{"id":151335,"date":"2025-04-17T12:15:06","date_gmt":"2025-04-17T16:15:06","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2025\/04\/17\/the-kids-are-more-than-alright-life-lessons-from-newcomer-greylan-james-3\/"},"modified":"2025-04-17T12:15:06","modified_gmt":"2025-04-17T16:15:06","slug":"the-kids-are-more-than-alright-life-lessons-from-newcomer-greylan-james-3","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2025\/04\/17\/the-kids-are-more-than-alright-life-lessons-from-newcomer-greylan-james-3\/","title":{"rendered":"The \u2018Kids\u2019 Are More Than Alright: Life Lessons From Newcomer Greylan\u00a0James\u00a0"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tLife in the spotlight isn\u2019t nearly as glamorous as it looks, particularly for new artists.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBetween taking every road gig available, meeting programmers in multiple cities on radio promotion tours, creating new material and building a social media base, it\u2019s not unusual for acts in their first year or two in the national spotlight to operate regularly on just four or five hours of sleep.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tArtists don\u2019t usually talk about it publicly \u2014 most folks with more typical jobs don\u2019t want to hear anyone b\u2013ch about playing music for a living. Sometimes even the family refuses to take pity, as new Nashville Harbor artist Greylan James discovered.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cTalking to my parents every weekend when I got back from being on tour, [I\u2019d be] complaining, \u2018Y\u2019all, I\u2019m just exhausted. I\u2019m stressed all the time. You guys have no idea how hard it is to be a country music songwriter and artist,\u2019\u00a0\u201d James remembers. \u201cOf course, my mom, being the Southern woman with the sass that she is, her favorite comeback was always, \u2018Well, you think you\u2019re tired and stressed now, Greylan, just wait \u2019til you have kids.\u2019\u00a0\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThanks, Mom.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Greylan James - Wait Til You Have Kids (Home Video Version)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/J7apgDRFttc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWait Til You Have Kids\u201d is now the title of James\u2019 first radio single, released to country broadcasters via PlayMPE on March\u00a03. It embraces the impact that raising children has on a parent\u2019s view of life\u2019s details while loosely tracing the kid\u2019s journey from toddler to young adult. The stories are familiar, though neither James nor his co-writer, Matt Roy (\u201cDone\u201d), actually have children of their own.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cSometimes we get a little caught up in that,\u201d Roy says. \u201cAt the end of the day, a really good example is \u2018There Goes My Life.\u2019 I mean, as far as I know, <a href=\"https:\/\/www.billboard.com\/artist\/kenny-chesney\/\" data-type=\"link\" data-id=\"https:\/\/www.billboard.com\/artist\/kenny-chesney\/\">[Kenny] Chesney<\/a> doesn\u2019t have any kids, and he\u2019s not married. It just was a great song that he wanted to do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJames had suggested writing \u201cWait Til You Have Kids\u201d several times, but his co-writers invariably passed. He brought it up again in a May 2024 appointment with Roy on Music Row in Nashville, and they pinpointed <a href=\"https:\/\/www.billboard.com\/artist\/cody-johnson\/\" data-type=\"link\" data-id=\"https:\/\/www.billboard.com\/artist\/cody-johnson\/\">Cody Johnson<\/a> and <a href=\"https:\/\/www.billboard.com\/artist\/jordan-davis\/\" data-type=\"link\" data-id=\"https:\/\/www.billboard.com\/artist\/jordan-davis\/\">Jordan Davis<\/a> as artists who might be good targets, but then they moved on to other titles. Ultimately, Roy decided they should invest at least an hour into \u201cKids\u201d and see if it worked.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJames developed a flowy acoustic guitar part, and they kicked into a series of attitudes that would distinguish childless adults from parents: \u201cSome people drive too slow,\u201d \u201cTattoos are no big deal\u201d or \u201cIf \u2018There Goes My Life\u2019 [is] just another song on the radio.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cWhen I graduated high school, \u2018There Goes My Life\u2019 was the theme song,\u201d James recalls. \u201cThat\u2019s one of those songs that\u2019s been a timeless classic, and so it was kind of a reference for us.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen they reached the chorus, James was determined to make slight changes to a line or two in each iteration, the same way it had worked when he co-wrote Jordan Davis\u2019 \u201cNext Thing You Know,\u201d another song with a significant parenting element.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI\u2019m sure Matt was dreading that,\u201d he says. \u201cWhen you\u2019re trying to get out of the room by 3:00, like most writes work, changing the lyrics and the chorus gets a little complicated.