{"id":111988,"date":"2024-11-12T12:09:49","date_gmt":"2024-11-12T17:09:49","guid":{"rendered":"https:\/\/www.cyberlego.com\/web\/2024\/11\/12\/mike-jones-collaborators-look-at-houston-classic-still-tippin-20-years-later-how-it-redefined-the-city-2\/"},"modified":"2024-11-12T12:09:49","modified_gmt":"2024-11-12T17:09:49","slug":"mike-jones-collaborators-look-at-houston-classic-still-tippin-20-years-later-how-it-redefined-the-city-2","status":"publish","type":"post","link":"https:\/\/www.cyberlego.com\/web\/2024\/11\/12\/mike-jones-collaborators-look-at-houston-classic-still-tippin-20-years-later-how-it-redefined-the-city-2\/","title":{"rendered":"Mike Jones &amp; Collaborators Look at Houston Classic \u2018Still Tippin\u201d 20 Years Later &amp; How It Redefined the\u00a0City"},"content":{"rendered":"<p><!-- no image --><\/p>\n<div><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tWhen Mike Jones, Slim Thug and Paul Wall first cut \u201cStill Tippin,\u2019\u201d they weren\u2019t seeking superstardom, just a bonafide street hit. But with the classic track, the three Houston MCs \u2014 and the people behind them \u2014 propelled Houston into a hip-hop hub.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cStill Tippin\u2019\u201d received its major release on November 12, 2004 \u2014 though it was a hit in the streets and clubs of Houston over a year prior. But Jones had spent years just trying to make it as an artist.\u00a0At his side was his mother and grandmother, who were his biggest supporters in his creative journey \u2014 and inspired the famous \u201cWho? Mike Jones!\u201d adlib. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI was trying to go to the club and get my music played,\u201d Jones tells <em>Billboard<\/em>. \u201cPeople were making fun of me, like, \u2018Are you Biggie?\u2019 I\u2019m like \u2018I\u2019m Mike Jones.\u2019 and they\u2019d be like, \u2018Who?\u2019 And my grandma and mom said, \u2018Throw it back in their face\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJones was discovered by Swishahouse founder and president Michael Watts in the late \u201890s, after artist manager \u2014 then A&amp;R man \u2014 T Farris suggested Watts get him to rap on Swishahouse mixtapes. At the time, Watts says that Jones was performing freestyles and mixes at strip clubs for the women to dance to. \u201cI went there to go check him out,\u201d Watts recalls, \u201cand I said, \u2018Hey, why don\u2019t you come to the studio and lay down a few freestyles?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJones would later cut some tracks for the Swishahouse crew before signing in the early 2000s, but his Houston breakthrough would come in the form of \u201cStill Tippin\u2019\u201d \u2014 in its original 2003 iteration.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe song first appeared on Swishahouse\u2019s <em>The Day Hell Broke Loose 2 <\/em>mixtape, not necessarily as a Jones single, but a compilation track comprised of the Swishahouse roster. \u201cThe song was so strong, that we ended up partnering with Asylum. So we used this song that was hot on the streets as a single for Mike Jones,\u201d says Watts.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Slim Thug Mike Jones Chamillionaire - Still Tippin\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/q0_Xo-sOUs0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe original version of \u201cStill Tippin\u2019\u201d had a verse by Chamillionaire instead of Wall, and rides a different instrumental. Watts remembers that the artists didn\u2019t want to rap over the beat we know and love today \u2014 composed of a downtempo percussive loop and a hypnotic sample of Giachiono Rossini\u2019s \u201cWillam Tell Overture\u201d by the South German Philharmonic\u00a0Orchestra and Alfred Scholz. \u201cNo one originally wanted to rap on that song,\u201d says Watts. \u201cSo what I did was, I reproduced it, I put the hook on it, put Slim, Mike, and Paul\u2019s verse on it, and that\u2019s how that song came about.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJones remembers it differently, crediting the main version\u2019s producer for crafting the simple yet memorable loop we know today. \u201cShoutout Salih Williams. That was all him,\u201d Jones says. \u201cIt was his idea. Like \u2018let me create it off of this vibe,\u2019 and we just did what we did.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne of the biggest factors in the song\u2019s rise was its music video. Before the eras of YouTube, Vevo, and TikTok, the \u201cStill Tippin\u2019\u201d visual became a staple late-night video on the after-hours program <em>BET Uncut<\/em> through word of mouth.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<div class=\"embed-youtube\"><iframe loading=\"lazy\" title=\"Mike Jones feat. Slim Thug and Paul Wall - Still Tippin' (Official Video) [Explicit]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/7ZAYzLjQAd4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe video is fairly simple, featuring the rappers driving through the streets of Houston in Escalades and cars decked out with rims and dubs. Notable moments include a callback to Jones\u2019 days in the strip club and Slim receiving road head (oral sex while driving) \u2014 both of which were cut from the daytime version. But scandalous moments aside, Jones believes that the music and the car culture depicted in the video is what made it a classic.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThis was a good song that both sides of the city of Houston could come together and ride with,\u201d Jones says. \u201cWe got the south side with the candy red cars [and] we got the north side with the candy blue cars.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tHelming the video was John \u201cDr. Teeth\u201d Tucker, a Cincinnati native who became an advocate for southern hip-hop after attending Texas Southern University in Houston.\u00a0After college, Teeth worked as a producer on BET\u2019s <em>Rap City <\/em>\u2014 and would often rave about southern hip-hop artists to his colleagues.