{"id":167286,"date":"2025-06-16T12:11:12","date_gmt":"2025-06-16T16:11:12","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/06\/16\/the-return-of-ryn-weaver-ive-waited-so-long-now-im-ready-to-do-the-damn-thing-2\/"},"modified":"2025-06-16T12:11:12","modified_gmt":"2025-06-16T16:11:12","slug":"the-return-of-ryn-weaver-ive-waited-so-long-now-im-ready-to-do-the-damn-thing-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/06\/16\/the-return-of-ryn-weaver-ive-waited-so-long-now-im-ready-to-do-the-damn-thing-2\/","title":{"rendered":"The Return of Ryn Weaver: \u2018I\u2019ve Waited So Long Now \u2013 I\u2019m Ready to Do the Damn\u00a0Thing\u2019"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI look back at that time, and it was so romantic,\u201d Ryn Weaver tells <em>Billboard<\/em>, \u201cand I was so young, and so brave, and so scared, and kind of staying high so I didn\u2019t have to come down.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWeaver needs every adjective she can find to describe the personal and professional whirlwind that she experienced a decade ago. In June 2014, the singer-songwriter born Aryn W\u00fcthrich made her debut with \u201cOctaHate,\u201d a sleek, lightly swaying synth-pop gem with effervescent verses and a hammered-down hook; she uploaded the track onto Soundcloud, and it rapidly took off with pre-TikTok social media shares and critical approval.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tPop Twitter noted the song\u2019s pedigree \u2014 not only did \u201cOctaHate\u201d boast a co-writing credit from a then-red-hot Charli XCX with Weaver, but Benny Blanco, Passion Pit leader Michael Angelakos and Norwegian polymath Cashmere Cat all helped pen and produce the song. But more immediate were 21-year-old Weaver\u2019s dynamic voice and theatrical delivery, adding dramatic heft to each of the song\u2019s finely crafted melodies. Combined with the news that \u201cOctaHate\u201d preceded a debut album that Blanco and Angelakos would co-helm, and that Blanco would release through his Interscope imprint Friends Keep Secrets, Weaver appeared to have the skills and industry buy-in to become an <a href=\"https:\/\/www.billboard.com\/music\/music-news\/ryn-weaver-interview-octahate-benny-blanco-passion-pit-6296640\/\">alt-pop star<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWeaver\u2019s debut, 2015\u2019s <em>The Fool,<\/em> brimmed with promise and personality, debuting at No. 30 on the Billboard 200 and prompting a headlining tour and festival dates over the following year. None of the follow-up singles built upon the commercial success of \u201cOctaHate,\u201d though, and a follow-up album never materialized. \u201cIt was also very sad, and very heartbreaking,\u201d Weaver says today, \u201cand I was very lost, even though I was just charging into the night.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tIn the years since, Weaver\u2019s name would pop up as a co-writer on songs like 2019\u2019s \u201cDream Glow\u201d by BTS and Charli XCX, and 2021\u2019s \u201cJust For Me\u201d by SAINT JHN and SZA; \u201cPierre,\u201d the anthemic fan favorite from <em>The Fool<\/em>, has also been a perennial TikTok favorite, inspiring multiple trends beginning in 2021 and racking up even more U.S. on-demand streams at this point than \u201cOctaHate\u201d (111.7 million to 63.4 million, according to Luminate). Yet Weaver, whose wit and sincerity once made her a must-follow on Twitter and Instagram, mostly vanished from social media, and years passed between updates on in-the-works music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOn Monday (June 16) \u2014 the 10-year anniversary of<em> The Fool<\/em> \u2014 that wait finally ended. \u201cOdin St\u201d may be Weaver\u2019s first official single in a decade, created with a darker tone (courtesy of co-producers Benjamin Greenspan and Constantine Anastasakis) and a more mature perspective. But longtime fans will recognize the idiosyncratic wordplay, loping syllables and ornate hooks that bend toward a major chorus, all as magnetic today as when Weaver barreled into view a decade ago.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Odin St\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/W5iyGAmwK4g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNow 32 and without a label \u2014 she\u2019s no longer working with Blanco but describes their parting as amicable, and says that she still keeps in touch with Angelakos \u2014 Weaver says that \u201cOdin St\u201d will lead into the sophomore act that she always knew she had inside of her, but which required time to germinate.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI went through a very singular, and yet kind of clich\u00e9d, experience,\u201d Weaver explains of her early stardom, \u201cwhere I didn\u2019t feel like I could fully communicate it yet. It was, like, above my pay grade, the language to discuss what was going on. I needed some space from certain experiences to actually be able to write from a place of clarity.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAhead of the release of \u201cOdin St,\u201d Weaver discussed where she\u2019s been, and where she finally hopes to go next. <em>(Ed. note: this interview has been condensed and edited for clarity.)