt\u2019s not just convenient, it keeps me in the zone and pushes me to experiment with fresh sounds.\u201d\u00a0<\/p>\n

\n\tPro Tools and Splice bring complementary strengths to the table, says Chris Winsor<\/strong>, director of Pro Tools product management at Avid. \u201cBy integrating Splice\u2019s sound library and discovery tools directly into Pro Tools, we\u2019re giving music makers seamless access to the sounds they need without disrupting their creative flow,\u201d he said in a statement.\u00a0\u00a0<\/p>\n

\n\tThis integration is not Splice\u2019s first foray into the world of digital audio workstations (DAWs). In 2024, the company partnered with PreSonus\u2019 Studio One to introduce similar features. But the Pro Tools partnership feels particularly monumental to Srivastava. \u201cPro Tools has been the leading tool in this space, and you could say they invented digital audio workstations,\u201d she says. \u201cBeing part of the solution with them is like a dream come true.\u201d\u00a0<\/p>\n

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\t\t\t\t\tSplice\u2019s Year-End Data Reveals What Producers Are Into: Amapiano & Phonk Skyrocket, Trap\u2026\t\t<\/p>\n<\/h3><\/div>\n

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\n\tFor Splice, this collaboration is part of a larger strategy to align its tools more closely with established workflows. Srivastava explains that Splice has spent significant time reflecting on the needs of its users, opting to enhance their capabilities within existing creative frameworks rather than disrupt them with entirely new systems.\u00a0\u00a0<\/p>\n

\n\tSrivastava believes the potential for AI in music production lies not in generative AI \u2014 computer-created sounds \u2014 but in enabling creators to work faster and better without dulling their creative instincts. \u201cIt\u2019s not about AI-generated content,\u201d she continues. \u201cThat is not interesting to people, and it\u2019s not even interesting to us. It\u2019s about AI-generated tools, AI-enabled creative tools, so that creators have the ability to use AI to make the creative process better.\u201d\u00a0<\/p>\n

\n\tGenerative AI platforms that allow users to create music with a click of a button are \u201cjust deeply disrespectful to what artists do and the kinds of controls they need,\u201d she continues. \u201cCompanies like Pro Tools have been building incredible, powerful, sophisticated tools for creative people for many, many years.\u201d\u00a0<\/p>\n

\n\tWhile Pro Tools integration marks a major step forward, Srivastava suggests Splice\u2019s journey is far from complete and hints that other collaborations and projects will further transform how musicians make music. \u201cWatch the space,\u201d she teases.\u00a0<\/p>\n<\/div>\n<\/div>\n

Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Splice, a leading music creation platform known for its library of royalty-free sound samples, has launched a new integration with Avid\u2019s Pro Tools. The partnership brings Splice\u2019s advanced sample discovery tools directly into software widely regarded as the gold standard for digital audio workstations (DAWs) since its debut in 1991.\u00a0 Related Splice\u2019s AI Tool Doesn\u2019t […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-168603","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/168603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=168603"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/168603\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=168603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=168603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=168603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}