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut Roy saw the chorus modifications as a key development. Each time they changed the lyric, it advanced the kid\u2019s age, making it a song with big-picture implications, rather than a gooey portrait of one particular age. It was trickier than it sounds.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt grows the song up, but it doesn\u2019t grow [the singer] up,\u201d Roy says. \u201cThat was the hardest balance to maintain, just because every singer wants to be young and hip and cool \u2014 and particularly, for a young artist to act like a 60-year-old rocking around his porch telling advice wasn\u2019t the direction we really wanted to go in.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe second verse was surprisingly easy: They developed so many examples of the changes that kids bring to a life that they had plenty of options. \u201cYou just need to make it all rhyme,\u201d Roy says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThey worked it so that the child\u2019s aging process peaked in the bridge, with the kid \u201ca thousand miles away\u201d \u2014 presumably in college, but maybe married and living in another town \u2014 and the singer asking them to visit. James worked up a demo on his own at home. \u201cI knew it was kind of a special song from the beginning,\u201d he says. \u201cOriginally, I was like, \u2018This doesn\u2019t need to be something super-built up. It can just be a kick drum, guitar, vocal, maybe little cymbal swells here and there.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJames was very intentional about the vocal, recording 10-15 passes to make sure he showcased it in the best way possible. A few artists took a look at it, but when Nashville Harbor president Jimmy Harnen heard it, he called James and told him he should cut it himself. James protested \u2014 since he didn\u2019t have kids, he didn\u2019t think he was the right messenger \u2014 but Harnen assured him the song\u2019s emotional value outweighed that issue.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHarnen convinced him they should release it early in 2025, and they assigned it to producers Jason Massey (Kelsea Ballerini, Kylie Morgan) and Brock Berryhill (Parmalee, Jelly Roll), with a tight one-week deadline. Booking a studio and a full cadre of musicians was an unlikely proposition, so they decided to build around the best parts of James\u2019 demo. They kept his vocal and his acoustic guitar, and overdubbed the other instruments atop that core.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIt\u2019s crazy because we\u2019re writers, too,\u201d Massey says, \u201cso we were doing it around our writing schedule.\u201d<br \/>That meant it was mostly late-night work for the week. \u201cI was just sending him all of my parts, and then he would send me a revised stereo file and I would just keep adding stuff,\u201d Berryhill says. \u201cWe didn\u2019t really have to do a whole lot on this one.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMassey handled the bass guitar and drums while Berryhill supplied background vocals and other small touches, including a manditar, a smaller guitar with sonic similarities to mandolin. \u201cFor the most part, [the melodic instrumentation] is just two acoustics and doubling some of the parts with electric, kind of vibey tones,\u201d Berryhill notes. \u201cThen from there, it\u2019s a lot of ambient layering, swelling guitars and some weird effect things.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tDespite the limited time frame, they did a little more than they needed. James asked them to pare it back. \u201cThere were some bigger drum moments,\u201d Massey says. \u201cIt got a little bigger, and then Greylan was like, \u2018I kind of miss the intimacy of the demo.\u2019 I think he was right. That was a good call.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThough James had reservations about releasing \u201cWait Til You Have Kids\u201d as a childless man, he has grown more comfortable with the situation. He relates to the song as a son, and the possibility exists that he\u2019ll become a father somewhere down the road. He expects the job will be at least as challenging as his current one in country music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI don\u2019t hate where I\u2019m at right now,\u201d he says, \u201cbut if it ends up changing, that\u2019s something I\u2019d be blessed to be a part of.\u201d<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/country\/greylan-james-wait-til-you-have-kids-makin-tracks-1235948891\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Life in the spotlight isn\u2019t nearly as glamorous as it looks, particularly for new artists. Between taking every road gig available, meeting programmers in multiple cities on radio promotion tours, creating new material and building a social media base, it\u2019s not unusual for acts in their first year or two in the national spotlight to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-151335","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/151335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=151335"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/151335\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=151335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=151335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=151335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}