<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Where did \u201cOdin St\u201d come from?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tChronologically, the song is where <em>The Fool<\/em> ended. [The album\u2019s final song, \u201cNew Constellations\u201d] ends, \u201cYou can run, if you want to.\u201d I think it\u2019s pretty clear that I left my label \u2014 I asked to be released \u2014 and so I moved to L.A., across the country, and my manager picked out a place for me to stay. It was on Odin Street in Los Angeles, and I didn\u2019t know the lore of Odin at that time, but it was this safe haven, bunker, Grey Gardens situation. I hid there, I guess, and waited for some dust to settle.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAnd then later, thinking about the lore of Odin, I just love that he\u2019s the god of wisdom, and he represents people who are willing to give up everything on their journey for their acquisition of wisdom. I felt like that was such a poem in and of itself \u2014 being on Odin Street, and knowing that was my journey, but it\u2019s a very long journey to actually acquiring wisdom. It was also the inverse \u2014 I was making the first step, but in reality, I was partying, and hiding, and I was with someone I shouldn\u2019t have been with. And so it was kind of this house down the road from wisdom.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>When did you start piecing the actual song together?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think I started an idea for it like three years later, and then I scrapped that. And then I went in with [producer-songwriter] Active Child, and we started something \u2013 but it was almost too joyful in a way, too romantic. I started the verse there, and then we didn\u2019t see each other through COVID. And then I was writing with a guy named Constantine, whose artist project is Blonder, and we were writing for a young artist that my friend was managing, in the desert. We got on very well, and we got back home and were talking about working together. He has this very interesting dark guitar tone.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe hung out all night, and I think it was 7:00 AM when we started writing it. Funny enough, the song is in the key that it\u2019s in because of my throat \u2014 I was like, \u201cIt\u2019s 7:00 AM, this is where I can sing this song.\u201d And we even tried to change it a couple times, but key characteristics are so important. We lifted it a half [key], and then it sounded like a jingle. I was like, \u201cWe\u2019re keeping it where it is, because it\u2019s dark, and it\u2019s gritty.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>\u201cOdin St\u201d has been rumored to come out for a few years now. Why was now the right time?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tFor my fans, I love the idea of putting something out on the 10-year for <em>The Fool<\/em>. We never did a re-pressing \u2014 we did one pressing, and people constantly ask me, \u201cCan I get a record?\u201d I don\u2019t have any! But this song is literally where I left you, and it\u2019s a darker color palette. I like that it\u2019s lower \u2014 I wasn\u2019t really encouraged to sing in a lower register on the first record. So this is also kind of a break-free moment, of I can do whatever I want. And I also just think it\u2019s a foray into a darker new chapter, while still being light enough.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How close was this moment to happening in the past? Were there starts and stops?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThere were <em>so many<\/em> starts and stops.\u00a0 There have been three separate times I was getting ready, and there were different songs, too. There was one that I was like, \u201cI feel like that\u2019s the wrong story to start with.\u201d I would get close, and then pull back. I\u2019ve had to get to a point of regaining a lot of self-trust, because working with super-producers and then leaving \u2014 you have a splash like that, and then you\u2019re coming back, and there\u2019s this feeling like, \u201cThis is different.\u201d So I think I was scared.\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI was never lying to anyone. I always thought I would release something, but then the logistics of it come into play. It costs money. I don\u2019t want to give away my power and immediately sign somewhere. Maintaining autonomy was also important to me. I think, at this moment in time, I am able to do that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Was co-writing for other artists, or serving as a guest vocalist, ever a lane you considered?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019ve written for other people \u2014 I wrote for SAINt JHN and SZA, and I did something for BTS. I\u2019ve had a lot of random, lucky cuts. If you take this much time off \u2014 I\u2019m not connected in the industry through family, I don\u2019t have a giant trust fund or anything. I felt like the universe was protecting me, being like, \u201cHere\u2019s this Head and the Heart song, you can keep going.\u201d That was also a really nice way to pull back and de-center myself, especially while I was pulling back the arrow and deciding what this new chapter would look like.