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\n\t\u201cWe don\u2019t look at her as a dance-pop artist,\u201d Columbia Records president Don Ienner noted to Rolling Stone<\/a><\/em> about his latest signing Mariah Carey<\/a> in 1990. \u201cWe look at her as a franchise.\u201d It\u2019s fair to say that some pretty lofty expectations were placed on the diva ahead of her first studio album\u2019s release. Luckily, Mariah Carey achieved them and then some.<\/p>\n \n\tIndeed, the record spent 11 weeks atop the Billboard 200<\/a>, helped Carey pick up the Grammy for Best New Artist, and racked up sales of more than 15 million<\/a> to become the biggest pop debut of the era. And although hitmakers Rhett Larence, Narada Michael Walden, and Walter Afanasieff were brought in to help hone its sound, each and every one of its 11 tracks was co-penned by Carey, very much proving that her songwriting talents were as forceful as her mesmeric vocal range.<\/p>\n \n\tIn fact, alongside earliest creative partner Ben Margulies, Carey had also produced the demos which first caught the attention of Sony\u2019s head honcho and her future husband Tommy Mottola. (\u201cWhen I heard and saw Mariah, there was absolutely no doubt that she was in every way destined for super-stardom,\u201d the latter once remarked <\/a>in another example of the music industry\u2019s high hopes).<\/p>\n \n\tOf course, Carey would go on to surpass her early achievements with blockbuster records such as Music Box<\/em>, Daydream<\/em>, and 2005 comeback The Emancipation of Mimi<\/em>. But her eponymous LP still stands up as an impressive springboard. Ahead of its 35th anniversary on June 12, we\u2019ve ranked its octave-spanning offerings from worst to best.<\/p>\n