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThese guys were going platinum without a deal, because they were making this music between Louisiana and Oklahoma and Texas \u2014 and going on tour,\u201d Teeth recalls. \u201cAnd I was telling the people back about UGK and Southside Players and DJ Screw and Swishaouse. I was telling them about these guys back in Texas \u2014 and up north, man, New Yorkers feel like hip hop starts with them and it ends with them. They weren\u2019t trying to hear nothing about the South.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tAs Teeth became more invested in southern hip-hop, he continued to document and highlight these artists \u2014 and later, made UGK\u2019s Bun B a southern correspondent on <em>Rap City<\/em>. He also created the \u201cThe Booth\u201d portion of <em>Rap City: Tha Bassment, <\/em>where artists brushed off their freestyle skills and showcased a fiar share of southern acts.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTeeth eventually left BET and moved back to Houston to pursue a career as a music video director. Upon his return, he remembers meeting a man named Wally, who was doing distribution for Swishahouse. Wally urged Teeth to meet with Swishahouse\u2019s CEO G-Dash to discuss shooting videos for Swishahouse to distribute on DVDs.\u00a0When meeting G-Dash, Teeth said he would shoot a video for Mike Jones for $30,000. However, according to Teeth, \u201cHe didn\u2019t want to put down the money.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tG-Dash, Teeth, and Wally later met up, with Wally mediating. Teeth eventually agreed to do the video, capturing various aspects of Houston street culture. In portions of the video, Watts is seen spinning \u201cStill Tippin\u2019\u201d on turntables, as a woman dances to the track. According to Teeth, this woman was recruited from a local strip club.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI picked her because she was generating all the attention in the strip club,\u201d says Teeth. \u201cPeople were drawn to her and she had an energy to her. They were like a moth to the flame.\u201d For Teeth, everything about the video was intentional \u2014 not for mainstream success, but for Houston rap fans. \u201cI said, \u2018Let\u2019s make it for your fans, because DVDs were heavy and we can make a DVD around this and sell it if we can never get it to BET\u2019.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tJones also only anticipated this being a Houston hit, which is why he felt comfortable wearing a shirt with his personal phone number \u2014 (281) 330-8004 \u2014 on it. This also came as a suggestion from his grandmother, who died in 2003, before the video\u2019s official release.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cI didn\u2019t want to give out my phone number at first,\u201d Jones says. \u201cMy grandma was like, \u2018Do something that ain\u2019t nobody else doing. Be personal to the fans.  Give out your phone number.\u2019 And I was like \u2018Man, I\u2019m not finna give out my phone number.\u2019 I eventually gave out my phone number. Thank God for her giving me that direction.\u2019\u201d Today, the phone number has since been reactivated as a fan hotline.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTo the surprise of Teeth and the Swishahouse crew, the song became a slow-burning hit \u2014 so much so that Teeth had to cut a second version for rotation on MTV channels, as well as BET\u2019s daytime countdown <em>106 &amp; Park<\/em>. Thankfully, Teeth had plenty of footage to comply with the networks\u2019 requests. \u201cI hate the<em> 106 &amp; Park<\/em> version,\u201d Teeth jokes. \u201cAsylum didn\u2019t give us the money to go back and reshoot what we shot before, and we shot on an older film camera.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tSince its release, \u201cStill Tippin\u2019\u201d has peaked at No. 60 on the Billboard<em> <\/em>Hot 100 and has been certified platinum. The video also earned a nomination in the MTV2 Category at the 2005 MTV Video Music Awards.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThat song is so personal to me, because when you look at that video, it\u2019s 100% a vision that God gave to me. To put the city that I live in now on the map and give respect to the pioneers of of Houston sound,\u201d says Teeth. \u201cAnd to me what makes it so great is that it was nominated for a viewers choice award. It\u2019s more than just what he did on the charts. It\u2019s what the people connected to and I\u2019m really proud of that.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tTo this day, \u201cStill Tippin\u2019\u201d continues to make an impact in hip-hop. Artists like ASAP Rocky, Lil Uzi Vert, and Normani have gone on to sample the track in their own works. The song is also a staple at any Texas function.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cIf it didn\u2019t blow up nowhere else, we knew it was going to blow up in Texas,\u201d says Jones. \u201cEverybody\u2019s big on rides and cars. We still tippin\u2019, and people that are from where we\u2019re from understand the lingo.\u201d<\/p>\n<\/div>\n<\/div>\n<p><a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/mike-jones-still-tippin-20th-anniversary-story-1235826528\/\">Aller \u00e0 la source<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Mike Jones, Slim Thug and Paul Wall first cut \u201cStill Tippin,\u2019\u201d they weren\u2019t seeking superstardom, just a bonafide street hit. But with the classic track, the three Houston MCs \u2014 and the people behind them \u2014 propelled Houston into a hip-hop hub.\u00a0 \u201cStill Tippin\u2019\u201d received its major release on November 12, 2004 \u2014 though [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-111988","post","type-post","status-publish","format-standard","hentry","category-musique","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/111988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/comments?post=111988"}],"version-history":[{"count":0,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/posts\/111988\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/media?parent=111988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/categories?post=111988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cyberlego.com\/web\/wp-json\/wp\/v2\/tags?post=111988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}