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI turned down a couple really big features at the time, but I think it was because I wanted to establish myself as an artist with my voice. The music industry has changed, but at the time, I felt there was a bit of a trap in being a features artist. I really wanted for my first big feature for everyone to be like, \u201cOh, damn, they\u2019re working together!,\u201d not, \u201cWho the f\u2013k is that?\u201d I was pretty stubborn about wanting to continue to develop my own voice to where it feels like, that is a worthy collaboration, instead of being thrown onto something. I was maybe a little cagey, but I stand by that decision.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Around the release of <\/strong><strong><em>The Fool<\/em><\/strong><strong>, you were all over social media and constantly online. And then you took a step back for a long time.<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWell at the time, I wasn\u2019t releasing \u2014 I don\u2019t know how many selfies or how much content the world really needs. But also, I started seeing someone who\u2019s wonderful, and who doesn\u2019t have social media. And I was like, \u201cWow, I want to do that for a minute.\u201d It was like, what am I trying to get here? Am I going to post a snippet? Am I going to react or bandwagon? I was like, \u201cThey don\u2019t need me right now. Open up the stage for the people they need right now.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019ve been onstage my whole life, since I was four, and was a bit of an overachiever in that sense. I was performing professionally at events, and singing for sports games, and then I was the lead in plays, and I was in bands, and then I got into [NYU], and then I dropped out of school, and then I met Benny, and everything was just like, good, good, good, good. And I didn\u2019t understand myself outside of the context of other people, and my value was heavily tied to my ability to entertain or perform.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI think the time off has been really transformative, in the sense that you really do have to find what your intrinsic value is. That was a very painful process. And this is the longest I\u2019ve not been onstage in my life, but it was so crucial to my general development. So I think you have a couple of little ego deaths in there, where you don\u2019t need to fight for attention.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Ryn Weaver - OctaHate\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/furpBFPwspQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>So what were your areas of interest while you were detached? Did you pick up new hobbies?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI traveled a bit. I\u2019ve gone on weird hiking road trips. I got a sewing machine. I got back into painting. I hung out with my friends and my family a lot. I was a good cat mom. I go dancing, I exercise, I swim in the sea. I was living my life! I do have to acknowledge screens \u2014 it\u2019s a very depressing truth that we all binge more than we want to, and we all are on our phones more than we want to be, and I\u2019m trying not to do that, but sometimes my nights are that. I was a bartender for a second. I\u2019ve been in therapy. I\u2019m doing what anybody else is doing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Did you ever consider leaving music altogether?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI did, but I didn\u2019t. You can talk yourself in and out of everything \u2014 I was like, \u201cMaybe I\u2019ll go to school and study semiotics! I\u2019ll go write a book!\u201d Or I was like, \u201cMaybe the industry is too toxic!\u201d I was in a very different industry, pre-MeToo, and women were pitted against each other in different ways. There was a little bit of seeing how the sausage was made, and being there, the industry felt strange.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMore for the drama of it, I was like, \u201cMaybe I\u2019ll leave.\u201d And I had enough reasons to, and most people would have. But I think I always had that thing that was like, \u201cIt\u2019ll be next year.\u201d It was more prolonging the [return], and never like I was actually going to pivot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>When you did check in with the rest of the world, how meaningful was it to read fan messages asking about a comeback or hoping you were working on new music?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSuper meaningful, and also heartbreaking. You take this much time off, some of it is trying to find your next perfect-match collaborator. You\u2019ll do some of the speed dating, and someone will want to do \u201cOctaHate 2.0,\u201d when you\u2019re trying to transform. So sometimes I\u2019d get those messages, and especially when I felt so far away from releasing, I was like, \u201cI want to be there too. I\u2019m figuring it out.\u201d But it also kept me going, knowing that I had such a strong fan base and people that really love me. I also kept in touch with so many of them.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI had isolated for a long time, and became sort of hermetic. I like that side of myself, but I also need people. It\u2019s like in the Peter Pan play, where Tinker Bell starts dying and needs everyone in the audience to say, \u201cI do believe in fairies, I do, I do,\u201d to survive. When you\u2019re out of the public eye, and you don\u2019t know how necessary what you have to say is at all \u2014 having people being like, \u201cWe believe, we care, we\u2019ll listen,\u201d that matters.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>How does it feel to be on the precipice of releasing new music?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI feel really calm, in a way. I think I was so frantic with \u201cOctaHate\u201d \u2014 it was one of those releases where it was like, \u201cWe\u2019re just gonna put this out today!\u201d \u201cOh, we are?\u201d It was horrifying. I threw up that day. I was like, \u201cOh God, this is happening.\u201d But I\u2019ve waited so long now that I feel ready to go.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWe have a couple more songs coming down the pipeline, and then I think we\u2019re going to do an announcement for\u2026 other stuff. But as of now, I just want to focus on this. I\u2019m also actively in EMDR, which is really cool. I\u2019m really preparing myself to come back to the industry from every angle, and feel really like secure and stable coming back. So it\u2019s like, a nice summer, getting me ready to to do the damn thing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>Are you thinking about playing shows?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOh, yeah. I mean, that\u2019s kind of my favorite part of it. I love writing, but being onstage in that communal heartbeat thing \u2014 where someone can be attached to the work for a completely different reason [than someone else], but everyone\u2019s singing it at each other \u2014 it\u2019s just this electricity.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI remember before I first went on tour, I was doing radio promo and all this stuff that made me feel disconnected from what I was doing. And as soon as I went on tour, I was like, \u201cOh my God, this is it \u2014 I\u2019m a road dog, I am a sailor.\u201d I grew up doing theater, show after show, and it\u2019s always different. And getting to interact with people, hanging with them after the show \u2014 I had people coming on the bus and doing shots with me, and it was just so fun and free. I will be a better girl this time! I mean, you can only pull that off at 22. But, yeah, that\u2019s the best part of it, to me.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t<strong>What do you expect to feel when you return to the stage and start performing songs from <\/strong><strong><em>The Fool<\/em><\/strong><strong>?<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI mean, hopefully no one is the same person as they were a decade ago. I want to say something in defense of <em>The Fool<\/em>, though. I feel there was a while where I couldn\u2019t listen to it \u2014 almost like, \u201cWhat was that? Oh, my God.\u201d There\u2019s a lot of things that I was embarrassed about when I was younger, like doing theater and this and that. But to me, they\u2019re like, these beautiful baby pictures. And I was just so brave and young, and there was no thought about anything, other than \u201cI only have this many days to write an album, so I\u2019m gonna do it.\u201d And it was high-pressure, high-stakes. I was living a very exciting life. And I just have so much love for that album.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI\u2019m sure we\u2019ll reimagine some of the instrumentation, but for some of them, we won\u2019t. It\u2019s a chapter that literally gave me the ability to be talking to you right now, and gave me the ability to have fans and have opportunities. I re-listen to it now, and not to toot our horn, but with Benny and Michael and me, it was a sound that\u2019s got legs, and it feels timeless. The songs are strange, but still big. And I feel like that is the way I write.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tI do feel like these two albums are going to be companion pieces \u2014 the first one is very bold and bright, and there\u2019s a lot of darkness in what I wrote, even if the energy isn\u2019t. And the newer stuff is a bit of a photo negative. Different colors, but it\u2019s not like I\u2019m not a romantic, theatrical, intense person still. I\u2019ve just matured.<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/pop\/ryn-weaver-comeback-odin-st-new-single-second-album-1235999856\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cI look back at that time, and it was so romantic,\u201d Ryn Weaver tells Billboard, \u201cand I was so young, and so brave, and so scared, and kind of staying high so I didn\u2019t have to come down.\u201d Weaver needs every adjective she can find to describe the personal and professional whirlwind that she experienced [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-167286","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/167286","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=167286"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/167286\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=167286"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=167286"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=167286"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}